Partition

This movie was the first I've seen in a theater that was identified as a Canadian movie. I was hopeful it would be enjoyable, as the trailer online (never saw one in a theater) was promising. Very solid, very enjoyable love story with an interesting historical background. The movie had production levels I expect from standard US made movies but the storyline was a step above.

To me this movie deserves far more attention than it is getting. I suspect it is a top 10 in Canada at the moment but I've yet to find information on its ticket sales (there were 30 people there for a late-afternoon showing last Saturday).

With so much drek from the states at the moment this was a refreshing change.

Cinematographer, Vic sarin's camera work takes this wonderful love story to a higher plain. His sweeping vistas, a heartwarming story and a comment on religious intolerance..all add up to make one of the best movies I have seen in a long time. Jimi Mistri and Kristin Keruk give outstanding performance with Neve Campbell playing the sympathetic British subject during the time of the raj. Set in India during the partition of Indian and Pakistand in 1947, this movie is timely in its focus on the trouble that surround our world today. I found that the story, written by Sarin, does not point a finger of blame on either side, simply comments on the the death and suffering that 'religion' has brought to the world since the beginning of mankind.

The whole theater broke into applause at the end. Partition is spectacular, intense and well made all 'round. The actors all shine, the photography is excellent and the story is well told. It gives great insight into the creation of Pakistan and it's break from India in the late 40's.

While Canadians have made some great movies of late and a lot of talent comes out of Canada, many of their movies are small stories (with the exception of Atom Agoyan's films) but as a movie, this for us is probably the best move ever made in Canada, and one of the best we've seen from anywhere this year. I hope it gets wide distribution.

Vic Sarin's Partition is an absolute masterpiece in cinematography, with a compelling continuing story of emotions, historical cultural divides summarized by the human need to love and be loved regardless of the events of the world around us. A masterpiece in independent film-making in epic proportions Vic is an absolute master of his art, through the medium of film he has bought alive the mainly forgotten and least acknowledge problems of the on-going situation on the India and Pakistan borders. His actors are pure actors from the heart and take us on a unforgettable journey as their story unfolds. I was left with a true value of life and everlasting love. Move over Hollywood, this is a must see film…..

Here's an oddball mix: A Canadian film dealing with a Sikh-Muslim love story set against the partition of India in 1947, with Kristin Kreuk playing the lead Muslim girl (Naseem), Neve Campbell playing a British Indian, and everyone – from the villagers to the city folk, despite being mostly uneducated - speaking English of various accent!!! The director (himself of Kashmiri descent) has SOME gall, I must say.

The camera loves Kreuk, as it should, and surprisingly enough, she gets the physical nuances right. Campbell also gives one of her more subtle performances, but the standout here is Jimi Mistry as the Sikh ex-soldier. The central love story is nothing new (the film seems like a different handling of the loud, crude, jingoistic, and ultimately inferior Indian film Gadar), and no aspect of it covers any new ground. There are some moments of poignancy and warmth, but the director moves the story along with broad strokes, instead of letting it flow and fleshing out the surrounding events. As it stands, it is all quite predictable, and some of the dialogue is atrocious. Many characters (notably Naseem's family) come across as shallow and are simply used as stereotypes, so there goes any complexity that might have been developed.

There are some beautiful shots throughout, and thankfully there are no musical interludes (which would have been likely if the film had been made in Bollywood). The child actor was also good, and I wish we could have seen more of Irrfan Khan than the bit part he plays. The scene where Naseem dances in the rain with only a shirt on, is pure fantasy on the director's part, and nobody kissed that openly back in the 40s and 50s, even married couples. A reality check was in order, Mr. Sarin.

Still, despite the hodge-podge of ideas and unrealistic scenes, the film is watchable, and even moving at times. But it could easily have been much better, and the backdrop of cultural conflict deserves a more in-depth, intelligent handling.