On the Beach

What would I do when I was confronted with my certain death and the end of mankind? That question was getting more and more to me when I watched On The Beach. Very confronting and on the eve of a war in Iraq, not at all unthinkable.

The plot is simple: War has broke out (in this case between the US and China, but it could be Iraq or North-Korea too...) and the US strikes with nuclear weapons. Australia gets spared initially, but its inhabitants face certain death as clouds of radio active fall-out nears. Within two months, no one human will be alive. Unless... There is a chance that some people close to the north pole survived. An American nuclear submarine that survived the war is boarded by an Aussie liaison officer and a cynical scientist, that used to date the sister-in-law of the officer, to search for possible survivors.

Not much action, but for those who like to think while watching a movie, this film will stick to you. There are story lines that resemble soap opera's. That might be true on the surface, but it is completely different when you keep in mind that they all are going to die. You feel the difficulties in the way the characters choose to die.

The movie is played well, directed well and has great photography. The director uses several filming techniques that are rarely used so that the viewer gets time to think about the situation and feel the dilemma of the character.

Unless you cannot bear to be confronted with your own mortality, this is a must-see.

I saw this movie across two nights on television.

I found that the first half dragged quite a bit with too much time spent on setting up the love triangle.

However, I found the ending really affecting and quite emotional. To put not too fine a point on it I was a little sleepless last night thinking about it. The acting in the ending is really quite good.

I also think that for its interesting premise - what would happen to society in its possible final dies - this film doesn't go into much detail. I would have thought that there would be lots of interesting things to would happen.

I think the stand out actors here are Jacqueline McKenzie (Mary Holmes) and Bryan Brown (Julian Osborne). They conveyed the emotion of their characters very well. I was quite disappointed with Armand Assante (Dwight Towers) as he didn't seem to have much of an emotional range.

DISCLAIMER: Text contains hints with regard to the ending of this movie. -----------------

I came to this movie accidentally. I never read the book, nor did I knew that there was an earlier version of it.

I was temporariliy working far away from home, when late one evening I zapped through my english tv channels and I saw something about a submarine. As I enjoyed the hunt for "Red October" and "Crimson Tide" a lot, and submarines are always of interest, I took a closer look - and found that what I saw was kind of boring. Too much relationship-blabla, too much "feelings" than I wanted to see at that time. (I am not that type of person who only watches Action-movies all the time, but what I saw really bored me at that time.)

As the other channels did not offer too favourable alternatives, I had a look from time to time into that "submarine-movie", and I wondered about the combination of this feelings-and-relationship-stuff with a submarine ?!? Every time I stayed a little bit longer and I learned more about the background and the plot, with the nuclear disaster. However - part 1 ended, and, at that time, the movie was of enough interest that I looked out for part 2 in the tv magazine.

I still had not too many details on the content of the movie when finally part 2 was on tv. I watched it from the beginning, and although there were some parts which really did not interest me too much (maybe because I never saw the complete developement of the characters), I could not resist to watch it to the end...

But what kind of end is this ? An american movie without an happy ending ? Mankind all dead ? This was too realistic, and it was surprisingly detailed. Where in this famous "1984" movie they had to change the end for some audience, this movie ending was the direct opposite of it, and I was not prepared for it in some way.

This was not the first time I was confronted with the nuclear theme and thinking about it, but I was unprepared for this direct, extreme and final ending that the movie had a kind of impact on me for almost a week. (And normally I am really not the type who is affected by movies that much!)

While writing this, the movie is repeated on tv and I see once again people drinking final drinks or racing with ferraris into death. And once again, I have this terrible feeling that all of this is too realistic.

Some people may be able to write about this movie only with regard to the performance of the actors, comparing with the book and the old version, or complaining about technical details. They may be right, but for me personally, this seems to be a kind of irrelevant compared to the content and the story of the movie. I consider that a bad movie could not have such an impact on the viewer, and I was glad to read that I am not the only one with this kind of experience.

I agree with most other comments, that as many people as possible should have a better understanding of the effects of nuclear warfare, and if this movie can be effective to increase this understanding, it is a good movie. Maybe people should watch it like me, not knowing too much about the ending and not taking too much care about single characters. Movies like this you should not just watch, but you must also think about.

Before switching now back to Cartoon Network, I am sending this little comment to IMDB and I start to wonder if I could mention this movie on my website...

It didn't take me long after 'Highlander' to see that director Russell Mulcahy had struck lucky in creating one of my favourite movies of all time. I've really not been a fan of his, so watching 'On The Beach' was a bit of a strange experience. Thankfully, it was filled with just enough originality and reasons to be liked for me to go the distance with it! Firstly, and most importantly to those looking for a thrill, this is not your movie. It's entirely character driven with a smattering of symbolism and it might be a bit too emotional for the action movie crowd. It's a show with an anti-nuclear message.

