Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stran... Read allAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.
- Man in Producer's Office
- (scenes deleted)
- First Actor
- (scenes deleted)
- Second Actor
- (scenes deleted)
- Girl
- (scenes deleted)
- Bartender
- (scenes deleted)
- Girl
- (scenes deleted)
- Man in Producer's Office
- (scenes deleted)
- Costume Designer Maza
- (uncredited)
- Pug Answering Phone in Gym
- (uncredited)
- Bridgeport Sheriff
- (uncredited)
Featured reviews
The way this is set up - playwright whose life has spun out of control due to missing his first wife after having cheated with, married, and divorced a gold digging showgirl but who also has a new girlfriend who is really too young for him but is used to having her way because her family is wealthy - It could have been spun into a Douglas Sirk film if you wanted to take the plot outline and make a melodrama. But like I said, it is obvious from the farcical beginning this is going to be light entertainment all the way and you can pretty much see the end from the beginning. It doesn't outlast its welcome at 62 minutes and is a nice way to pass the time if you are recovering from a nervous breakdown without a serious tense moment in its entire running time.
My first reaction was this was an expertly open-up play, but it was written for the screen. It's certainly cast well; Brent, Warner's choice for a leading man who wouldn't distract the audience from the leading lady, is fine as the hectored yet stolid playwright, and the ladies are nicely differentiated, particularly the speed at which they deliver their lines. Miss Tobin is ladylike, Miss Ellis is twittery, and Miss Farrell continues her reign as Warners' resident motormouth. McHugh sometimes sounds like he's attempting a Down East accent. It's perfectly composed, you know how it's going to turn out, and it's a pleasant series of bumps getting there.
*** (out of 4)
Surprisingly entertaining comedy about a writer (George Brent) who flees to a cabin in Conneticut to try and finish up a play that is due in a week. The show's producer gets worried so he sends the writer's first wife (Genevieve Tobin) to try and help him and before long his second wife (Glenda Farrell) shows up demanding that he be thrown in jail over back alimony. SNOWED UNDER is a pretty far-fetched little comedy but the terrific cast and its fast-pace makes it a real winner and it's really too bad that the film isn't better known because it's a pretty good little gem. I think the strongest thing the film has going in its favor is the terrific cast with Brent, Tobin and Farrell leading the way with their top-notch performances. You've also got Patricia Ellis playing a young woman also in love with the writer, Frank McHugh as a deputy sent to arrest him and John Eldredge and Helen Lowell are also good in their supporting bits. The entire cast works so well together and the dialogue they're having to spill is flying out a mile a minute. The dialogue is delivered in an extremely fast way and the entire cast does well to really push it and make it funny. Some of the best moments deal with the three women constantly fighting amongst each other trying to see why one wants to be with the writer or why they were ever with him. The sequence where the writer decides he wants to go to jail instead of staying in the house was pretty good. The location, a small house in the woods, is the perfect setting and you really do feel as if you're in this place with all these characters as things start to go crazy. Fans of the 30s comedies should really enjoy this and it certainly deserves to be better known.
Alan Tanner (George Brent) is the playwright who seeks a third act. His first wife, Alice (Genevieve Tobin), is recruited by his producer to get the creative juices flowing in Alan. The second wife shows up seeking alimony, accompanied by a sheriff's deputy and an attorney. To further complicate things, a young woman with a crush on Alan injects herself into the proceedings.
While everyone is snowbound for a night, Alan and Alice try to write the third act that triggered this tale.
I can't say this is a great story or a hilariously funny piece, but I really enjoyed it. There are too many flaws to consider "Snowed Under" a classic comedy, but it tickles the funny bone. After a while, it feels like doors are slammed just for the sake of slamming them. But there are some good lines (e.g. "Now I hate to interrupt baby's first steps.") And the characters are likable. This comedy does not take itself too seriously and the lightheartedness is infectious. It would be fun to see what Clark Gable could have done with the Alan Tanner part.
This delightful little comedy is an excellent example of the fluff films that Warner Bros. was so adept at producing during Hollywood's Golden Age. Boasting fine production values, a literate script & some genuinely funny performances, it is a shame that the film is so obscure today.
George Brent & Genevieve Tobin have charm to spare as the protagonists whose divorce seems in danger of floundering; sophisticated & witty, they are a very entertaining duo. Glenda Farrell is hilarious as the boozy floozy after Brent for unpaid alimony - this brassy blonde could always be counted on for some mischievous merriment.
Pixilated Frank McHugh is the milkman turned most unlikely deputy. John Eldredge plays the gentle young lawyer; Patricia Ellis is not gentle at all as the pushy prom princess from next door. Apoplectic producer Porter Hall & sassy housekeeper Helen Lowell add to the amusement.
Movie mavens should recognize Mary Treen as a secretary & Olin Howlin as the sheriff, both uncredited.
Did you know
- TriviaTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and Finie la comédie (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- GoofsThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Quotes
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- ConnectionsReferenced in Seven Keys to Baldpate (1947)
- SoundtracksJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
Details
- Runtime
- 1h 3m(63 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1