Vérité apparente

Looking at the different reviews of the movie i'm shocked to find that anyone liked the movie. I'm a college age female and I hated that movie. Hate is a strong word and I barely ever use it, but it's very much appropriate for the way I feel about this movie. It was a great idea for a movie but it but it dragged and the ending was really dull. The only reason I watched the whole thing was because I had hopes for a good ending. Didn't happen.

This could have been a good movie, with some intense parts and good play. Unfortunately, it has been ruined by the script, which for all time, tricks the viewer into believing that there will be some kind of final revelation, which never happens. This is what lets the viewer down and therefore ruins the movie.

If the movie was honest from the beginning, then it could have become a very humanly intense road movie, like the kind of '70s movies by Bogdanovich or Altman. But because of the stupid cheat, it only becomes a modest and failed whodunit.

The acting and sceneries are good though. Worth a view - but only to regret how a better film it could have been.

Jennifer Egan's novel was brought to the screen by Canadian director Adam Brooks in a film that, based on some comments from contributors to this forum, sounds a bad proposition, but in fact, it's much better than one is led to believe.

This is a story about two sisters who loved one another dearly. Faith, the fair headed and happy-go-lucky hippie girl, takes her younger sibling, Phoebe, under her wing. Phoebe plainly loves Faith; when the older one decides to follow her boyfriend Wolf to Europe on a summer vacation from Berkley, she promises she will send Phoebe a post card every day. Faith does that, until the cards stop coming in and one night, some time later, the family receives a phone call to inform them Faith has died under tragic circumstances.

Phoebe can't forget Faith. That is why after some years pass by, she decides to take the same route the older sister took. She takes the cards from Faith and visits each place, starting in Amsterdam, then moving on to Paris and she wants to end up the trip in Portugal, where Faith encountered her untimely death.

In Paris, Phoebe hooks up with Wolf, who by now, is not a hippie anymore and is living with his girlfriend. Wolf, tries to persuade Phoebe into abandoning her trip and to go back home; she suspects that Wolf holds the key into solving the mystery, and as she is going to depart for Portugal she makes a discovery when she finds a picture that clearly contradicts Wolf's version he has told Phoebe. He feels guilty and, against his girlfriend's wishes, decides to accompany Phoebe to the town where Faith died. The story changes at this point and we go back in flashbacks to what Faith experienced in Europe and what happened in her final days.

The best thing in "The Invisible Circus" are the performances of the principals, something that Mr. Brooks has to take the credit for. The big surprise is the range of Cameron Diaz, who, as Faith, seems to select light comedy parts, when she is quite able to do good dramatic work under the right director. Jordana Brewster is seen as the older Phoebe and makes a wonderful contribution to the film. She is a stunning beauty with what seems to be a naturalness for acting. Christopher Eccleston is Wolf and shows he also is capable of doing more serious drama. The sweet Camilla Belle plays the younger Phoebe quite convincingly. Blythe Danner appears as the mother of the girls.

The European locations are gloriously photographed by Henry Braham. The film is also enhanced by the musical score of Nick Laird-Clowes and Petra Haden's original song. Elizabeth Kling edited with great elegance. Ultimately, this film shows Adam Brooks in great form as he gives the right tone to the adaptation of the novel and gets rewarded by having the right cast doing wonders for him.

About a quarter of the way into "Invisible Circus," I and those sitting around me found ourselves far more amused by the person snoring loudly than by anything happening on the screen. That, in and of itself, is a partial indictment of the film. But then, there are some really excellent movies that also induce sleep.

The movie traces the obsession of an 18-year-old over her older sister's suicide, and her attempt to follow in the footsteps of her sister's last months. This film falls into that large category of movies that seem to have an interesting set of ingredients, but somehow didn't get cooked right. That's not to say that it is terrible--you need to go to see Anti-Trust for that--it just doesn't fit together too neatly. In trying to be a love story-thriller-mystery-coming of age genre-bender, you end up with a movie that does none of them well. As a mystery it is far too predictable, as a thriller I was unmoved, the love story is monochromatic, the actors rarely move beyond wooden.

Which is all really too bad. This is a movie that could have worked. The cinematography captures some really stunning location shots, and the story itself is interesting. The execution, however, falls flat.

Wait and rent it. Or go rent "The English Patient" instead.

'Just watched this film last night. With a cast like Danner, Ecceleston and Diaz I'd expected something better. It is mainly the direction and lack of story development that stand out like a bruise. There are wonderful location shots of both America and Europe but what use is all this if the film itself is weak? With the story idea it could have been much more engaging. The whole love angle between Brewster and Ecceleston's character was irrelevant. The two actors hardly have any chemistry. The scene where Brewster hallucinates her sister behind the door just create unnecessary deviation. Alright, her character sniffed some coke but how did that fit in with the rest?

Talking of performances, Cameron Diaz stands out. One wonders why she doesn't concentrate more on such roles rather than starring in non-funny toilet-humoured comedies. The actress proves that she can take on a serious role and is wonderful. Her scenes are worth watching and she's the only character we can sympathize with. Ecceleston, though a very good actor, his role seems to lack something. However, he and Diaz do share a good chemistry. Brewster isn't convincing at all. Blythe Danner does well in a small role. So what do we get from this film? Nice shots of Portugal, Holland, France etc, a great performance by Diaz and...that's it.