A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
- Dancer
- (uncredited)
- Limehouse Brown
- (uncredited)
- Eddie Matthews
- (uncredited)
- Interlocutor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a fascinating early talkie short with an all-black cast. The story is rather simple. It's not anything to write home about but it is great to see all-black performances. Honestly, most old musicals are hard to sit through with the old music but this is very watchable. Other than one song, the music generally has a good beat and a bit of sass. The tap dancing is fun and Robinson has good charisma. There is general good performing in this short. Although, one must accept that blackface is a vaudevillian hold-over. The jokes are pretty cheesy but at least, it has an edge. It's a small window into black cinema of that era.
A crap game is what this musical short with Bill Robinson aka Bojangles is what frames it. Robinson's skill and luck with the painted sugar cubes gets him Ernest Whitman's show and then we see the show.
Which brings up something else, this looks very much like a Cotton Club Show minstrel show format and all. A lot of talent, but black people couldn't see it in their own neighborhood. What is worse than that?
Still enjoy Robinson's singing and dancing and all that goes with it.
Did you know
- TriviaThe street signs behind the opening credits - W. 142nd St. and Lenox Ave. - are at an intersection in the Harlem neighborhood of Manhattan in New York City. Lenox Avenue is a continuation of Sixth Avenue north of Central Park, renamed for philanthropist James Lenox (1800-1880) in 1887. It was co-named Malcolm X Boulevard in 1987 for the civil rights leader.
- Quotes
Bill Green: [singing] Girls, I sat up last night - right on side the bed / Why, I wrote a song that's just too bad, children it'll knock you dead. / I know you've all danced the Charleston, the Black Bottom away. / Now, just stand at attention, prance awhile, do just as I say. / Get up hot, don't you stop. Woo-doodle-ee-do!
Black Orchids: What's that?
Bill Green: Bill Robinson's Stomp.
- ConnectionsFeatured in Hollywood and the Stars: The Fabulous Musicals (1963)
- SoundtracksOld Folks at Home
(uncredited)
aka "Swanee River"
Written by Stephen Foster
Played briefly during the opening credits
Also performed by Bill Robinson (tap dance)
Details
- Release date
- Country of origin
- Language
- Also known as
- Broadway Brevities (1933-1934 season) #28: King for a Day
- Production company
- See more company credits at IMDbPro
- Runtime21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1