Girlfight

Watching Michelle Rodriguez deliver a confident performance in FF7 -- just one of many in her career -- it is easy to overlook this breakout role in this semi-indie boxing film.

Just because it is easy does not mean you should do it.

I re-watched Girlfight prior to this review and, just as I remembered, her reaction shots and dead-man stares were the standouts in a film which holds up surprisingly well.

I cannot over-emphasize how elegant this breakout role is. Stallone, the Jedi master of fight films, had his breakout role in a very forgettable film called the Lords of Flatbush. In it, he had a wrestling scene.

Recommended. And the rating should be higher than it is. It was intended as a character study and there are no bad performances, no dull moments.

I first saw Michelle Rodriguez in The Fast and The Furious, and was sad that her character wasnt given more to work with because it was a role that could have been a great addition to the film.

Just recently I saw her Girlfight which was the role that started and has so far highlighted her career. And to be honest I found it to be one of the best movies I have seen in the last couple years.

The movie is about a girl named Diana played by rodriguez who has alot of pent up anger about herself and her mother's death. So her life at school is spent mostly by getting into fights, but that all changes when she visits her brother at a local boxing facility.

Soon its her and not her brother being the one trained, and through boxing she finds a way to release her anger, and find something to concentrate on. One of the things I found that I loved about the movie was that at the end not all of her problems were taken care of, just some of them. And her dreams are not realized but just taken a step further which is all she really wants.

But most of all it was Michelle's performance that made this movie the experience it is. Her character is REAL, and people aspiring to be actresses should watch her movie for pointers. She imbues her with the rage, and the full range of emotions that she shows through every scene. So watch it and love it 10/10

"Girlfight" follows a project dwelling New York high school girl from a sense of futility into the world of amateur boxing where she finds self esteem, purpose, and much more. Although the film is not about boxing, boxing is all about the film. So much so you can almost smell the sweat. Technically and artistically a good shoot with an sense of honesty and reality about it, "Girlfight" is no chick flick and no "Rocky". It is, rather, a very human drama which even viewers who don't know boxing will be able to connect with.

Poverty is the great equalizer. Or at least one would think so. Imagine that in addition to financial instability you are a young Latino woman, with no aspirations, opportunities or positive role models, who does poorly in school, and has a powder keg temper. Welcome to Diana Guzman's life.

Whether it's because she refuses to talk about lipstick and boys or because she settles disagreements with her fists, Diana is an outcast. After her fourth fight in as many months, the principal informs Diana that she's run out of chances - one more fight and she's gone. She files the incident under "Whatever", and curses about her detention as she heads to a squalid little athletic club on an errand for her father.

When Diana walks into the gym, she is entranced by the combination of salty sweat, testosterone, and men boxing. In keeping with the atmosphere, she decks one of the boxers after he takes a cheap parting shot at her little brother after a bout. Rather than chastising her, the men edge back, affording her a measure of respect, the first she has ever experienced. And she likes it. Realizing that she has found her niche all she convince a skeptical, chauvinistic trainer to take her on, get money to pay him, and hide her passion from her abusive, dismissive, alcoholic father. Well, at least it's no tougher than anything else she's had to do.

Anyone expecting a female "Rocky" will be disappointed - "Girlfight" is not about endorsements, glory or bone crushing slow motion boxing sequences - boxing here serves as the background for the film, not the main attraction. The film would more appropriately be described as - and I really hate this phrase - a coming of age story. But Diana is a much more complex than the typical lead in this genre - she struggles not only with the issues we normally associate with adolescence - awkwardness, a desire to belong, and racing hormones - but also with discrimination, blinding rage, and expectations that are constantly forced upon her. As Diana's training progresses, she grows both literally and as a person -she learns to control her anger, walk with confidence, discover who she is, smile and risk the vulnerability of romance. The acting is superb.

From the initial appearance of her glowering image on screen, Michelle Rodriguez is superb. Chosen from among several hundred actors at a cattle call, Rodriguez, who had only previously worked as an extra, captures Diana's hostile intensity and indifference perfectly and has a screen presence that most actors would sell a couple of souls for. In addition to honing Diana's persona, Rodriguez underwent four and a half months of gruelling training to develop the necessary boxing skills and physique to match. The final product is one of the strongest performances I've seen since Hillary Swank's Oscar winning role in "Boys Don't Cry". Rodriguez is bolstered by a strong cast: Jaime Tirelli, who plays her Doubting Thomas trainer Hector, and Santiago Douglas, as Adrian, her sensitive partner in love and in the ring.

