The Lady in Question

Pleasant, diverting and charming. The best part is the swing numbers, especially the rendition of My Buddy, partial though it may have been. The acting was a bit over the top in areas but the mood set by Wilder is so pleasant it is hard not to enjoy this film.

I love murder mysteries, particularly those of Agatha Christie(not that it is Christie, but it does have some elements of her plotting), and I like Gene Wilder so when I heard of Lady in Question I decided to give it a go. I wasn't expecting absolute perfection, considering it was a TV movie, I didn't get that, but what I got was a pretty satisfying and overall pleasant way to spend a couple of hours.

It does I do agree start off slowly complete with some draggy moments in the middle half, the plot does fall into predictability a little too much and the script has its weak spots.

However, I liked how it was filmed. The scenery, costumes, settings, hairstyles and make-up are authentic, charming and beautiful-looking. The soundtrack is nice and swinging and the direction is decent. The final solution did at least make some sense, and the film does have a somewhat appreciative nostalgic feel to it. The acting is nothing extraordinary but it was actually pretty good; Gene Wilder has been better, but he does a good job in the role of the theatre impresario turned detective. Claire Bloom is a nice touch as the anti-Nazi activist, while Mike Starr is surprisingly delightful as a detective and Barbara Sukowa is solid as a German sophisticate.

Overall, nothing brilliant, but I have to admit I quite liked it no matter how many faults it had. 7/10 Bethany Cox

A delightful if somewhat predictable TV movie, though I admit a little bias -- as far as I'm concered, the more Gene Wilder in this world the better. I'd love to see numerous additional movies detailing the adventures of Larry "Cash" Carter!

This is just one more example of the absolute genius of Gene Wilder. He wrote and starred in this terrific mystery. No one could have done it better. The suspense was palpable throughout. I wish Mr. Wilder would grace us with another of these. I have enjoyed everything I have ever seen Mr. Wilder in but I had no idea how truly talented he was until I saw "Murder in a Small Town," and this follow-on. He truly has a firm grasp on what audiences want and how to deliver it in his writing and, of course, in his brilliant acting. His subtle wit comes through in spades. I would recommend this movie to anyone who likes mysteries and/or Gene Wilder's film work. His star just gets brighter and brighter.

It is 1938. Elderly and wealthy Jewish-rights activist Emma Sachs is on a plane when stewardess Mimi Barnes introduces herself because they have a common acquaintance. As she leaves the plane, Emma pushes a note into Mimi's hands that says "I'm going to be murdered". Later that night, Emma tells her family (who are used to the comfortable life) that she is going to change her will and use the vast majority of her estate to support those fighting the rise of the Nazi's. Meanwhile Mimi has mentioned this to her boyfriend, theatre director Larry Carter, who in turn has asked his cop friend Detective Tony Rossini in Stamford to take a look in on the Sachs house the next day. However during the night Sachs suffers a massive stroke and dies shortly afterwards. Rossini finds evidence of foul play and turns to Mimi and Larry to help his investigation.

Although this looked like a pretty basic television film I decided to give it a go for some reason. After a bit of a slow start the film gets into the mystery and down to the business of investigating the murder of Sachs. At this point it doesn't suddenly become a brilliant film but it does settle into the stride of a tvm mystery series and it wears it pretty well. The story itself lacks tension and pace but it plods along nicely with an interesting development across the time. It is nothing brilliant of course and it all feels very light and perhaps lacking in almost everything but it isn't actually "bad" and pushes the buttons for those who demand little.

Part of the reason I actually quite liked it was a great little turn the undervalued Mike Starr. He may have little to work with and not excel himself but he does dominate the film and bring much needed energy to the whole affair. Wilder is a nice presence but his performance made me think that really what he wants from his career now is lots of light fare that he won't find too taxing. Jones is OK and has an easy chemistry with most of her colleagues. The general support is not so memorable but they are mostly OK.

Overall this is a gentle and enjoyable mystery film that should please those of us just looking for something easy to watch on a slow weekend afternoon. It doesn't do anything that special but it is quite fun in its own easy way – a bit more energy and urgency would have been good but Starr helps that a bit with his entertaining if unsurprising performance.