Christmas

An un-named upscale New York couple (BRONX TALE's Lillo Brancato and SOPRANOS regular Drea de Matteo) are loving parents, who by day, go Christmas shopping for their beloved little girl, Lisa (Lisa Valens). At night, they don street clothes, head for the unfriendly reaches of the Bronx to deal in heroine with dangerous co-workers and drug rivals. The wife learns from a kidnapper (Ice-T) that her husband has been taken. The ransom is due within an almost impossible time limit. ‘R XMAS is free of the drug-movie cliches. Gunplay is at a bare minimum (The only bullet recipient in 'R XMAS is a basketball!) There are no expected car chases (When the wife drives across town for ransom money, she isn't running red lights and knocking over fruit stands, like every rescuer in most other genre film) ‘R XMAS is filled with insight, a peek into the inner workings of drug neighborhoods highlighted with wall graffiti.

Abel Ferrara is a great filmmaker, hands down. His earlier works are more violent and mean but great films don't always have to be nice. His later works are toned down but the story and characters are carrying the movie nd no exception to this is his R'Xmas. Well acted and shot great. The shots are interesting and worth watching the film alone simply because the camera movements are helping to tell the story when the characters are not talking. Good flick. ***1/2 out of *****

Ferrara does not know how to make an uninteresting movie. Whatever you think of the content of his films, everything he does is a stylish, riveting exercise in visual story telling. This movie is no exception. There's surprisingly little dialogue, but what there is sings with a sense of modern city life. The aural and visual atmosphere of New York City, both upscale and downscale, is rich and multi-layered, and the characters seem like people you've seen on the street, or in stores, or in clubs, many many times. I don't know how "real" the action of this movie might be, but it seems as real and believable to me as anything I've seen on screen in a good long while. This is the perfect holiday movie for 21st century America, and a near-ideal expression of the meaning of modern Christmas.

I don't know what has happened to director Abel Ferrara. Ever since the "Body Snatchers" remake he seems to have lost it. "King of New York" and "The Bad Lieutenant" remain two of the best films of the '90s: searing indictments of a decade gone wrong. With films like "'R Xmas" (whatever that means) and "New Rose Hotel" he seems determined to disgust and bore his former supporters. This film has NO LIFE in it. While he gets excellent performances out of his actors in all of his projects the result of this mishmash of ideas just doesn't jell. Whatever the point is -- that the new breed of drug dealer is more or less the same as any other upper middle class New Yawkuh -- gets lost in the mind numbing script and boring direction.

I saw this opening night at the 4-Plex in downtown L.A. In the lobby, while buying tickets, I was surprised and delighted to see it filled with a large, racially mixed group of men and women in their twenties and thirties. Then they started into the theater but it was the theater that was featuring "8 Mile" not "'R Xmas"! The theater showing "'R Xmas" (keep in mind, this was opening night!) had a total of 4 people watching it, myself, my wife and two others!

Way to go, Abel!

2/10

(7/10) Abel Ferrara directs a powerful drama where law enforcement and drug dealers come together with emotional force. The central character is an "honest" drug dealer, kind to his family, helping the community out, oblivious to the fact that his decent lifestyle conflicts with the fact that drugs do a lot of damage (to put it mildly). A nice add-on to "Traffic", though even less satisfying as a narrative. Saw it at the Buenos Aires international film festival (2002) and queuing so long for a ticket perhaps made me more inclined to rate it highly as well.