La défense Loujine

'The Luzhin Defence' is a movie worthy of anyone's time. it is a brooding, intense film, and kept my attention the entire time. John Turturro is absolutely stunning in his portrayal of a tender, eccentric chess Grandmaster, and Emily Watson is spell-binding as the gentle but rebellious daughter of a highly respected Russian family. The chemistry between Watson and Turturro on screen is obvious from the moment their characters meet in the story. All in all, this movie is one of the best in-depth looks at the life of a chess Grandmaster, and Turturro and Watson add a whole non-mainstream, non-cliche feel to the film. Most people will come out of the theater thinking, and feeling somewhat touched by this brilliant look at the most unlikely of love stories.

It was riveting the first time and equally so the second time. I couldn't stand to miss one word. I guess I was hooked on it. It dwarfs A Beautiful Mind; I don't know how you rated that one. The movie leaves you excited about being obsessed with anything you really love. I think it was the story that grabbed me, not whatever failings someone is guessing the film has. The beauty of loving Sasha, someone who is NOT off the yuppie assembly line. However, the good-heartedness of the yuppie (the mother's choice). The good-heartedness of Sash's opponent. The evil of only one bad apple. Its a beautiful world that must exist outside of reality. Certainly outside the borders of my country. It is what movies do...make us dream and wish it could be true.

Part of the enjoyment that I took from this film stemmed from the fact that I knew nothing more about it than that it starred John Turturro and Emily Watson (2 reasons enough to watch), was a period piece and involved chess. Everything that evolved before me was completely unexpected. I shan't, therefore, give away much more. Suffice to say that Turturro is magnificent as an eccentric, obsessive and deeply vulnerable chess genius and Em matches him step for step as the strong-minded woman who is drawn to him. It's about love and obsession, rather than the venerated board game and after drawing me in gradually over the first half hour, became totally compelling. And I defy anyone to second-guess the ending.

Albeit excellent in cinematography and actors' work, the movie stunned me by its almost complete unrelatedness to the famous (and one of the best) novel by Vladimir Nabokov. All the plot lines are put topsy-turvy, the spectacular intricacy of the plot is revealed in a straight line and all the intellectual play of Nabokov with the reader (false clues, not telling the reader the main character's first and middle name until the very last page of the novel, etc) are all gone from the film. The movie's ending is hilariously hollywoodish (and, of course, has nothing to do with the novel again). In one word, one can watch it if one hates Nabokov and has a penchant for twisted originals.

Walking home after the film, I was humming the familiar waltz music that Natalia and Alexandre were dancing to. I've heard that before - where? Ah, from Kubrick's "Eyes Wide Shut" (track 2), 'got it just as I arrived at the door. It's "Waltz No. 2 from Jazz Suite No. 2" composed by Dimitri Shostakovich, performed here by The City of Prague Philharmonic Orchestra. Yes, I went and picked up the soundtrack from Tower's. What a treat! The film score by Alexandre Desplat was fulfilling - there are fifteen tracks besides two tracks of the delightful waltz. It's not often these days we get a soundtrack entirely dedicated to a comprehensive film score. Reminds me of favorite scores by Maurice Jarre, Ennio Morricone (beginning notes of track 6 have traces of "Nuovo cinema Paradiso"), Georges Delerue, and John Barry. There are subtle nuances of strains and notes from the strings, celeste, piano, and harp.

Emily Watson and John Turturro delivered a credibly consuming paired performance. The love story, their intimate connection, is very much between Alexandre and Natalia - his childlike yet tormenting inner world, and her generous and bold understanding of him - a relationship alone to them both. Director Marleen Gorris of "Antonia's Line" (1996 Academy Award's Best Foreign Language Film from the Netherlands) gave us a quietly sensitive film - not without its unsettling human conflicts, intrigues, obsessions, family strives, lovingness and respect. The front-end subject is the mind-game and mathematical logic of chess. Beneath it can be a mild tearjerker of a drama set in the late 1920's. Cinematography captures the serene beauty of Lake Como in northern Italy near the Swiss border.

I highly recommend the soundtrack if you don't feel like going to the movies. Alexandre Desplat's lyrical film score of "The Luzhin Defence" is complete.