La reine des neiges

This is possibly one of my favorite films. It tells the tale of a girl named Gerda (Chelsea Hobbs) who lost her mother at a very young age, so has been bought up by her father. She falls in love with the bell boy named Kai. However, on her birthday the snow queen (Bridget Fonda) comes the the hotel which her father owns and kidnaps Kai. Gurda then goes after Kai, and follows him through the four seasons in an attempt to rescue him.

I thought that this was an excellent adaption of the story with great performances from all the cast. It has wonderful special effects and the story fits together very well and is easy to follow. I think that it is a great film for all the family to enjoy. I have watched it every time t has been on since it came out and have never tired of it which is why I have given it a 10!

So this review is probably a year away from its start date but I just saw it on video and feel compelled to say something.

The story was awesome, the movie definitely dragged. Bridget Fonda did look good as the snow queen but her acting is off a bit, someone may want to remind her this is a hallmark movie she's in.

Gerda and Kai were cute. The made a cute couple.

Visually, everything was beautiful. The landscape, the snow, the snow queen - everything.

Now I have to read the book again....

I bought this film thinking it was a foreign import that I had seen many years ago, but nonesuch was the case. The film I was looking for was "The Polar Bear King", a Norwegian production dealing with a very similar story about a young princess searching for her abducted prince.

"Snow Queen" however, is not set in the middle ages, but circa 1900 in the cold reaches of a Nordic landscape (even though everyone speaks English). We're presented with a sprawling magical epic of young love challenged by the callous heart of a queen who herself seeks to conquer what she already had, but failed to see.

There's a lot of subtext and other themes going on here. We see the Snow Queen, and witness her cold manifest itself on both physical, emotional and even spiritual levels. She goes forth and sees that another wants, and covets another's possession. She exercises her power, and so our tale begins. Is she really evil and cold, or is there something missing from her life? Perhaps there's even more to her that we as yet fail to discover? Again, the story reveals all.

During the unfolding of the tale our young protagonist ventures forth into a realm that lies "straight on til morning", to borrow from Disney's "Peter Pan". There she meets eccentric antagonists and other characters, mostly female, and mostly with an agenda. Our young heroine must brave, challenge and escape those who pose a roadblock to her ultimate objective.

The production values are the usual top notch from Halmark. They don't spare expense when it comes to filming their intimate epics, nor do they waste money on extravagance that will not be used nor seen. We see a town that's in transition from becoming a small intimate affair where everyone knows everyone else, to becoming more of almost a small city ready to latently embrace the industrial revolution that's occurred in the outside world. We see vast wastes of snow capped mountains, and lush green forests and gardens. We see bandits and soldiers and a whole feast of visuals as our gallant heroine moves from one episode of her adventure to another.

The cinematography is basic, but unlike a lot of other made for TV movies, is not bland for the sake of expediency. The camera angles are a bit more dynamic and inspired, but not quite the caliber of theatrical release. A combination of good camera usage and quality art direction gives the audience a very sumptuous TV film production.

My critique is that it's not the film I wanted, but I enjoyed it for what it was. It's an American film made for American audiences based on some Scandinavian folklore, in regards to a tale that has some role reversal from the familiar tale of Gilgamesh.

Everything aside, it is worth a night's viewing if you have nothing better to do.

Enjoy.

Hallmark wowed me with Gulliver's Travels back in the day. Even the remake of Snow White, while kind of freakish, but beautiful with Kristin Kreuk in it was a helluva lot better than this lumbering hulk of garbage.

That said, please understand that I am a loyalist, and The Snow Queen and The Little Mermaid were my two favorite fairy tales of all time (you could say that Hans Christen Anderson was my first favorite author- I even liked Danny Kaye as Hans in the movie). I disliked the fact that Gerda and Kay(Kai) were so much older, and their little flirtation with romance, it felt heavy handed and false. There's no way that just after a couple of months and one kiss Gerda would chase off after Kay. Even with his silly Help Me note.

That said, I think that the bits with Kay and the Snow Queen could have been considerably edited down, and more time spent with Gerda on her travels. I am not sure about the poster who said that there was no robber girl, but there was. I do know that the travelling thru the seasons was added because of the whole "the mirror is the devils creation and he gave it to the seasons..." bs storyline. Which, of course, is utter tripe.

As far as being beautifully shot; sure, if you like white. Everything frm the frozen land looked as if it had been sprayed with canned snow, nothing really looked good. I didn't really like what they did to the snow queen; all in all, it was a complete disappointment to me. ESP the fact that I rented it and didn't think to remember that since it was hallmark it was probably a freaking miniseries or at least a two part movie. Christ I have been sitting in front of the tv for close to four hours!

Two thumbs down, and a very bad rating. The acting is horrible, and the only thing I truly liked was the clothes.

My main attraction was that I absolutely love the original Snow Queen story and always have done, for me it is one of Hans Christian Andersen's best stories. So naturally I would see any adaptation of it, regardless of the company or who was in it. I was a little dubious though as for me Hallmark's output have been a very mixed bag. The good news is that while it is miles away from being perfect Snow Queen is really quite decent and one of Hallmark's better efforts.

It does have a number of good things. The best asset is by far the visuals. The scenery, settings and lighting look absolutely stunning, easily one of Hallmark's best-looking movies, and the Snow Queen's costumes and make-up are an absolute knockout. The cinematography is basic and maybe some of the slow-motion shots get too much and unnecessary, but on the most part it is focused and fluid. The music score is very good also, it has the sparkling motifs that you'd associate with a fantasy score, the darker moments have a haunting musical undercurrent and it does all this without ever sounding generic.

Snow Queen's lead performance I did think were quite good. The acting honours do go to Bridget Fonda who I think is wonderful as the Snow Queen. She looks breathtakingly beautiful, and while she is cold and icy at points she also has a humane side which she delivers with a surprising amount of pathos. Jeremy Guilbaut showed a lot of potential as Kai, he does bring genuine character and natural intensity to him proving that he is more than just a pretty face. Chelsea Hobbs is a little bland to start with, but I didn't worry too much actually as it fitted with the "character going on a journey"(literally and in character development) and later on she is easier to warm to.

Oh and before I forget, I was surprised by how good the special effects were, the reindeer and the polar bear looked great. Snow Queen began and ended well, the darker moments providing a lot of promise for the telling of such a timeless story.

Unfortunately, for all the good things that Snow Queen it does also have debits. The rest of the acting is uneven though with one exception nobody is exactly bad. That exception though is Kira Clavell's Summer Princess, who acts and sounds like she is participating in a high-school production. But the main problems are the script, the pacing and the story. The script once the darkness shifts dissolves into anachronism and modern vernacular, which against the production values proved to be quite a stilted mismatch.

At this point as well, the pacing does get tedious and save for some inspired moments never really picks up- some of the action sequences like with the Summer Princess' minions and the Autumn robbers are quite nifty though-, which is a shame considering how promising the beginning and end proved to be. The story showed a lot of potential and I personally did find Gerda and Kai's love for one another and together convincing, which took a nosedive in the tone shift. For a programme of this length, I was disappointed at how forced the Autumn scenes seemed to be and by how certain events were introduced but never explained satisfactorily and consequently coming across as confused instead.

So in summing up, Snow Queen was decent and watchable with the art direction being the best thing about it, but there were a number of things that stopped it from being great. 6/10 Bethany Cox