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6.6/10
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In order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.In order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.In order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.
- Director
- Writers
- Stars
Natsuko Yashiro
- Kaoru Onotsuka
- (as Yûko Oribe)
Emi Jô
- Youko Watanabe
- (as Emi Shiro)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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When a young woman named Maya(Yumi Takigawa)decides to investigate her mother's death by entering a convent school,she discovers a horrific den of pleasure and sadomasochistic activities.Encounters with a randy archbishop and a lesbian mother superior lead to episodes of torture,which include the poor girl being bound topless by thorny vines and beaten with long-stemmed roses.Norifumi Suzuki's "School of the Holy Beast" is a chock full of sleaze,violence and blasphemy.Still the film is visually stunning and the use of colors is execellent.The script pulls no punches in criticizing the hypocrisy of the Catholic church.The story is interesting,the nudity is expicit and there is plenty of symbolism.Overall,I enjoyed this film very much and you should too,if you are a fan of sleazy nunsploitation sub-genre.9 out of 10.
Nunsploitation is a sub genre more often associated with trashy cheap Italian cinema; but Japan made a few as well, and while the bizarre Wet & Rope was worth seeing - their real masterpiece was this film, School of the Holy Beast. The most popular religions in Japan are Shinto and Buddhism, so it's rather strange to see Japanese women dressed in habits in a Roman Catholic convent, but even so - that hasn't stopped director Norifumi Suzuki from creating a fine slice of nunsploitation. One of my favourite things about this sub-genre is the fact that the films are often well photographed, and the directors take care with shooting the convent itself, and this is something that is adhered to with this film. There isn't a great deal of plot to speak of, but the central thread follows a beautiful young woman named Maya, who gets bundled off to a convent shortly after having sex with some guy. It soon becomes apparent that, like every other nunsploitation film, not everything at the convent is completely above board - as the nuns themselves are subjected to all manner of sexual punishments.
The attention to detail in the film is stunning, and the director delights in dishing up some stunning shots of the locations and his actresses. Japanese cinema is well known for being stylish, and that is certainly true of this film. There's plenty of sleaze on offer, but it all feels very artful and despite the fact that we're watching things such as whippings, lesbianism and rape, it never feels very shocking and that's because it's all very easy on the eyes. The script doesn't extend well to characters and character development, but it's not all that important and it is good to see that the story does develop past the basic plot layout - which certainly can't be said for every film of this type. Debutant Yumi Takigawa takes the lead role, and does well with it. Admittedly, it's not really because of her acting talent; but she does look good with her top off, and the director obviously knew that as he makes a meal out of scenes that see her half naked and bound with ropes. Overall, this is a fascinating cult film and comes highly recommended to anyone that enjoys this sort of cinema!
The attention to detail in the film is stunning, and the director delights in dishing up some stunning shots of the locations and his actresses. Japanese cinema is well known for being stylish, and that is certainly true of this film. There's plenty of sleaze on offer, but it all feels very artful and despite the fact that we're watching things such as whippings, lesbianism and rape, it never feels very shocking and that's because it's all very easy on the eyes. The script doesn't extend well to characters and character development, but it's not all that important and it is good to see that the story does develop past the basic plot layout - which certainly can't be said for every film of this type. Debutant Yumi Takigawa takes the lead role, and does well with it. Admittedly, it's not really because of her acting talent; but she does look good with her top off, and the director obviously knew that as he makes a meal out of scenes that see her half naked and bound with ropes. Overall, this is a fascinating cult film and comes highly recommended to anyone that enjoys this sort of cinema!
Artistic even though it mixes sexploitation with Sade-like comments on the hypocrisy of Christianity
School of the Holy Beast is a weird concoction of exploitation who's very unusualness makes it worth watching. A girl enjoys her last night of freedom before entering a convent. The convent, of course, turns out to be a hotbed of immorality that de Sade might have scripted. Expect plenty of flagellation, lesbian trysts, and displaying of breasts all in a style that crosses Hammer Horror with Russ Meyer mammary voyeurism. But throw in a script that plays hard and loose with Christianity in a way that only a foreign country could and it starts to appeal for its sheer audacity. I found the scene of one of the nun's punishment - being tied with rose briers and then whipped with bunches of red roses particularly aesthetically pleasing.
