Hannibal

Well, the deal is done. Saw it. Liked it. However.....not nearly as good as Silence. Very different effect is achieved by this film. It does almost play like an elite form of slasher movie. Like Jason with class and an education. I like Jodie and I see why she really didn't want this role. There's not a hell of a lot for Starling to do. Let's just say this- I liked it for what it is. As a stand alone film. It works on some levels. I think 2 1/2 is a good rating. I can recommend it. I even liked it. It just pales in comparison. And one can't help but compare. The characters all seem a bit shallow. Even Lecter. Some parts of this film are sooo over the top, I have to accept them as dark humor. The main thing I remember about Silence is the overwhelming feeling of dread, of sadness about the events in the film. "What does he do, this man you seek?" "He kills women." "NO, that is INCIDENTAL." Now that exchange instilled horror in me. There's just nothing like that in this film.

While not fully up to par with "Silence of the Lambs", "Hannibal" still was more interesting and more fulfilling then "Hannibal Rising". And if you enjoyed "Silence of the Lambs", then you really should do take the time to sit down and watch this movie as well.

There is a nice cat-and-mouse feel to the movie, and director Ridley Scott have accomplished to put together an entertaining movie that does bring into the picture some disturbing mindsets and images from time to time.

The characters are right on the money and there is some good character development and growth throughout the movie. And the cast that were in the movie were doing good jobs with their given roles. And while Julianne Moore is no Jodie Foster, she still managed to portray Clarice in a fulfilling way. Needless to say that Anthony Hopkins is, of course, fantastic once again in the role of Hannibal 'the cannibal' Lecter. I was surprised to find out that it was Gary Oldman who was playing Verger; I literally had no idea and just found out in 2014.

There is a nice speed to the movie, in the sense that you are never left bored, and the movie does take you on a roller-coaster; sometimes it is fast and brutal, other times slow and seemingly safe (lulling the audience into a false sense of security). There were some nice enough twists and turns along the way, making the movie not overly predictable.

"Hannibal" is an entertaining movie and a well-worthy addition to the Lecter legacy. And it is definitely worth a watch.

HANNIBAL / (2001) *** (out of four)

By Blake French:

Some movies are born to inspire sequels but "The Silence of The Lambs" is a movie that does not need a sequel. The Academy Award winning thriller earned ubiquitous critical acclaim, therefore a continuation is nearly incapable of living up to its standards. To make things worse for the highly anticipated sequel "Hannibal," the original film's director and main star bailed out, leaving Ridley Scott ("Gladiator") and Julianne Moore ("Magnolia") filling their places in the credits. It is hard to imagine how this movie could possibly succeed. But the exceptionally beautiful filmmaking, strong performances, intriguing story, and moody atmosphere provoke more nail-biting moments than most thrillers these days.

The story of "Hannibal" does not compare with "The Silence of the Lambs." It replaces tension-filled sequences of psychological terror with scenes featuring some of the most grotesque images and realistic gore to ever make its mark on the big screen. This film relies heavily on the shock factor of such extreme graphic violence, although such content is never excessive or relentless. It has perfect timing. The sheer presence of Anthony Hopkins, in another horrific and career defining performance, often creates enough terror for several movies. "Hannibal" knows that and frequently gives the character more freedom than he had in he first film. But I am not so sure that is a good thing; is it more terrifying listening to Hannibal Lecter discuss his disgusting actions or to actually see him perform such disturbing behaviors?

The film takes place ten years after FBI agent Clarice Starling (Jodie Foster then, Julianne Moore now) interviewed convicted mass murdering cannibal Hannibal Lecter (Anthony Hopkins) while searching for another disturbed killer. Present day: Clarice is involved with a drug bust shoot-out that leaves many dead. Justice Dept. Official Paul Krendler (Ray Liotta), is about to punish her when she gets a call from a the unrecognizably deformed surviving victim of an attack by Lecter. His name is Mason Verge (Gary Oldman), a wealthy recluse who asks that Starling be placed back on the case of the Cannibal, who has been on the loose for ten years.

The movie investigates a lot more than Clarice's experiences with Hannibal Lecter. The script actually consists of two separate stories, one detailing the revenge scheme of Mason, whom is still angry with Lecter after he caused the removal of his face and partial paralysis. The other takes place in Italy, where an inspector named Rinaldo Pazzi (Giancarlo Giannini) is out to claim a multimillion dollar reward for providing authorities with proper evidence leading to the arrest of a local, who turns out to be none other than Lecter himself. Obviously this man does not know what he is in for, and ends up losing his cuts for the money…literally.

Parallel stories are always interesting, but are easily sidetracked with certain characters and or events. What keeps this movie intriguing is the consistent focus on Lector; everything in the story seems to revolve around him. Then again, "Hannibal" is also quite pointless because it solves nothing. Without giving away the ending, I will say that we are once again left pondering about Lecter. Most any movie that provokes thoughts is worth seeing, but "Hannibal" forgets the first film, takes a stand on its own, and once again sets us up for another unnecessary follow-up.

The most apparent conflict many audiences with have with "Hannibal" is the absence of Jodie Foster. Julianne Moore is most definitely a capable and challenging actress, and plays the role of Starling with exuberance and clarity. But Foster is simply better in the role and we miss her dearly. Anthony Hopkins saves the movie; the actor is so intense and grisly in his subtle and classy manner, he once again qualifies as an award nominee. Thank goodness he returned for the role; without Hopkins, "Hannibal" would be nothing but underdone carnage.

It's alarming and viscerally gross in ways that the first never even reaches for (mainly because it didn't need to). Yes, Foster is sorely missed, particularly earlier in the film. On the flip side, Liotta, who was consistently and criminally underrated in almost everything he did, just kills it - his performance at the dinner table is unnerving, hilarious, kitschy, powerful, and completely compelling.

Years after his escape in 'Silence of the Lambs' a wealthy surviving victim continues to hunt for Hannibal Lecter. Stars Anthony Hopkins and Julianne Moore as Clarice Starling.

The plot builds slowly. Hopkins is excellent in this role but Moore seems a poor substitute for Jodie Foster.

The film is very gruesome. The final scene is memorable in it's uber gruesomeness.

The location in Florence, Italy is a great bonus but this fun ultimately disappoints after the great original film.