Kippour

This is being a pretty good and different war movie but it does start loosing some of its power after a while, once the movie starts repeating itself, over and over again.

I always enjoy watching movies, concerning history, which I don't know all that much about already. This is a movie centered around the Yom Kippur War and tells the movie entirely from the perspective of a rescue crew. This means that the movie itself isn't focusing on the fighting but more on its aftermath. This is an interesting approach for a war movie to take and of course also works effective as an anti-war movie.

Well, mostly effective, since the movie does start to wear out after a while. It seems that there is only so much you could do with this concept, before you start repeating stuff. Half way through I was waiting for the movie to take a different turn or do something unexpected or original. It doesn't do any of this really, which did left me a bit disappointed, especially since I was quite liking the movie at first.

It still remains a very well made movie. Visually there is very little wrong with this movie and it gives a pretty realistic and detailed view of a battlefield. Even though you'll hardly see any fighting in this movie, it does indeed feels like a true war movie, that obviously cost some bit of money to make.

Also because of its subject and its approach, this still remains a good watch but it's just not as effective as it potential could and perhaps also should had been.

7/10

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"Two characters making love sopping in paint on Yom Kippur while everyone else takes part in religious activities. You don't get much more sac-religious than this. So we know this is not a propaganda film."

Except that any film, pro or anti war, can be a propaganda film, sacrilegious or not. Also, to be a great anti-war film, a film needs to be watched and needs to draw viewers to it. This film does not do that. However the director meant the film, I simply saw it as a auto-biographical film about his own life during the Y.K war and not a particularly effective one at that.

The Yom Kippur war almost caught Israel unawares. Twenty days later they were across the Suez 100km from Cairo and near as many from Damascus, another disaster for the Arabs. In a strange turn of events however, the surprise attack and doom-laden buildup to it, with thousands of graves dug in anticipation, had a devastating effect on the country, in effect signaling a perpetual state of fear and alert.

I am in the middle of exploring through films these bumps in the national mind, which brought me here. For what it's worth, the filmmaker has decided to capture an experience of war as purely about what it means to be there as he can. He knows, he was there.

Sadly, it's flat beyond belief. For better or worse I found it to be nothing like Thin Red Line, as others have mentioned in their comments. Whereas Malick spins war to be one of conflicting urges in the soul, this is what we see, two hours of med- evacs carrying the wounded.

There's one contemplative image in the film, a helo shot of a muddy battlefield with maneuvering tanks drawing meaningless patterns on the mud, contrasted with the early shot of the lush mingling of painted sex evocative of life, color, imagination, spontaneity. It's a great shot, and perfectly describes both what the film wants to portray, a sort of aimless cosmos, and what it ends up with—aimless doodling on the ground.

So the filmmaker reminisces in film about a time and place that allowed no skyward gaze. The important message is that war is as wasteful and pointless to happen in real life as it is to watch in this film.

This is not a Hollywood film, and not an action film by any means. Its an art film, just look at the opening love making sequence. Two characters making love sopping in paint on Yom Kippur while everyone else takes part in religious activities. You dont get much more sac-religious than this. So we know this is not a propoganda film.

Despite its boredom and such, when compared to other "anti-war" films like platoon and such, this is king. Why? Because there is nothing glorifying about it or the characters, its boring, there is not a single gunshot in the whole film. Rather we spend 2 hours following a medical rescue team in a chopper hauling dead and wounded bodies into a chopper. No heroic sacrifice, no barely dodging bullets and RPG's, no cool action sequences at all. Israel needs more films like this, to see the futility of fighting wars like this. The use of long shots puts us on the outside looking in on the film, and the use of long takes helps us observe these events in real time. Specifically with the stuck in the mud scene. THe one character ironically says "this earth, this sH^&*^" When the Israeli ideology is so focused on a spiritual connection with the land, the land they feel entitled to.

Its about time that Anti-war films actually institute a feeling of real social change, and not pretend to be anti-war films conveying sacrifice and a "it was worth it" ideal. Real anti-war films do not just show the horror of blood and guts and death, they show the futility of it completely. And they are very difficult for the viewer to accept for the first time.

Those here who have bashed the film have grossly misunderstood Kippur. Either they look for a blow-blam-bang Holy-wood flick, which it isn't; or for a highly reliable reconstruction (which Save Private Ryan, extolled by some, is only in part: the first scene is almost like-it-really-was, the last scene is blow-blam-bang with Matt Damon and Tom Hanks instead of Chuck Norris and Steven Seagal). Kippur is a highly personal film, in that war is filtered through the very personal point of view of a sophisticated director. Amos Gitai is close to Antonioni; and in directing a war movie he couldn't forget the Lesson of the Master. Hence the minimal dialogue, hence the dilated times, hence the attention to the setting more than the characters. You try to watch Deserto rosso and then Kippur and you'll notice just how much they have in common. Then, if you don't like Antonioni, it's your own business, go for the blow-blam-bang stuff. However, as for action movies, I think Black Hawk Down is better than SPR. I may be wrong...