A defrosted Holmes teams with a robotic Watson and a female Inspector Lestrade to stop the criminal rampage of Moriarty's clone.A defrosted Holmes teams with a robotic Watson and a female Inspector Lestrade to stop the criminal rampage of Moriarty's clone.A defrosted Holmes teams with a robotic Watson and a female Inspector Lestrade to stop the criminal rampage of Moriarty's clone.
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When I heard that there was gonna be a cartoon on about the master detective(though I didn't know it would be animated) I watched the first episode. When I heard the theme song, I thought at once this would be one of those stupid no-deduction cartoons were Moriarty is in everyone and they just run around, etc. But they actually used the final problem! That alone makes this "kids" show unique, and able to watch for adult Holmes fans too! I, having read the entire canon, love how they keep the original stories, add a bit more action (but not too much, you know what I mean), change murders into robberies, assaults, disappearances, temporary disablement, etc. etc. RealmMan couldn't be more wrong! (Oh, and one more thing. Now women have better rights, and Lestrade's descendant is strong and able.) Allow me one more thing. Holmes does deduce, and they aren't cheap ones with no foundation. Holmes can tell by the way a man walks he was once rich and proud, but by his clothes he has lost his fortune and tries to ignore it; when they are trapped in an empty train, instead of busting down the door, fires his gun, starting an alarm and opening the doors. See my point?
This "new" Sherlock Holmes (Sherlock Holmes In The 22nd Century') is without a doubt AWESOME. It's among the very best animated shows I've ever seen. I'd buy this entire series on DVD in a heartbeat that's how much I love watching it. I already have the four-episode DVD and it's a good thing that DVDs don't wear with play because this copy would be worn out by now. I watch those four episodes over and over and over... Seeing as I'm writing this in 2003 and the shows were created in 1999 does nothing but reinforce my continued love for this series. I love the way hand-drawn animation (i.e. people) is incorporated with computer-generated animation (i.e. vehicles). Visually, the series looks superb. The logic and explanations are not only rational, but also thought provoking, rooted, and justified in the stories and environments.
Almost word-for-word animated remake of 1993's DEMOLITION MAN. That film had cop John Spartan (Sylvester Stallone) brought into the future from cryo-sleep because he was the best man to catch his arch enemy Simon Phoenix (Wesley Snipes) who had broken out of cryo-sleep to wreck havoc on the future. Future cop Lenina Huxley (Sandra Bullock) helps John Spartan to adjust and help catch the bad guy. Replace Stallone with Sherlock Holmes, Snipes with long-time Holmes enemy Moriarty, and Bullock with Inspector Lestrade (relative of Holmes' old acquaintance from Scotland Yard) and we now have a series that if nothing else is better than having Demolition Man the Animated Series. In fact, to be fair, the idea of having a female side-kick bringing back Sherlock Holmes from the ice box had already been introduced way back in 1987's THE RETURN OF SHERLOCK HOLMES where Detective Jane Watson, relative of Dr. Watson and played by Margaret Colin inherits a frozen Holmes, thaws him, and greatly improves her detective business. In the unrelated 1993 film SHERLOCK HOLMES RETURNS we find Holmes once again awakening in the 20th century from a suspended animation device of his own creation. The 1999 animated series tries to capture the look of the recently animated Batman series and current comic book illustrations...in other words a little dark, a little anime (or Japanation if you prefer). The stories are not very interesting, the robots are silly (the robot Watson looks a lot like a relative of Rosie from The Jetsons), and much of the animation is just too ugly. In the very first episode, after just being reanimated three hundred years into the future, Holmes has a keen knowledge of the abilities of computers, flying cars and robots without an ounce of curiosity or wonder of the future city before him. Instead I recommend 1979's TIME AFTER TIME where H.G. Wells played by Malcolm McDowell chases Jack the Ripper played by David Warner into the 20th century via a Time Machine. In that film Wells is always in awe of what he sees in the future without losing his keen intellect. Perhaps the maker of Sherlock Holmes in the 22nd Century didn't see it (obviously more of a Stallone fan). Sherlock Holmes will survive. He always does.
For the sake of completeness of my Holmes project, I watched a couple episodes of this.
The fancy is that Holmes is placed 200 years in his future. The future setting allows the animators to use all sorts of visual shorthand for sets and situations. The appropriation of Holmes allows the writers existing stories that can be reduced to skeletal plots. These two devices were likely important to the decision to go, as they would greatly reduce costs.
This was inspired by Sherlock Holmes in the 23rd Century (of the decade before), an even cheaper production with even more abstract notions of a future.
When characters and story structures reach this level of reuse, like Frankenstein, it is because they have such power that all one has to do is reference them by sketching, and the viewer fills in details.
The amazing thing is the ends of the thing. The production itself is the scantiest, cheapest thing possible and the external reference is one of the richest.
The fancy is that Holmes is placed 200 years in his future. The future setting allows the animators to use all sorts of visual shorthand for sets and situations. The appropriation of Holmes allows the writers existing stories that can be reduced to skeletal plots. These two devices were likely important to the decision to go, as they would greatly reduce costs.
This was inspired by Sherlock Holmes in the 23rd Century (of the decade before), an even cheaper production with even more abstract notions of a future.
When characters and story structures reach this level of reuse, like Frankenstein, it is because they have such power that all one has to do is reference them by sketching, and the viewer fills in details.
The amazing thing is the ends of the thing. The production itself is the scantiest, cheapest thing possible and the external reference is one of the richest.
Wonderful animated "steampunk" that mixes late 19th century literature with futuristic fantasy. Like the SciFi Network's live-action THE SECRET ADVENTURES OF JULES VERNE, this isn't about the original novels so much about the spirit and adventure of the characters. When authors like Arthur Conan Doyle, Jules Verne, Edgar Rice Burroughs, and H.G. Wells, etc...penned their classics, it was a time when the world was opening up new avenues of exploration on every continent, and new avenues of discovery in laboratories and workshops. It was the dawn of the 20th century and they educated us not only to "what is"...but to "what if". As we seek new discoveries and new adventures in the future we hope there will be literary figures that take us there first that are up to par with the immortal Holmes, Fogg, and Lord Greystoke. This series has chosen one of the best to take us into the 22nd century and perhaps will introduce younger viewers to Holmes and inspire them to read Doyle's original novels. That much better than inspiring them to collect Pokemon cards.
Did you know
- TriviaThe series takes place in 2103.
- Quotes
[repeated line]
Sherlock Holmes: Eyes and brains, my dears. Eyes and brains.
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- Sherlock Holmes en el siglo XXII
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