Guo nian hui jia

I personally have found that some of the best films ever made are from China. Perhaps being a student of Chinese philosophy and being familiar with works like the writings of Chuang Tze has inclined me to be taken in by the timeless character of this story, like so many others. So many Chinese films are great because they are about timeless, enduring aspects of our being human and would have been relevant 3000 years ago as they are today, and will be 3000 years from now. And to me what makes and will always make a story great is exactly this: the human spirit as it unfolds in the process of interaction with others and its environment.

I cried in parts of this film because of the sheer mastery of several actors of such intense and profound magnitude being able to carry between themselves what seems like the entire universe of the human spirit and psyche. No props needed. No special effects. I wish there were more films like this.

Perhaps one of the best (Chinese) movies I have seen in recent years. Very realistic and subtle as well as crisp storyline, cinematography, screenplay as well as direction. Well, may be I understand the situation and the fact of the story better, as I am from India and we (asians) almost have the same community and family values/priority (though different language and culture). It coincides with lots of family wherein, the children are bound to study hard and slipping partiality from parents intrudes on the child who is more obedient and study-bound. These facts might not match with the western children as well as parents.

The brilliant performances on the part of parents as well as the expressions of the prisoner and the prison-captain really captivates ones hearts. The story itself is so powerful on human psychology that the film and the story are pieces of course to study and analyze. This is what we still deserve from Hollywood movies, at least bring some of the burning issues in front of viewers eyes.

I just saw it today and I am simply spellbound; I recommend this film highly. One of the best Chinese movies since Farewell My Concubine. I don't understand really, after having such a wonderful movie why 'House of Flying Daggers' etc are sent for Oscar nominations.

I would give a score of 9/10

When enjoying a film outside of the Hollywood genre, I must avoid the trappings of comparison which will ultimately elevate my perception of the quality of the movie. Once I was immersed in Seventeen Years, it was impossible not to come to the conclusion that Hollywood is betraying the viewing public with mindless waste, poor actors and little or no texture to their films..... The concepts of family angst, betrayal and bittersweet redemption are revealed through a wonderfully talented cast, playing out their roles with beautiful subtlety and believability. The story is heart wrenching yet encouraging as the guard (Li Bingbing) and her charge (lin liu) travel on a leave from prison to the home of her mother and step father, the father of her step sister whom she accidentally killed. The interaction between the two women (li/lin) is thoroughly heartfelt and you are unable to resist lin's tragic character. This film should have been nominated for more individual recognitions but it was politically incorrect in it's homeland China so as we all know, Hollywood only rewards it's own and Seventeen Years is an incredible treasure that many are not aware of outside the international community. I highly recommend and adore the vision of Zhang Yuan and this work of cinematic art. Please see it and share this with those who love a quality movie.

While working within the system, Yuan Zhang's (or is it Zhang Yuan?)latest film 17 YEARS gives the Chinese totalitarian system a human face. The title, referring to 17 YEARS of separation, also refers to an important year (age) in two of the main characters' lives. It is Zhang Yuan's best work to date, and quite possibly the most realistic, impartial portrayal of China's totalitarian system in recent years. I highly recommend it.

I would not want to waste time here on plots and other comments about the story, which you can find by looking at other posts. What I want to point out here is that the Chinese title is as equally philosophical as the English one:

17 years implies the 17 years of totalitarianism, after which humane side is finally appearing. The Chinese title has the literal translation as Going home on New Years, and it needs more explanation:

In the Chinese tradition, the new year is the time when all family members get together, reflection on the story of the protagonist being released from jail to go home to unite with his parents.