Crossfire Trail

Tom Selleck, kinda like Sam Elliott, was born to star in Westerns. He and the rest of this marvellous cast bring another Louis L'Amour western to vibrant life. Tom is great as the straight-shooting (in both ways) hero who does whatever it takes to keep his promise to a dying friend. Mark Harmon is delightfully smarmy as the vile villain, and Virginia Madsen makes a great schoolmarm. Production values are very high for a TV movie, and the photography is gorgeous. Like in all good westerns, the scenery almost becomes another character. Kudos to Turner for their continued efforts to produce topnotch television drama!

This was truly enjoyable.

Wonderfully cast with Selleck, Brimley, Madsen and Mark Harmon.

It was wonderfully directed (two examples: the tension felt during normal duties on the morning that the assassin goes out to Madsen's ranch, and the photography of the steeple of the church/schoolhouse and the ranch itself from various elevations).

I loved the use of horses and cattle during the gunfire. I liked the realism of people having to reload.

I loved the story itself - the simplicity is very believable.

Just excellent - I thank Tom Selleck as Executive Producer for helping to bring this to the screen - and for going for such a high quality cast and director. One thing I've always liked about Selleck is the modesty and restraint of his acting - it's very evident here. And one thing I've always liked about Madsen is that she is so scrumptious (!) and that's very evident here too! Mark Harmon is one of my favorite actors, and his big smile, manifest charm make the events that occurred prior to the movie - seem very believable.

I loved this - thanks! I'll certainly watch out for any other Tom Selleck westerns (this was the first I'd seen).

That Homer of the American Western, Louis L'Amour, has always been good to actor-producer Tom Selleck. CROSSFIRE TRAIL is a well produced motion picture that in another era would have been a well-received theatrical motion picture release. Regrettably, the climate at movie box office doesn't support westerners of such classic pedigree, and it is to TNT Original Productions credit that they have allowed this film to find its venue and audience.

The production is impeccable, as is the cast, with special attention given to the lead actor Tom Selleck. While success on the silver screen eluded him, Selleck still shows why he continues to be the best actor working in traditional Westerners and the natural successor to such screen legends as Joel McCrea, Randolph Scott, Gary Cooper, and John Wayne. Any of those actors would have felt quite at home with the hero of this film, Rafael Covington, a man of few word and an unbending code of honor.

Supporting Selleck are the vibrant Virginia Masden, Mark Harmon, Brad Johnson, David O'Hara, Patrick Kilpatrick as well as the always welcomed presence of those two ever-reliable veteran actors, Wilford Brimley and Barry Corben.

For Australian director Simon Wincer and star Tom Selleck, CROSSFIRE TRAIL is a re-union since they collaborated in the highly entertaining and grossly neglected QUIGLEY DOWN UNDER. Wincer brings his typically excellent eye to period detail and visual meise en scene that he used so successfully in his groundbreaking epic LONESOME DOVE.

Again, if you haven't seen this film, then by all means, do so. If you have, then go back a savor of well-done effort. You will be well rewarded in either case.

If it wasn't for QUIGLEY, DOWN UNDER, CROSSFIRE TRAIL would be my favorite western. Tom Selleck easily slips into the type of role he seems born to play. Not many current actors look right at home in a western, but Selleck is one who does. He looks like he stepped right out of the 1800s. Mark Harmon makes an appropriate ass as the bad guy, and the beautiful Virginia Madsen is gorgeous as the school teacher Harmon plans to marry and Selleck has vowed (to her dead husband) to protect. The talented and underused Brad Johnson is a good villain as well, a hired gun Harmon brings in to kill Selleck. Good performances from all, and excellent score as well, by Eric Colvin, that deserves a soundtrack release. The Vancouver locations are a surprisingly-good stand-in for Wyoming, and director Simon Wincer (who should be the person to call when a western needs to be made) gives the film a nice pace with an exciting climax, intercutting between two shootouts. Seeing as how this was the highest-rated original cable movie in history when it debuted, I hope to see more Selleck/Wincer team-ups in the future.

The Western is a dying genre and it never ceases to amaze me that it is so. It is being displaced by the cops 'n robbers, grisly hero shoot'em-ups and a variety of other overly violent superhero vehicles. As a kid, I grew up on Westerns and could not get enough of them. The bad guys always wore black hats and the hero, like Roy Rogers, Gene Autry and others always wore the white hats coming to the rescue of the ladies at the last moment. Villains were slime-suckers and deserved all they got. I mean, who could even feel a twinge of regret when Joel McCrea shot Brian Donlevy in the Virginian after he engineered Sonny Tufts getting hung? Well, this film loosely based on a Louis L'Amour story takes us back to a time when heros were just that: bigger than life figures that placed honor, decency and the love of their horses above the petty greed and avarice of the weaker villains. Selleck is outstanding in this role as Rafe Covington who comes to "take care of" the widow of a friend (whom we later learn he knew but a short time). What commitment! Now, we get some growls here from the peanut gallery from some who fail to understand the archetype the Western Hero is based on and even one faithful Louis L'Amour fan who cries foul at the departures from the original. OK. We can let that go. Someone observes that Selleck leaving his Magnum PI role is a "natural" for Westerns. I second that! He does. His pals, veteran character actor Wilfred Brimley, Kane and O'Hara add texture to the hero role while the villains are outright scumbags, especially usual good-guy Mark Harmon and refugee from the rapture, Brad Johnson (glad he made it out of the apocalypse). These baddies are REAL bad. Cheap made-for-TV has-been Western flick? No way, José. This is FINE entertainment and I wish they had a lot more of it.