A woman is wrongly accused of murdering her husband in the early 1920s, in London.A woman is wrongly accused of murdering her husband in the early 1920s, in London.A woman is wrongly accused of murdering her husband in the early 1920s, in London.
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I remember watching a 70's TV film called A Pin To See The Peep Show based on this case, starring Francesca Annis. At least I'm fairly sure they were about the same case. Oddly enough when you look up APTSTPS on IMDb it recommends that you watch a Doctor Who Special. Now as much as I love Doctor Who I can see no comparison!!! Anyway, I would love to watch that again to compare the two productions.
All in all I thought this one was superbly acted by all involved, but especially by Natasha Little. The props and sets seemed authentic enough. I would have preferred if they had included more of the actual trial and less of the build up to it. But all in all well worth watching.
All in all I thought this one was superbly acted by all involved, but especially by Natasha Little. The props and sets seemed authentic enough. I would have preferred if they had included more of the actual trial and less of the build up to it. But all in all well worth watching.
First, a comment. Edith was the eldest sister in the family. Let's start with a truth. So, finally I got around to watching this film and it took me quite by surprise. For I had previously read some reviews which were, perhaps not necessarily positive. However, I had reservations, mostly about the many technical inaccuracies of so many parts of it. (Far too many to go into) However, bringing the immensely sad story of Edith, Percy and Freddy to the big screen was done with sensitivity.
I am pleased to count as one of my friends, Professor Rene Weis, who wrote Criminal Justice, Edith's life history, and our aim is one of justice, to eventually force the government to offer a posthumous pardon to Edith. To this end, we work very hard. Even eighty-five years after her death.
It therefore quite astonished me that Rene was not mentioned or thanked in the end titles. Certain details in the film clearly showed that the writer/director had read his book and that saddened me.
However, I have to thank him for bringing this subject to a wider audience. If you seen, Let him have it or Dance with a Stranger, similar types of British film (an execution at the end) they were done so much better. Better actors I think. And music. And screenplay. Anyway, seen it at last. I think it must be very difficult to write a great screenplay.
Molly Cutpurse
I am pleased to count as one of my friends, Professor Rene Weis, who wrote Criminal Justice, Edith's life history, and our aim is one of justice, to eventually force the government to offer a posthumous pardon to Edith. To this end, we work very hard. Even eighty-five years after her death.
It therefore quite astonished me that Rene was not mentioned or thanked in the end titles. Certain details in the film clearly showed that the writer/director had read his book and that saddened me.
However, I have to thank him for bringing this subject to a wider audience. If you seen, Let him have it or Dance with a Stranger, similar types of British film (an execution at the end) they were done so much better. Better actors I think. And music. And screenplay. Anyway, seen it at last. I think it must be very difficult to write a great screenplay.
Molly Cutpurse
The conviction and execution of Edith Thompson is now generally considered to be a miscarriage of justice. I rather thought that that would be the focus of this film. It's not. It's mostly about a failed marriage and an adulterous affair. The murder and the aftermath of it are skimmed over. It is fairly apparent in this depiction that Thompson had no part in the murder but, since the investigation and trial are barely portrayed, it's rather hard to see how she ended up getting hanged for murder. It happened, as far as I can see as a consequence of a weak jury who were unduly influenced by the prejudiced summing up of a rotten old misogynistic judge. Even with that judge she might have survived if she had been properly represented and this dim jury had had the law, and the burden of proof properly explained. That's the story that the film should have concentrated on.
I bloody well HATED this mess of a film. Slow, stupid, melodramatic in the shrillest and most tasteless fashion. Everybody in it is a crashing bore. Edith and, what's his name ... oh, you know, her lover ... are the most unlikeable people I ever had to endure. We're to think Edith is an original, imaginative woman, but she merely comes off as flighty, silly, tiresome and annoying. As for Nick Moran's and Ioan Gruffud's acting, the less said, the better. I couldn't care less whether the lovers were guilty or not. I just wanted the two wretches to be put out of their misery. And mine.
Anyway. Watch this dud, if you absolutely must. But, as Dante said on a similar occasion: 'Abandon all hope ...' and all that.
Anyway. Watch this dud, if you absolutely must. But, as Dante said on a similar occasion: 'Abandon all hope ...' and all that.
This is an interesting picture for several reasons. It is primarily a tale of jealousy and murder, but there is virtually no blood. English mysteries are like that. The film forces you to follow the story in order to understand it. You will have no choice but to develop conflicting feelings about the protagonist.
Edie is the younger daughter of a typical English family at the turn of the century. Unlike her parents, younger brother, and older sister, she is what we might describe as a free spirit. She is extremely intelligent. She smokes, she drinks, she plays the coquette with boys, and she eventually lures a hapless weakling into marrying her by providing him with outrageous sex before marriage. This marriage sets the scene for the murder mystery to come. She comes to despise her husband Percy after dallying with a family friend. Her affair with Fred becomes obvious to her husband, her Mum and Dad, and her sister Avis (who is also in love with Fred). Edie doesn't care. Free spirits are willing to leave a trail of broken hearts in their paths.
The story is often told in the first person, and it's this introspection that gives us insight into her character and creates the mixed emotions we have about her. Is she just a self centered dreamer with no thought for the pain she causes those around her? Or is she a calculating narcissist who is willing to sacrifice anything or anyone who gets her way. Is Fred the driving force in this tragedy, or is he just a tool she uses to get what she wants? We come away from this movie wondering, and that is what makes it worth watching.
Edie is the younger daughter of a typical English family at the turn of the century. Unlike her parents, younger brother, and older sister, she is what we might describe as a free spirit. She is extremely intelligent. She smokes, she drinks, she plays the coquette with boys, and she eventually lures a hapless weakling into marrying her by providing him with outrageous sex before marriage. This marriage sets the scene for the murder mystery to come. She comes to despise her husband Percy after dallying with a family friend. Her affair with Fred becomes obvious to her husband, her Mum and Dad, and her sister Avis (who is also in love with Fred). Edie doesn't care. Free spirits are willing to leave a trail of broken hearts in their paths.
The story is often told in the first person, and it's this introspection that gives us insight into her character and creates the mixed emotions we have about her. Is she just a self centered dreamer with no thought for the pain she causes those around her? Or is she a calculating narcissist who is willing to sacrifice anything or anyone who gets her way. Is Fred the driving force in this tragedy, or is he just a tool she uses to get what she wants? We come away from this movie wondering, and that is what makes it worth watching.
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