Beautiful

The contrast between the newspaper reviewers--who clobbered "Beautiful"--and its generally favorable bulletin board comments is extreme. The movie I saw is funny, entertaining, and has something thoughtful to add to discussion of gender politics, as well as to the various earlier films about beauty pageants.

"Beautiful" asks whether or not it is OK to continue having beauty pageants, and yet drop the requirement that the participants have refrained from motherhood, thereby straying from the pageants' vestal virgin ceremony origins. "Beautiful" answers in the affirmative, since that way pageants may yet have value in the personal development and empowerment of young women. If they are done with a little common sense, pageants need not be about objectifying or patronizing women

Apparently, that view was too politically incorrect for most big media critics. How would they have reviewed "Beautiful," had it been directed by Robert Altman instead of Sally Field?

I will agree that this movie is not perfect. But it did not deserve to be slaughtered by the critics. There are some genuine, touching moments in this film as well as some big laughs. Minnie Driver plays Mona, a beauty contestant who will do anything to win, including denying the fact that she has a young daughter which would automatically exclude her from the contest. When a bitchy reporter, played to perfection by Leslie Stefanson, threatens to expose her, Mona is forced to make a few decisions about what is really important. Yes, the ending was a bit corny, but I gave into it anyway, and was cheering right along. The scene with Mona and the other beauty contestant finalist in the sound proof booth was just terrific. I hope more people watch this movie on video than saw it in a theater because there is definitely a lot to recommend in this film.

"Beautiful" tells of a girl's life-long quest to become a beauty queen with Driver playing the adult version of the central figure. The film begins as a fresh, fun, and creative comedy romp but turns a little too serious in the middle wandering haphazardly into the drama genre while conjuring up a whole bit about a friend (Adams) going to jail which doesn't really serve the theme, plot, or purpose of the film. Nonetheless, it does manage to pull itself together in with a so-so feel good ending. Worth a look for those who don't mind sappy little comedies.

OK so this film isn't destined for any Academy Awards, but it's a warm, winning flick that deserves to be recognized for it's very real strengths. Minnie Driver is usually wonderful, & she's wonderful here as Mona. Even as a kid (played by Colleen Rennison), Mona is feisty & determined, but you always see the ache beneath the bluster. We like Mona; you will too!

>

For a great deal of the film my eyes did wander around as it is not the most riveting of film experiences; however, the ending was worthy of a standing ovation and tears.

Throughout the story, I found myself wondering whether I should sympathise with Mona, a woman with such a desire to win that she selfishly sabotages fellow contestants and locks her own daughter out of her life. On the other hand, I was able to relate to the story of a woman who strove to be the best only to falter and be dragged down by peers. In a sense, Mona is to be applauded for her determination to shine through a life of failure and loneliness - a true testament to the feats that can be achieved though hard work. Naturally, giving up her child to selfishly pursue a vain dream is almost despicable but it makes the triumphant ending ever so much more inspiring, that this confused human being triumphs not only over adversity to be crowned Miss American Miss, but more importantly, that she conquers her own self-centred frailties to realise the joy to be found in loving the beautiful gift of life she already possesses.