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King for a Day

  • 1934
  • TV-G
  • 21m
IMDb RATING
6.8/10
237
YOUR RATING
Alice Barker in King for a Day (1934)
ComedyMusicalShort

A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.

  • Director
    • Roy Mack
  • Writers
    • A. Dorian Otvos
    • Eddie Moran
  • Stars
    • Bill Robinson
    • Ernest Whitman
    • Dusty Fletcher
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    237
    YOUR RATING
    • Director
      • Roy Mack
    • Writers
      • A. Dorian Otvos
      • Eddie Moran
    • Stars
      • Bill Robinson
      • Ernest Whitman
      • Dusty Fletcher
    • 11User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast10

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    Bill Robinson
    Bill Robinson
    • Bill Green
    Ernest Whitman
    Ernest Whitman
    • Mr. Brownie Brown
    Dusty Fletcher
    • Dusty Fletcher
    Babe Matthews
    • Babe Matthews
    Muriel Rahn
    • Muriel Rahn
    Hattie Noel
    Hattie Noel
    • The Bride - Harlem Honeymoon
    Alice Barker
    • Dancer
    • (uncredited)
    Limehouse Brown
    • Limehouse Brown
    • (uncredited)
    Eddie Matthews
    • Eddie Matthews
    • (uncredited)
    Lionel Monagas
    • Interlocutor
    • (uncredited)
    • Director
      • Roy Mack
    • Writers
      • A. Dorian Otvos
      • Eddie Moran
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    6.8237
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    Featured reviews

    9lakebotany-32808

    Fantastic Tap Dancing Short

    So glad this tap dance is preserved for all to see. Excellent!
    8SnoopyStyle

    black talkie

    Bill Green (Bill "Bojangles" Robinson) is desperate to audition for "Brown's Black Orchids" but Mr. Brown refuses to even listen to the amateur. Mr. Brown has a weakness for dice and Bill wins against him in craps.

    It's a fascinating early talkie short with an all-black cast. The story is rather simple. It's not anything to write home about but it is great to see all-black performances. Honestly, most old musicals are hard to sit through with the old music but this is very watchable. Other than one song, the music generally has a good beat and a bit of sass. The tap dancing is fun and Robinson has good charisma. There is general good performing in this short. Although, one must accept that blackface is a vaudevillian hold-over. The jokes are pretty cheesy but at least, it has an edge. It's a small window into black cinema of that era.
    5bkoganbing

    Fade that

    One of the stereotypes back in the day was that black men just loved to shoot dice. Not sure if that was the case but when I watch scenes like that in old films I think to myself this is better than scenes with whites where they were supposed to be menial. Gamblers they be, but they show their real selves in these scenes.

    A crap game is what this musical short with Bill Robinson aka Bojangles is what frames it. Robinson's skill and luck with the painted sugar cubes gets him Ernest Whitman's show and then we see the show.

    Which brings up something else, this looks very much like a Cotton Club Show minstrel show format and all. A lot of talent, but black people couldn't see it in their own neighborhood. What is worse than that?

    Still enjoy Robinson's singing and dancing and all that goes with it.
    10jennifr-18653

    So exciting to see this

    We're truly missing out on the old talent of the Harlem Renaissance; thank goodness this is so available. It has a charm you won't find today. If you like this film, I implore you to seek out on YouTube "102 y/o sees herself on film for the first time." It will encourage you to look up everything you can get your hands on!
    8TheLittleSongbird

    See it for Robinson and the tap dancing

    Admittedly to me the story was somewhat disposable and took too long to get going and the Minstrel Man song and routine are a little uninspired and one of the least memorable parts of King for a Day. King for a Day is shot in beautiful black and white however, the music puts you in a good mood due to its infectiousness- particularly Smiles and Old Folks at Home-, and the choreography is witty and elegant. Some of the rehearsal stuff is amusing and the performances are solid enough, but Bill "Bojangles" Robinson and his tap dancing are what make King for a Day. Robinson has a really charming presence which makes him a likable performer and his character easy to root for, even better than when he was partnered with Shirley Temple. And his tap dancing is incredible, always precise yet with a simple elegance and with not a flat or heavy foot move. It's not "athletic" as such nor did it really need to be. Overall, a very nice short film that is worth seeing primarily for Robinson and the tap dancing because while not everything is entirely smooth sailing they work tremendously. 8/10 Bethany Cox

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    Storyline

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    Did you know

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    • Trivia
      The street signs behind the opening credits - W. 142nd St. and Lenox Ave. - are at an intersection in the Harlem neighborhood of Manhattan in New York City. Lenox Avenue is a continuation of Sixth Avenue north of Central Park, renamed for philanthropist James Lenox (1800-1880) in 1887. It was co-named Malcolm X Boulevard in 1987 for the civil rights leader.
    • Quotes

      Bill Green: [singing] Girls, I sat up last night - right on side the bed / Why, I wrote a song that's just too bad, children it'll knock you dead. / I know you've all danced the Charleston, the Black Bottom away. / Now, just stand at attention, prance awhile, do just as I say. / Get up hot, don't you stop. Woo-doodle-ee-do!

      Black Orchids: What's that?

      Bill Green: Bill Robinson's Stomp.

    • Connections
      Featured in Hollywood and the Stars: The Fabulous Musicals (1963)
    • Soundtracks
      Old Folks at Home
      (uncredited)

      aka "Swanee River"

      Written by Stephen Foster

      Played briefly during the opening credits

      Also performed by Bill Robinson (tap dance)

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    Details

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    • Release date
      • June 30, 1934 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Broadway Brevities (1933-1934 season) #28: King for a Day
    • Production company
      • Vitaphone Inc.
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      21 minutes
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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