That being said, Mulcahy did infinitely more with $10 million than 'Blair Witch Project' did with $15 million in the same year and much of that comes down to the efforts and chemistry of the cast. That is a testament to the effort put into this production, though, as you really have to wonder; random camcorders and camping in the woods cost $5 million more than a submarine, a cast of international actors and a soundtrack? How? Moving on, I've never seen Armand Assante take the lead and now I'm looking to see what of his I can watch next. He was captivating from start to finish, taking up his character's mantle as though he'd been in the navy all his life. As for more tender and emotional scenes, it's quite endearing to watch such a gruff and edgy man portray all that he did. He carries much of the movie, but sometimes it's rushed outcome overshadows him.

Bryan Brown suffers an impatient or rushed cinematographer, not to mention a script that needed reigning in, whereas Rachel Ward and Grant Bowler came across as very natural and understated until it really counts.

As for any action, unfortunately it's the edgier scenes that Mulcahy was better known for that he consistently failed at. It really made me wonder what happened to him as a director because how could he mature as a dramatic director and then becomes so bad at what made him famous? All faults aside (including some horrendous editing), it's still a good effort and after all is said and done, if this TV movie and its culminating scenes don't blow your mind and leave you chilled to the bone, then I fear for the future. I think you have to want the message in order to want the film in this case!

Nightmares are very personal things. Probably because I was in the military at a time when nuclear war seemed more probable than it does now I occasionally had nightmares involving nuclear weapons - the end of all things I hold dear. Regardless of what that says about me, it is a problem that has not been resolved with the end of the Cold War.

I had read some negative reviews about Showtime's remake of the classic picture, so I wasn't sure it was worth watching. That was a mistake as large as the one that frames "On the Beach." This version far surpasses the original in presentation, depth of character, and, of course, effects.

Quite simply, "On the Beach" is the story of the crew of the last surviving American submarine, an Australian Naval officer, and that officer's wife and friends. A nuclear holocaust has created a cloud of radioactive dust that destroyed all life in the Northern hemisphere and is gradually making its way south. Worse, the Australian survivors have a good idea of when the radioactivity will arrive and kill them. When it does, humanity, and presumably most other life, will vanish from the planet. We may as well not have existed.

I've felt up until now that the 1959 classic with Gregory Peck and Ava Gardner was the most depressing film ever made. However, director Russell Mulcahy and an excellent cast including Armande Assante, Rachel Ward, and Grant Bowler make the 1959 version seem stilted and pale by comparison. This remake - perhaps reinterpretation is a better word - gives the characters a depth that now seems missing in the original film. Commander Towers displays an increasing disorientation as the film progresses. Moira has more to her character than that of a lush. And Lt. Holmes is clearly not happy about the time spent away from his wife who, in this version, better illuminates her increasing disconnection from the real world.

Still, I find one thing missing from both films. Dylan Thomas exhorted us not to go gently into that good night. Yet Australians and Americans - at least those in Alaska - seem to have no trouble taking suicide pills (with injections for pets and children - seems like it should have been the other way around.) There is a great ethical issue in taking the pills and injections that is not explored in either version, and yet what deserves more ethical and moral debate than whether it is human, in the best sense of the term, to slip silently and uncomplainingly from life? Aside from the insanity of humanity eliminating all higher life on the planet, this lack of exploration of ethical issues is the point that most bothered me about "On the Beach."

I've not read the book so I can't comment on which picture is closer to it. I will say that I think the ending of the newer version seemed at odds with Towers' character - perhaps it was merely a fantasy of Moira while she was dying, or perhaps a critical scene was deleted for timing. I hope it was not just the tendency of modern film makers to sweeten the ending! The earlier movie is much more consistent with Dwight Power's character.

So. This is a movie well worth three hours of your life. Aside from occasional histrionics from Julian Osborne in both versions, it presents people going about their lives as best they can. You are left to decide the meaning behind it, as we always are as individuals. There are no simple answers here, and even the questions the movie raises aren't simple.

The movie will leave you depressed. That shows you're thinking. Perhaps there's no solution to the conundrum of stellar forces, chemicals, and biologics available as weapons. Some serious thinkers have postulated that the reason we don't receive any radio signals from others in the galaxy is that civilizations reach a certain level, and then, when they have learned to unleash powers far above what evolution trained them to comprehend, destroy themselves.

It's a serious thought and a serious movie. I recommend it highly. A solid 9+ from me.