Ce que je sais d'elle... d'un simple regard

Some questions remain without a plausible answer: why did THINGS YOU CAN TELL JUST BY LOOKING AT HER go direct to cable TV in the US? I don't know and I'm still angry about that, since it has a great cast and was very well received in Cannes. Fortunately, it was received a limited release here in Brazil, where it was a kind of art-house hit during the time of the year when only blockbusters have their place in the sun. The secret of its success here is not hard to understand: audiences who were tired of Hollywood crap found a small, quiet dramatic comedy with a good story, some heart-breaking moments (and some very funny ones, too) and terrific performances. This is the kind of film that touches everyone, even the coldest and most serious person, making them laugh and feel deep emotions. Despite its division in five stories, all of them excellent (except the part with the lesbian, which was too small), this film is carefully paced, helping us to understand each character's emotions. And each story has an interesting link to the other.

If I had to choose my favorite part, I would have to think. The Dr. Keener story is sad and quiet, the one with Rebecca is the most thought-provoking, while the dwarf story is touching and funny, and the sister-sister story brilliantly closes the film.

If you haven't seen this yet, watch it now. There are not many good films with "women" as the main subject, but this one is one of the best I've seen. It has an eye for detail, it makes us think with its reflection about what women are nowadays (I loved Cameron Diaz guessing about what made her sister's friend committing suicide). And there are great actresses which seem to fit the role perfectly: Glenn Close, Cameron Diaz, Amy Brennemann, Kathy Baker, Holly Hunter, Calista Flockhart and Valeria Golino. I hope Rodrigo Garcia, son of famed writer Gabriel Garcia Marquez, makes other great films like this.

The only other movie I've ever been moved to write a comment for was Mission to Mars. Unlike MtM, which I was moved to review due to it being one of the very worst movies I've ever seen, this one is truly touching. Things You Can Tell... is a testimony that an American movie, with well-known American actors, can be delicate, beautifully acted, and most of all, not chewed and explained to death. It does not regard its viewers as braindead; neither does it regard them as artsy. It is a movie for everyone, about people just like us.

This is not an art-house movie - the story plot is a collection of stories about the everyday lives of everyday women (the reviewer who said she never seen such repulsive characters might be in for a shock if she actually talks to her daughter / mother / sister).

It shows women beautifully, and absolutely believably. It also shows nicely that diversity is not a question of the skin color, but of the attitude (hence the stories feature only white women).

It's also not a chick flick - while certainly it will be loved by women, it also works for cynical, hard to move guys like me.

Watch it, it's really good, in a not-in-your-face, subtle way.

The rest of the movie was a little too self-consciously "arty' for me, but Holly Hunter's performance made it all worthwhile. Her scene on the street was absolutely heart-stopping in its truth. The depth of her emotion is almost an embarrassment to watch. Wonderful stuff, Holly...

This film is very slow but never boring and that's a remarkable feat. The acting is superb and the stories are emotional but never too sentimental. Just some more or less tragic women's stories in modern-day life.

Of course, there are many politically correct moves, like the lesbian couple, the black husband, the blind girl, the dwarf and the beggarwoman, but this is not really annoying. The only thing that I found a bit out of reality were the overly smart kids (i.e. Rose's son and the blind daughter).

All in all, good work on women's issues by male director.

This film consists of several different stories that are very loosely connected to each other. I was drawn into each individual story but would have liked to have known more about them. What would have made this film really good in my opinion is if there had been a single strong story line woven through all the stories; an interconnection that would have kept the coincidence intact, but would have made it an unseparable whole. That is what I missed. I am very happy though that at the end there was a kind of closing to each of the stories, but that really deserved more time. So a good film, with interesting characters and good portrayals, but it lacked the depth and interconnection that it made me both expect and hope to find.