Dark Asylum

This movie had a lot going for it to start out with. Excellent setting of mood during the credits and a buildup of the main character. But it loses its way. It is obvious that Larry Drake can make a great bad guy (something every movie like this needs) but the screenplay ruins the role for him once the action starts. Before that he is actually a thoughtful, resourceful operator who works by intellect as well as brute strength. By the end he is just a brute and it turns out out that there is nothing there. You're expected to believe that he somehow takes out an entire swat team single handedly. And you never get to find out what his motivation was in all this.

This is the class of movie where every active character routinely does the worst possible thing for themselves. The police (except for the opening part) seem to know nothing about police procedure. Everyone -- even the bad guy! -- gratuitously maximizes the danger to themselves. It is too obvious.

They even blew Maggie's (Paulina Porizkova) "Ripley" moment, where she saddles up with cast aside hardware and wades back in to take on the bad guy because all the people who are supposed to be doing it are too stupid to do it.

And I thought Judd Nelson's career was in better shape than this. What is he doing taking on jobs like this? Maybe he owed someone a favor. His character at one point looks like it could be interesting, then fades like everything else in this movie.

Oh, well.

It's sounds interesting with the concept, but the execution is poorly done. There's barely any story other than the main character trying to figure out how to escape from the locked up asylum with a Madman inside. It does have a decent build-up with the madman introduction and how deadly he is. But most of the movie is just the characters trying to escape while surviving against the villain. The movie has a pacing issue with the suspenseful scenes happening too quickly to have tension in it and is predictable to guess what happened next. Also, there's not that much happened in the movie to make it interesting or enjoyable to watch throughout because it's mostly just the same things. The characters try to find ways to escape or fight back, but it ends up being a failure. The climax itself isn't that bad because it's somewhat suspenseful, but the characters don't make the best decisions.

When the serial killer The Trasher (Larry Drake) is accidentally captured by the police, he is sent to a deactivated asylum for psychological evaluation. The psychiatrist Maggie (Paulina Porizkova) is called for the evaluation, but The Trasher escapes from the safety room, and stays prisoned in the place, locked in a wing of the old building with Maggie and Quitz (Judd Nelson), a patient that works as janitor. The Trasher tries to escape before the arrival of the FBI agents in charge of transferring him to a prison, and Maggie and Quitz fight for survival, in a game of cat and mouse.

"Dark Asylum" is horrible, indeed a piece of crap. The story is ridiculous, and the character of Maggie is one of the most imbeciles I have ever seen on the screen. Only a top fashion model, who believes that can act, to accept such a ridiculous role. The scenes where the lunatic that works as janitor advises her to have common sense is one of the saddest, in the ridiculous sense, that I have ever seen. The lines are outrageously silly and the behavior of Maggie, as a psychiatrist, is unbelievable. This film is a complete waste of priceless time and money. I do not understand how a user can recommend this crap, and repeat the review and the advice many times, misleading other readers (like me). My vote is two.

Title (Brazil): "Hospício Maldito" ("Damned Asylum")

Just to give an example of how poorly directed this piece of junk is: when Larry Drake is trying to escape from a straightjacket while chained to a chair, the close shots of him tearing out the seams of the straightjacket are backgrounded with Foley sound of him kicking the strut between the chair's legs - and yet he remains perfectly still! (Just try kicking the legs of a chair that you're sitting on and see if you can stay still, no matter how heavy you are - ludicrous.) Larry Drake, in the usual hackneyed role of serial killer-as-superman is badly miscast. Not to be weight-ist, but he is far too heavy to pull off the role convincingly. The film tries, for example, through shoddy editing techniques, to make us believe that a man as overweight as he is can outrun a bunch of cops. It looks so absurd that it's not even laughable. Actually everybody in this movie moves WAY too slowly. It's one of those films where the bad guy staggeringly advances on his victim while the victim, as yet uninjured and otherwise unimpaired, flounders on the floor, trying to scuttle away but managing instead to conveniently back into a wall, all the while yelling, "Nooooo! Please - aaaargh!" (Sort of like my reaction to this cinematic garbage.)

I rented this as a "throw away", just something to watch. Surprisingly, it wasn't bad. No, it wasn't Jason or Freddy but it kept the pace. Larry Drake made a good psycho and Judd Nelson did well as the "janitor". It has potential to be developed into a better movie if it were remade. Remember "Red Dragon" was a B movie in the 80's before it caught on and remade well.

I recommend it as one of the better B movie thrillers.