Hannibal
Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target of revenge from a powerful victim.Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target of revenge from a powerful victim.Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target of revenge from a powerful victim.
- Director
- Writers
- Stars
- Awards
- 9 wins & 25 nominations total
Frankie Faison
- Barney
- (as Frankie R. Faison)
Robert Rietty
- Sogliato
- (as Robert Rietti)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Years after his escape in 'Silence of the Lambs' a wealthy surviving victim continues to hunt for Hannibal Lecter. Stars Anthony Hopkins and Julianne Moore as Clarice Starling.
The plot builds slowly. Hopkins is excellent in this role but Moore seems a poor substitute for Jodie Foster.
The film is very gruesome. The final scene is memorable in it's uber gruesomeness.
The location in Florence, Italy is a great bonus but this fun ultimately disappoints after the great original film.
The plot builds slowly. Hopkins is excellent in this role but Moore seems a poor substitute for Jodie Foster.
The film is very gruesome. The final scene is memorable in it's uber gruesomeness.
The location in Florence, Italy is a great bonus but this fun ultimately disappoints after the great original film.
Ridley Scott oddly took the job to direct this perfectly crafted sequel to the Oscar award winning Silence of the Lambs. After being located in Florence, Hannibal returns to America and attempts to make contact with disgraced Agent Clarice Starling.
While not following Harris' novel to the letter and omitting a main character, Scott directs an atmospheric follow up. With David Mamet's meaty, intellectual screenplay there's plenty to like about Hannibal. There are terrific performance's nobility by Giancarlo Giannini in a subtle and memorable take on Insp. Renaldo Pazzi. Unrecognisable, Gary Oldman is astounding as Mason Verger, the heavy disfigured paedophile and Ray Liotta replaces Lamb's Ron Vawter and is on form as a sleazy F.B.I Agent, Paul Krendle.
Nurse Barney returns in a larger role, and of course Anthony Hopkins is back in his iconic role as Hannibal Lecter. Hopkins is given more to do and is out of his confinement (much to the announce of some film critics). Although possibly striped of some mystic, Hannibal is far more dangerous and interesting here, mingling with the general public and stalking his prey. They only thing I feel is distracting is the casting of Julianne Moore as Starling, and that is only from a continuity point of view as she delivers a gifted performance.
Blade Runner's director Scott makes every shot interesting and this coupled with John Mathieson cinematography is first-rate, particularly in the Florence set ups, and US exteriors. Veteran musician Hans Zimmer's score is mystical and heightens all that is taking place on screen.
An overlooked, misunderstood and fantastic film, that is a wonderful experience to watch.
While not following Harris' novel to the letter and omitting a main character, Scott directs an atmospheric follow up. With David Mamet's meaty, intellectual screenplay there's plenty to like about Hannibal. There are terrific performance's nobility by Giancarlo Giannini in a subtle and memorable take on Insp. Renaldo Pazzi. Unrecognisable, Gary Oldman is astounding as Mason Verger, the heavy disfigured paedophile and Ray Liotta replaces Lamb's Ron Vawter and is on form as a sleazy F.B.I Agent, Paul Krendle.
Nurse Barney returns in a larger role, and of course Anthony Hopkins is back in his iconic role as Hannibal Lecter. Hopkins is given more to do and is out of his confinement (much to the announce of some film critics). Although possibly striped of some mystic, Hannibal is far more dangerous and interesting here, mingling with the general public and stalking his prey. They only thing I feel is distracting is the casting of Julianne Moore as Starling, and that is only from a continuity point of view as she delivers a gifted performance.
Blade Runner's director Scott makes every shot interesting and this coupled with John Mathieson cinematography is first-rate, particularly in the Florence set ups, and US exteriors. Veteran musician Hans Zimmer's score is mystical and heightens all that is taking place on screen.
An overlooked, misunderstood and fantastic film, that is a wonderful experience to watch.
