Jiminy Cricket narrates the history and practice of bicycle safety.Jiminy Cricket narrates the history and practice of bicycle safety.Jiminy Cricket narrates the history and practice of bicycle safety.
- Director
- Writers
- Star
Cliff Edwards
- Jiminy Cricket
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
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I remember seeing this as a child... My grandmother taped it off the Disney channel when she had cable and we only had rabbit-ears. Anyway, my sister and I really got a kick out of the 'Fool' continually doing the wrong thing and 'You' always doing the smart thing!
"I'm no fool, nosiree, I'm gonna live to be 103! I play safe for you and me, 'cause I'm no fool!"
:)
"I'm no fool, nosiree, I'm gonna live to be 103! I play safe for you and me, 'cause I'm no fool!"
:)
A Walt Disney I'M NO FOOL Cartoon.
I'M NO FOOL WITH A BICYCLE shows in how I maintain my bike and follow the safety rules of the road.
This is one of a short series of little films in which Disney helped to inform viewers about basic safety concerns and the foolish ways in which lackadaisical folks can hurt themselves. The interesting history of self-propelled locomotion is also discussed. Jiminy Cricket, as voiced by the inimitable Cliff Edwards, is the perfect pedagogue.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
I'M NO FOOL WITH A BICYCLE shows in how I maintain my bike and follow the safety rules of the road.
This is one of a short series of little films in which Disney helped to inform viewers about basic safety concerns and the foolish ways in which lackadaisical folks can hurt themselves. The interesting history of self-propelled locomotion is also discussed. Jiminy Cricket, as voiced by the inimitable Cliff Edwards, is the perfect pedagogue.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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Details
- Runtime
- 8m
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