The Long Run

I rate this a "seven" because the film brings together several treatments which combine nicely.

The best treatment is the study of Barry, played by ARMIN MUELLER-STAHL, an Old-Man-and-the Sea type, a monomaniac, misfit sports coach with a questioned past, slipping into oblivion. He clings to just one race as his reason for being: a tough 90 kilo run, hence The Long Run. This character study alone ranks the film as a watcher.

The second treatment is the quiet and serene, still-waters-run-deep dignity of the African runner. This treatment is not enough to support the whole film. She is from Pretoria, and is an ideal-type, too-good-to-be-true. Character development is missing except in the one important sense that is key to the film. In the face of hardships both historical and current, and harboring some doubts as to what she is capable of, she grows in strength and breadth from the hardships of race preparation.

The third treatment is fairly formulaic: the David-beats-Goliath sports film. From Hong Kong martial arts film to G-rated knock-offs, the combination of stalwart heart plus beloved underdog is successful again. In this film, other issues obscure the routine set-up, thus providing a slight sense of 'maturity'.

The fourth and final treatment is Africa itself. Once or twice each decade,we are treated to a major Hollywood film bringing us the sights and sounds and smells of this most enchanting and provocative continent. THE LONG RUN was shot in South Africa. What we see in the background could just was well be viewed in several of the surrounding countries as well. Alas, the film's creators give us only meager examples of this land and life : a brick factory, some runners, and a taste of scenery. Much more could have been included.

Propaganda angles surrounding any such film could damage it. It has not the robustness of, for example, HOTEL RWANDA. I was caught up in the beauty and the story. That was enough for me ,,, and I hope, for you.

This independent production was picked up by Universal Pictures, but it doesn't seem that they gave it much of a theatrical release apart from a brief showing in Seattle. Seeing the movie, it soon becomes clear why Universal didn't have confidence in it. It's not a terrible movie, having some positive attributes. The South African locations, which are well photographed, give this a non-Hollywood look that's quite refreshing. The acting by everyone is pretty good as well. However, the actors aren't able to do anything with a script that doesn't give much depth to the characters. The main characters of Berry and Christine never have one real conversation of significant depth. Quite often they do things without explanation. There are a few scenes where it seems something personal might come out, but then there's an abrupt edit to the next scene, suggesting that a lot was cut out in the editing room. (Despite this, the movie at 113 minutes still feels too long.) And the climatic race is directed in a surprisingly bland fashion, not letting us feel the sweat and pain the runners are going through. Still, as I said earlier, this is not a terrible movie... but you'll still feel underwhelmed by it long before the end credits start rolling.

Even if you are not a runner, you'll enjoy this film. It has wonderful dramatic and emotional highs and lows - get your tissues ready for the end! It has plenty of real life frustration, without the usual Hollywood gloss. Armin Mueller-Stahl is terrific, on many levels of the characterisation.

This movie was okay. As a former athlete of a good standard, and a great fan of the Comrades marathon, I was just able to stay interested for most of the film. Non running fanatics may struggle to find much in this film. As a South African, I recognised the usual suspects, it seems the same group of actors appear in all South African films, maybe we have only 10 actors in the whole country. On the whole the acting was fairly thin, the main role of coach was played fairly well though. Apart from that not much to write home about. The female lead and athlete could not run that well, although she shows a good body in a swimming scene. True athletes will find some of the facts hard to believe, but non runners probably won't notice. Also, as a South African film the usual black/white dynamic are explored, as well as some of the intolerance of the white people and the hardships of the black people. While these cannot be denied it would be nice to see a South African film one day that can focus on something else? Anyway, these aspects are not explored at too much length, so the running fans who come to expect a running film from the film cover, plot and description have something to watch. Those interested in the featured Comrades Marathon itself, will appreciate some of the shots of race day. This is an actual 90km marathon that takes place in Durban and Pitermaritzburg every year (alternating), and is without doubt the greatest ultra marathon in the world, attracting yearly fields of 15000. It is also well supported with crowds lining most of the 90km, it is basically a National Event. If you find the movie does not do the race justice, and you are interested in doing an ultra marathon, rest assured that this is the best there is, with support from runners world wide. I feel the movie let's the race down slightly, the acting is simply one dimensional and very few scenes get your emotions involved. 4 stars for non runners, 5 stars for running fans.

Set in 1999, post-APartheid South African, this film begins with an elderly white brickworks manager who has a strong interest in long-distance running.

He has been training some of his employees for a ultra-long-distance race, the Comrades Marathon. Deprived of this, he finds himself at a loose end.

He then notices Christine, a young Blakc African woman who regularly runs long distances and has never had any training. She is an illegal immigrant, who faced hostility from some of the local Black Africans. When she is arrested, he gets her released and invites her to live with him. He has no sexual interest in her - she later describes it as being viewed like a racehorse.

Christing several times asserts herself. The film culminates in her taking part in the actual race.

I found that there was rather too much about the dull relationship between coach and runner. A better film would have shown flashbacks to the past of the race, not always open to blacks or women, and to the coach's own past as a runner. Still, it gave an authentic-seeming view of South Africa and the running culture.