Well, the deal is done. Saw it. Liked it. However.....not nearly as good as Silence. Very different effect is achieved by this film. It does almost play like an elite form of slasher movie. Like Jason with class and an education. I like Jodie and I see why she really didn't want this role. There's not a hell of a lot for Starling to do. Let's just say this- I liked it for what it is. As a stand alone film. It works on some levels. I think 2 1/2 is a good rating. I can recommend it. I even liked it. It just pales in comparison. And one can't help but compare. The characters all seem a bit shallow. Even Lecter. Some parts of this film are sooo over the top, I have to accept them as dark humor. The main thing I remember about Silence is the overwhelming feeling of dread, of sadness about the events in the film. "What does he do, this man you seek?" "He kills women." "NO, that is INCIDENTAL." Now that exchange instilled horror in me. There's just nothing like that in this film.
For the most part, I enjoyed this film. I was engaged throughout and that's what you want from a film. However, I found myself frustrated with some of the nonsensical choices of the characters. Hopkins was as brilliant as ever. This Hannibal was a lot more ruthless but just as cunning, perceptive and observant. I really like Julian Moore as an actress but I'm just not sure she was right for this role as a shoe-in for the character of Clarice. I don't know if it was because I was comparing her to Jodie Foster's Clarice, but it just felt like two completely different characters. She wasn't as intellectual, sharp or astute as the original Clarice. She felt a lot more vulnerable than the original Clarice. And she made some questionable decisions throughout the film to say the least. Lastly, WHAT happened to the southern twang in her accent, yes your accent can change over the ten years that passed but there wasn't even a trace of it!
This film overall was an interesting, further insight into Hannibal's character and also the relationship between Hannibal and Clarice, and his matured fondness for her. Overall, this film is definitely worth watching with some memorable scenes, but just don't go into it expecting it to be Silence of the lambs part 2.
This film overall was an interesting, further insight into Hannibal's character and also the relationship between Hannibal and Clarice, and his matured fondness for her. Overall, this film is definitely worth watching with some memorable scenes, but just don't go into it expecting it to be Silence of the lambs part 2.
Anthony Hopkins gave an impeccable performance. However, the material he was given to work with was not as good as Silence of the Lambs. In fairness, perhaps there was no way it could be. In SOTL, he was somehow more foreboding, more of a sort of superhuman monster; in Hannibal, he's more accessible, a guy you meet on the street. Maybe it was impossible to maintain the mystery of Lecter that we saw in SOTL because of the risk of doing a rehash. I'd give the overall Dr Lecter character a 9 of 10 in this film, vs. a 10 of 10 in the last one. Not quite as good, but still very good.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
Did you know
- TriviaSir Anthony Hopkins wrote a screenplay for a sequel to this movie, most likely titled "Hannibal Ending", which would've involved Starling killing Lecter. However, this was never used.
- Goofs(at around 35 mins) When Lecter writes his first letter to Clarice, he licks the envelope to seal it. When we see it on her desk before she opens it, the only thing keeping it shut is the seal wax in the center. however, Lecter licks the envelope to provide DNA to verify it is not a fake, as he is "re-emerging" from hiding.
- Quotes
Hannibal Lecter: People don't always tell you what they are thinking. They just see to it that you don't advance in life.
- Crazy creditsAfter the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice.
- Alternate versionsThe Indian theatrical version was cut by the CBFC to mute the word 'pussy' from the dialogue spoken by Krendler, the word 'fucking' spoken by Pazzi, the word 'fuck' and 'cocksucker' spoken by Mason, the visuals of blood falling on the ground, blood spurting out of the throat of a dead man, and the close visuals of a pig putting Mason's face into the mouth to achieve an 'A' (adults) rating. It remained cut since.
- SoundtracksVide Cor Meum
Written by Patrick Cassidy
Libretto Taken from Dante Alighieri (as Dante)'s "La Vita Nuova"
Produced by Patrick Cassidy and Hans Zimmer
Performed by Danielle de Niese and Bruno Lazzaretti
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Silence of the Lambs 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $87,000,000 (estimated)
- Gross US & Canada
- $165,092,268
- Opening weekend US & Canada
- $58,003,121
- Feb 11, 2001
- Gross worldwide
- $351,692,268
- Runtime
- 2h 11m(131 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content