Cartoon Noir

Each of the shorts were unique; the only one I didn't really click with was Pitt's "Joy Street", although it was still very well done and I think the loveliest visual work in the film, consisting of dramatic watercolor work (both stills and animation). Technically, Dumala's "Gentle Spirit" is probably the best, generating a real sense of dread with it's animation method, tone, and visual symbols. There is not a single word of dialogue, but it manages to say a lot. "Abductees" was great, impressionistic and playful, while doling out some very haunting moments. "Ape" has to be my favorite short, though. I thought it had the clearest narrative line, and the sharpest twist ending. Overall, "Cartoon Noir" is wonderful work. Not every moment shines, but it is still fascinating to watch.

I hate to parrot the typical line, but yes, "The Story of the Cat and the Moon" is hands-down the best thing on this disc. And, since it makes up less than five of the 83 minutes on this disc, a lot of people have been very disappointed with the rest of the selections, I figured each of them deserves their own, mini review: "Club of the Discarded" Stop motion mannequins going about their lives. The film would have been serviceable had it have ended halfway through, but it goes from mildly interesting abstraction to incoherent stupidity when the injection of a "plot" is attempted-when new mannequins come into the old mannequin's turf and a painfully uninteresting battle ensues.

Many of the film's more striking images (that of a limp-necked female mannequin shooting her head up as an invocation of thought or of a family of mannequins sitting down to eat a dinner consisting of paint and newspaper) are ruined by incessant repetition. The film's other images, with range from mediocre (a mannequin man falling down the stairs on his way to work) to juvenile attempts at humor/shock (mannequins having sex), which I was barely able to stomach, get downright frustrating with all of their repetitions. Actually, repetitions make up about 2/3rds of the movie.

I don't mind abstraction without plot, but that abstraction should at lest be interesting. This isn't.

GRADE: F "Ape" A man and wife sit down to eat a dead ape. It is implied that the woman had sex with the ape before she cooked it. SHOCKING!!! Very stylized. Some great images, some so so images. A painfully amateurish vocal track doesn't help matters much, but at lest it's too short to be offensive.

GRADE: C- "Abductees" Audio interviews with some real-life "victims" of alien abduction are played over lush visual representations of those abductions. The varied mix of visual styles and the slow but measured pace of the film is creepy and oddly affecting-it turns out that TV shows typically only show the interesting parts of abductees' stories, but some of the mundane parts are actually quite fascinating.

GRADE: B+ "Joy Street" What at first seems like a typical art student film takes an abrupt and thankful turn for the weird. The beginning of the film features an incredibly depressed young lady sitting around and being depressed. It's nicely-drawn but too technical, not really approachable and the character's can't really emote. I was ready to dismiss this as pretentiousness until the woman falls asleep and her cartoon ashtray comes to life and starts dancing around in a world of Disney happiness, trying to revive her from a suicide attempt.

It's a bit long, especially with all the imagery near the end (had it lasted a few minutes more, I probably would have screamed out "I get it!"), but overall it's a greatly enjoyable little film.

GRADE: B

Seeing this film with my fifteen year old daughter made me proud to be a cineaste. Animation is the cinema of infinite possibilities and they are creatively and individualistically explored here. It isn't that these are the greatest animations ever made although they are all excellent in their own way. It is more that there are real artists out there putting their souls into making art and it's a fine and wonderful thing. There is a certain flimsiness that I do experience to fine art changing in time that is more or less apparent in certain styles of animation (two dimensional drawing more than puppet animation), the sense that if this is really a worthwhile picture it should be examined at the viewers own leisure. But if one sets that aside and embraces the medium, it is as potentially rich and stimulating an art form as any and this film is a good visit to a fine modern collection. If only this were the stuff of broadcast television.