Elle s'appelait Scorpion

I was fortunate to see this film on the big screen and I was very impressed with the cinematography. There isn't much character development, but the simmering hatred between Scorpion and a rival inmate creates significant tension. Those who enjoy Eastwood's "man with no name" films, other unusual Japanese films from the same time period (Black Tight Killers, Ecstasy of the Angels, etc.) will find this interesting... my only caveats have to do with the rape scenes, which for some reason often find their way into offbeat Japanese films. Some of the scenes aren't entirely fulfilling... at times I wished for more (unbelievably) violence so the characters are more fully able to avenge themselves. Some of the editing is a little awkward, but there are a few scenes that have breathtaking cinematography... particularly in the hut toward the end of the film where the camera focuses on Scorpion as the contents of the hut rotate around her... and the amazing transition "dream" scene on the bus. Great stuff... I thoroughly enjoyed it. Will be buying on DVD....

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I wrote that review in 2001, but thought I'd add a comment four years later. This film has worked it's way into my subconscious and has become one of my all-time favorites. Not only do I own the U.S. DVD, but the Japanese Region 2 as well (the print quality is much higher... no English subtitles, though). I have since seen all four of the Sasori films, and this film (Joshuu sasori: Dai-41 zakkyo-bô), the second in the series, is the best one.

The Western of the series; Scorpion breaks out of a prison van with six other girls and they're all on the run from newly promoted Inspector Goda. Their adventure takes them through wooded forests, cursed witches, stakeout cabins in mountains, rapists by the rapids, bus jacking, police shootouts, and a second breakout

Less boobage, more humiliation, dumber cops, less violence, more anime, still sexy, still bloody, still art-house

I think the substance of the story has been well described by others already but the look of the film has only been hinted at. It's a wonderfully psychotic vision, I often sat there thinking "Where the heck is the camera? How did they get that angle?". The opening shots of Matsu and the warden in her cell were simply incredible. Throughout the film there are surreal interruptions of the narrative in a "Theatrical" style where the location turns into an obvious backdrop and the lighting becomes more intrusive. These scenes usually highlight what's happening behind the eyes of the silent Matsu.

I won't give it away, but near the end of the movie there is a transition between shots that is so incredible and unexpected that the audience broke out into applause just for a TRANSITION! If you are a fan of surreal film or 60's/70's psycho-cinema you owe it to yourself to seek out this film. It is available on DVD now as well.

It is unfortunate, but nearly unavoidable, that what is innovative and successful will be copied until new viewers find the original unchallenging or even imitative of the successive work they have already viewed. Tarantino has been entirely forthright in acknowledging his debts to the innovators in this and other genres. The primary difference between the approaches of this film and Tarantino's "tributes" is that these intend very little irony or parody, while his work is hyper-aware of such things. I think it is important to view the Scorpion films in the proper context: They are excellently produced potboilers which are very pleasing, and their use of Meiko Kaji as an unapologetically aggressive and vengeful woman looking out for herself, while praiseworthy today, was particularly innovative 35 years ago.

It's difficult to describe a movie like Female Convict Scorpion Jailhouse 41. First let me say that I saw it in a film class that concentrates on the visual styles of several films. In this same class I have seen Touch of Evil and several other "classics." I was amazed to see that this film only had 6 votes(7 including mine), so I had to add my own comment.

This film is masterfully shot in a classic Japanese style that emphazises color and full use of the widescreen presentation. The film also has a bit of a campiness to it that adds a flavor that is unusual for a foreign film. Most foreign films that are thought of as being campy usually are just not well done. This is not the case with Female Convict Scorpion Jailhouse 41. The campiness that I refer to is the same campiness that has made the Evil Dead series such a success. Exaggeration of many shots and the characters themselves.

The story itself is very unique, following a group of escape female convicts lead by an awesome character named Scorpion. The filmmakers gave her a near godlike respect when shooting her, and she is very well developed even though she doesn't speak. She doesn't speak because she knows that actions speak louder than words.

Anyway, I highly recommend this film for anyone who is a fan of foreign films, and I also recommend it to those who like stories based on comic books. I believe that this film is based on a series of Japanese comics; it is put together like a comic book, so it is obvious that many shots and the story are out of this world, as movies such as The Matrix have proved to the main-stream audience.