Amours suspectes

My husband and I both loved this film. At first my husband was skeptical and asked how many points he got for sitting through this one. But after a few key scenes he was totally sucked in and by the end he was convinced it was one of the best movies going. Kathleen Bates has never been so wonderfully loveable and the rest of the cast is just simply fantastic. Thank you for this beautiful film.

I found this film by accident while shopping a sale of used DVDs at my local video rental store. I hadn't heard of it but Kathy Bates is always worth watching, so I didn't even look at the back of the package for the rest of the credits.

I got it home and was hooked from the beginning credits when the singer turns around and it is Jonathan Pryce. (I fell in lurrrrrrrve with his voice years ago in "Jumping Jack Flash, in which he IS just a voice for most of the film.) And even though he sings the most incredibly cheesy songs imaginable here, if there was a soundtrack I would buy it in an instant.

I enjoy movies which aren't easy to categorize. Here on IMDb it is listed as a Drama/Comedy/Musical/Thriller. That sums it up pretty well as far as I am concerned. If you need to have every little thing in a movie spelled out clearly and make perfect sense you will probably not enjoy this one. The whole movie has a slightly surrealistic feel and I loved the way it flows between reality and fantasy. It reminded me of Harry Sinclair's wonderful "The Price of Milk", but that wasn't a film for everybody, either.

Incidentally, no one so far seems to have mentioned the first credited screenwriter, Jocelyn Moorhouse. If you did like "Unconditional Love", you might want to see another film she wrote and directed called "Proof", with Hugo Weaving and Russell Crowe. It also was very strange/odd/beautiful/moving and hard to classify.

But a great cast! Jonathan Pryce, Kathy Bates, Rupert Everett, Lynne Redgrave, Julie Andrews and Dan Aykroyd! And that's just the beginning.

I'm not totally sure that any description of the movie and plot are going to entice you to watch this one. Suffice it to say that it has something for practically everyone: death, singing, a sparkly suit, cell phones, a little person (nice looking woman, actually), a drawbridge (modern, not Medieval), a boombox, and a crossbow. Oh, and a psychotic. And Barry Manilow.

You will have to trust me when I say that 50% of you out there will hate this movie because of the lack of the Absurd Gene in your DNA makeup. It's not your fault; it's hereditary. The other 50% of you will probably want to change the channel after 20 minutes, but you HAVE TO KEEP WATCHING.

Even at that, at the end you may wonder why you watched... but keep in mind that absurdity thing. It should grow on you. It is a test.

"Unconditional Love" starts with great promise. As directed by P. J. Hogan, the film works great up until the last third of the movie, when it falls flat on its face. The screen play Mr. Hogan and Jocelyn Moorehouse wrote showed a myriad of possibilities that fizzle at the end. It appears the artistic team behind the movie had great hopes for it to play differently. The reality is this is a film that is looking in different directions in how to bring it to a resolution that ultimately fails. Don't get me wrong, the movie is tremendously appealing and will resonate with a lot of its viewing public.

Based on the strong cast, we decided to take a look. The tremendously talented Kathy Bates is the perfect choice to play Grace Beasley, the woman who finds at the beginning of the film that all is not well in her marriage. Ms. Bates is an excellent actress who deserved much better, even when her character is not helped by what the authors have her do in the film.

Rupert Everett is always dependable into delivering. His role, as the late Victor Fox's lover is well written, that is, until Dirk is lured into coming to Chicago to find Victor's murderer. It's bizarre and it defies all rules of logic. Dirk doesn't look capable of hurting a fly, let alone hunt down a killer with the help of Grace and her daughter-in-law, the incredible funny, Maudey.

As played by Meredith Eaton, this little woman, Maudey, is one of the best things in the film. She's is brash and tells it as she sees it. Peter Sarsgaard, one of the best actors working in films these days has nothing to do in the picture; he is totally wasted. Dan Aykroyd also has nothing to do. We see him at the beginning and at the end of the film and his Max doesn't make sense. He appears to want changes in his life and his marriage, only to come back to Grace without any explanation, all things forgiven.

The English actors are good. Lynn Redgrave has a better opportunity as the hysterical Nola. Jonathan Pryce is seen throughout the film as a ghost singing bland songs. Julie Andrews makes a funny contribution in a couple of priceless scenes.

Ultimately the television show hosted by Sally Jesse Raphael is a turn off and doesn't add anything to the movie. The best part is hearing Kathy Bates singing. What a beautiful voice she has! In fact, Ms. Bates is the best excuse for staying until the end.

This film is so many things: corny, touching, hilarious, weepy, maddening...well, you get it - so many things and a really pleasant surprise. I watched it to see Kathy Bates and I fell in love with her talent. Like the movie, she is also many things and shows the complexity of a relatively simple character type (as "D.S." put it - "an American frump"). Yes, she was very frumpy, but with a twist...she had real balls throughout the film and from the time her husband gives her the bad news she begins to show herself that she really didn't need him for validation; her strength shows with her first impulsive decision to go to England and then the fun begins. My favorite scenes are when the Fox sisters realize that they are sharing tea with a fan and, of course, Victor Fox's televised funeral. The end scene, while meandering and very maudlin, touched me and seemed the perfect end to an unexpected adventure. My favorite character was the daughter-in-law, Maudey. What a woman! I'll never see little people the same way again...she was very Chicago.