Les morts haïssent les vivants

This is one of those movies that you don't see very often. It was good and bad. The good parts in this movie are the deaths and violence. The bad parts are that there was a long boring beginning. If you like zombie movies, rent it. It's not the best, but it's alright. I gave this a 8.

I write this review with serious doubts that anyone will have kept reading through all the 50-odd previous comments to get here. There is, however, the problem that this movie is getting some seriously mixed reviews here. In order to do my part, I cast my vote for "It Sucked!" and hope I can save someone the depression that follows renting a movie with glowing quotes on the box, only to wonder if those quotes weren't from the people who actually made the film.

I'll give it this; it's an educated film. Made for horror fans, by horror fans (who have a shoestring budget and no sense of continuity). Throughout the movie you'll see various references to influential directors (I saw the "Stab" poster, and as far as I know "Nails" cigarettes don't exist outside Kevin Smith movies) and various homages to previous zombie movies (like, all of them). This is, unfortunately, one of it's downfalls because much of the movie is extremely predictable. Also, the director tries to run with what works in the genre (anxiety, extra gore, handy power tools {Where the hell did that chainsaw even come from?}), but it is often executed poorly, regardless of budget. I didn't expect Citizen Kane here, but I also didn't expect a home movie made in a weekend.

For horror fans who think they can look past the directorial mishaps, think again. The zombie volume is next to nothing (2 henchmen zombies and a couple dozen shady figures in cobwebs), the special effects just remind you how crappy the film is (if someone is getting electrocuted, sparks will do nicely, we don't need this crappy cgi fireworks display that looks like a screen saver), and the death scenes are mostly tame (1. character vanishes in mist, throw bucket of blood from off camera. 2. Character has head removed, off screen. Carry crappy fake head back into scene. etc.). The irony here is that the characters in the movie were in the process of filming their own horror movie which actually looked better than the one they got caught up in.

So why did I give it a 3/10 and not a 1/10? Well hell, I can't make a movie. The effort alone is always worth something, no matter what the outcome.

Okay, so those of us that love Horror movies: we understand that even the best directors and screenwriters are influenced by the Greats - Fulci, Argento, Carpenter, Savini. What we also understand is that a great Horror movie is more than the sum of it's parts. It's more than in-jokes and snappy lines and `homages' to the above mentioned Greats.

These reasons are exactly why this movie doesn't work.

In a nutshell, this is a movie in a movie - because *that's* never been done before. A group of film-makers attempt to make a zombie movie in an abandoned hospital. Along the way they find an actual corpse, and because every film student knows that using an actual corpse as well as and breaking and entering make for excellent movies, they incorporate it into their film. Because there isn't a brain among them, and somehow the director convinces them that this is what dedicated filmmakers do, they accidentally re-animate the corpse and open a portal to a `zombie' dimension. People die, lots of blood and cranberry sauce gets spilled, and the movie ends without any real resolution.

Somehow, the director/screenwriter, Dave Parker, thought that horror fans would appreciate the absolute littering of obscure names of people in the industry and the constant barrage of scenes ripped off from other movies would make us happy. He got it into his head that we would enjoy watching re-hashed scenes and brain-numbing dialogue. Yes, Dave, I like watching characters doing stupid things because I, like you, have nothing better to do than sit in my mother's basements watching reel after reel of crappy horror movies before dashing off to our jobs at the local video store. Here's a thought, Dave - Horror fans want a movie that's scary, original - and dare I say it - fun! Not some asinine piece of crap jigged together from movies that we haven't seen in 20 years.

Then, because furthering torturing myself seemed like a good idea at the time, I watched the movie again with the commentary track, thinking that I would get some insight into why someone would waste perfectly good film on something like this, and instead I get what amounts to a circle jerk of the stars and the director patting each other on the back.

Pardon me for being harsh.

What I discovered, to my true horror, was that the director intentionally set out to make a horror movie that was bad, and assumed that his savvy audience would appreciate the cheesy lines and nods to the people he was ripping off. There were so many nods, his head was blur.

I generally like movies produced by Full Moon Pictures. After all, they gave us such tongue in cheek gems as PUPPET MASTER, DOLLMAN VERSES DEMONIC TOYS, the beautifully haunting MERIDAN, and my all-time favorite, PIT AND THE PENDULUM, starring Lance Henrikson. There is a difference between an original movie that's corny and fun and a movie that can't distinguish between `homage' and pure cat yak.

Watching this movie is the equivalent to digging out your own eyes with a dirty spoon.

Being the Bruce Campbell fan that I am, I consider that one of the greatest lines in cinematic history. This is a horror movie for horror fans by horror fans. The Dead Hate the Living is what low budget horror is all about. The zombies are original and extremely creepy. Gaunt, the huge 8 foot zombie, is incredibly eerie. The film's atmosphere is great too. The scene where Maggot pulls Marcus off my his entrails is awesome. There are two computer effects that I was not happy with, the electrocution and the zombie barbecue. Other than those minor flaws, this is certainly a step up for Full Moon Studios. Full Moon pictures has been in a slump for years. This is their best movie since Castle Freak. Actually, I can only recall them having four good movies: Castle Freak, The original PuppetMaster, Subspecies, and this one. The tributes (Sam Raimi, Lucio Fulci, George Romero, John Carpenter, and others) within the film are great too. If you are an underground horror fan, you should at least check this one out for those. This is a must see for all genre (especially zombie) fans. The Dead Hate the Living will turn into a cult classic within a few years. "Glorious Megadeth!"

I'm so tired of supposedly clever, overly self-conscious horror films. I know there are generational differences and a lot of people find this type of thing humorous and hip. In the early 90's, there was a film called "There's Nothing Out There" which was about a slimy green monster from outer space killing vacationing teens at a house in the woods over Spring Break. There was a horror movie nut who bothered everybody by making references to other horror films. At the time, that seemed funny and the movie itself is a ragged, messy charmer. I believe this is the film Kevin Williamson used to help him along in writing the script for "Scream", which while I did enjoy it, has hurt the horror genre through it's lazy deconstruction of modern horror. "The Dead Hate The Living" is a bandwagon film that only goes to show that even with a larger than usual budget and good intentions (but obviously pandering to the "Scream" demographic), a horror movie you cannot make.

I do have a theory that maybe people who like horror a little too much and are too eager to please cannot make a decent, serious horror picture. I do have a problem with people who like references to Warbeck and Campbell and Fulci. Do you like being patronized? I don't think you do. Why do you make special concessions for filmmakers who obviously take the easy way out by making you feel superior because you can pick up on what are basically pop-culture references? All the horror films of the past we champion have none of these obvious references. Are we so devoid of creativity or original thought (or filmmaking prowess) that we cannot make(or get to see) a good horror film anymore? I think they got us in a box and we can't get out.