Rather than opt for the clean Hollywood look, Girlfight feels like a documentary both in the locations and filming. From the dingy little hole in the wall gym plastered with mottoes written on cardboard ("Champions are made, not born") to the crumbling deadly projects where Diana lives, everything has that unpolished grit that is difficult to fake. The director also chose a departure from the accepted standard of choreography in boxing films - instead of the whiplash-in-action slow motion sequences, the sparring is shown from a first person perspective with the glove coming straight at the viewer's face. I flinched more than once.

Take a date, or go alone. Either way you will agree that "Girlfight" works on many levels, and disappoints on none.

The first step to getting off of that road that leads to nowhere is recognizing that you're on it in the first place; then it becomes a matter of being assertive and taking positive steps to overcome the negative influences in your life that may have put you on that road to begin with. Which is exactly what a young Latino girl does in `Girlfight,' written and directed by Karyn Kusama. Diana (Michelle Rodriguez) is an eighteen-year-old High School senior from the projects in Brooklyn, facing expulsion after her fourth fight in the halls since the beginning of the semester. She affects a `whatever' attitude which masks a deep-seated anger that threatens to take her into places she'd rather not go. She lives with her father, Sandro (Paul Calderon), with whom she has a very tentative relationship, and her younger brother, Tiny (Ray Santiago). With her life teetering on the brink of dissolution, she desperately needs an outlet through which to channel the demons that plague her. And one day she finds it, without even looking for it, when she stops by the gym where Tiny trains. Ironically, Tiny wants nothing to do with boxing; he wants to go to art school, but Sandro is determined that his son should be able to take care of himself on the streets, and pays the ten dollars a week it costs for his lessons. When Diana convinces Tiny's trainer, Hector (Jaime Tirelli), to take her on, and approaches her father for the money, under the guise of calling it a weekly allowance (she doesn't want him to know what she wants the money for), Sandro turns her down and tells her to go out and earn her own money. Ultimately, with Tiny's help she finds a way, and the ring soon becomes her second home. It's an environment to which she readily adapts, and it appears that her life is about to take a turn for the better. And the fact that she will have to fight men, not women, in `gender blind' competitions, does not faze her in the least. Diana has found her element.

First time writer/director Karyn Kusama has done a terrific job of creating a realistic setting for her story, presenting an honest portrait of life in the projects and conveying that desperation so familiar to so many young people who find themselves in dead-end situations and on that road that leads to nowhere. And there's no candy coating on it, either; as Hector tells Diana when she asks him how he came to be where he is, `I was a fighter once. I lost.' Then, looking around the busy gym, `Like most of these guys, they're going to lose, too. But it's all they know--' And it's that honesty of attitude, as well as the way in which the characters are portrayed, that makes this movie as good as it is. It's a bleak world, underscored by the dimly lit, run-down gym-- you can fairly smell the sweat of the boxers-- and that sense of desolation that hangs over it all like a pall, blanketing these people who are grasping and hanging on to the one and only thing they have, all that they know.

Making her screen debut, Michelle Rodriguez is perfectly cast as Diana, infusing her with a depth and brooding intensity that fairly radiates off of her in waves. She is so real that it makes you wonder how much of it is really Rodriguez; exactly where does the actor leave off and the character begin? Whatever it is, it works. It's a powerful, memorable performance, by an actor from whom we will await another endeavor with great anticipation. She certainly makes Diana a positive role model, one in whom many hopefully will find inspiration and the realization that there are alternative paths available in life, at least to those who would seek them out.

As positive as this film is, however, it ends on something of an ambiguous note; though Diana obviously has her feet on the ground, there's no indication of where she's headed. Is this a short term fix for her, or is she destined to become the female counterpart of Hector? After all, realistically (and in light of the fact that the realism is one of the strengths of this film), professional boxing isn't exactly a profession that lends itself to, nor opens it's arms to women. And in keeping with the subject matter of the film, and the approach of the filmmaker, an affirmation of the results of Diana's assertiveness would have been appropriate.

The supporting cast includes Santiago Douglas (Adrian), Elisa Bocanegra (Marisol), Alicia Ashley (Ricki) and Thomas Barbour (Ira). Though it delivers a very real picture of life to which many will be able to identify, there are certain aspects of `Girlfight,' that stretch credibility a bit, regarding some of what happens in the ring. That aside, it's a positive film that for the most part is a satisfying experience. I rate this one 7/10.