School of the Holy Beast (1974)
*** (out of 4)
Notorious Japanese nunsploitation film from director Norifumi Suzuki has a simple storyline but borrows heavily from the Euro erotic genre. A rebellious woman enters a convent so she can learn the truth behind her mother's death eighteen years earlier. Her rebel attitude doesn't sit too well with the higher up nuns who aren't afraid to resort to torture by whip. The first half of the film is mostly an erotic movie and I'm not going to lie, Japanese women are quite sexy so the erotic nature of the film worked for me. Japan censorship laws were pretty heavy back in the day so the director comes up with a couple very good scenes to get his point across without having to resort to hardcore scenes, ala Euro flicks. There's an oral sex scene, which isn't shown how you'd expect but it's highly erotic and gets its sexuality across better than most Euro films of this genre. The second half of the film slows down quite a bit as the "mystery" surrounding the mother's death is revealed. The direction is quite strong and the cinematography is excellent.
*** (out of 4)
Notorious Japanese nunsploitation film from director Norifumi Suzuki has a simple storyline but borrows heavily from the Euro erotic genre. A rebellious woman enters a convent so she can learn the truth behind her mother's death eighteen years earlier. Her rebel attitude doesn't sit too well with the higher up nuns who aren't afraid to resort to torture by whip. The first half of the film is mostly an erotic movie and I'm not going to lie, Japanese women are quite sexy so the erotic nature of the film worked for me. Japan censorship laws were pretty heavy back in the day so the director comes up with a couple very good scenes to get his point across without having to resort to hardcore scenes, ala Euro flicks. There's an oral sex scene, which isn't shown how you'd expect but it's highly erotic and gets its sexuality across better than most Euro films of this genre. The second half of the film slows down quite a bit as the "mystery" surrounding the mother's death is revealed. The direction is quite strong and the cinematography is excellent.
It's pretty difficult to fully comprehend the background to this movie, when you contemplate about it. "School of the Holy Beast" is a nunsploitation film but there are as good as no Catholic people in Japan and most of the actresses probably didn't knew what the hell a convent was! The only thing director Norifumi Suzuki knew for certain was that sex movies with nuns were extremely popular in Europe around that time and he saw this as an open opportunity to do the same for the Japanese exploitation-market. Maybe that's why "School of the Holy Beast" isn't anything like those void and trashy Jess Franco movies, but actually a very stylish and reasonably well-scripted film! "School..." doesn't feature the textbook plotting of nuns worshiping the devil and even the lesbian interactions between the young girls aren't the film's main events. This merely is a good old-fashioned tale of revenge, set within the walls of a convent and compellingly criticizing the abuse of Catholic power. Despite obviously enjoying her sexuality in the outside world, young Maya seems determined to become a nun in one of Japan's strictest convents. She never knew her parents but she discovered that her mother also was a nun here who died in mysterious circumstances. As the plot develops, Maya's only interest seems to be unraveling the convent's hypocrite network of sexual perversion, torture and murder in the name of Catholism. She and rebel nun Ishida become good friends who bring men into the convent and encourage other oppressed sisters to stand up for themselves. Don't get too frightened by this rather ambitious-sounding plot, as the film features more than enough sleaze & violence to satisfy even the most demanding exploitation fanatic. The girls get severely whipped, raped by a Raputin look-alike priest, tied up with thorny stems and beaten with bouquets of roses (that's not as pretty as it sounds). Things get even more sadistic when French/Japanese über-nun Nathalie Green shows up, since she immediately implements some of the vilest torture tricks ever, including a bizarrely fascinating ritual to decide whether or not a girl is a witch. "School of the Holy Beast" is astonishingly beautiful to look at, with imaginative cinematography and an excellent use of color shades. The set and costume designs are magnificent, and surprisingly surpassing the quality of most scenery used in European nunsploitation movies! The music is enchanting and the nudity, although plenty of it, is always illustrated with flair and good taste. The young starlets here, especially Yumi Takigawa Emiko Yamauchi, belong to the prettiest and most talented Japanese actresses I ever beheld. This movie now ranks among my favorite nunploitation-efforts, along with "The Devils", "Flavia The Heretic", "Alucarda" and "Behind Convent Walls". Highly recommended!
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- ConnectionsFeatured in The Real Blue Nuns (2006)
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