Gangs of New York

It's so true what people say, that Daniel Day-Lewis doesn't act. He *becomes* the characters he portrays. It's simply astounding to see an interview with the soft-spoken, somewhat effeminate actor and then watch him as the terrifying, dominating Butcher in this, or Daniel Plainview in There Will Be Blood. Watch Gangs of New York for his performance alone and you won't be disappointed. That isn't to say the story isn't intriguing (it is) or Leo isn't good (he is) but really, Day-Lewis stole the show outright.

Gangs of New York was is an epic historical crime movie directed by Martin Scorsese and stars Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, John C. Reilly, Henry Thomas, Brendon Gleeson, Stephen Graham and Liam Neeson in a special appearance.

The movie is a must watch classic which displays the birth of America and yes through bloody violence and brawls.

The movie displays the greatnesses of Martin Scorsese and his imagination and scope to take out the best from a simple revenge plot.

Acting should be appreciated by all the characters but Daniel Day-Lewis steals the show by his brutal violence in a gentle way.

The screenplay of the movie is slow but captivating and hold the viewers. Location of 1840 America is amazing and background music is good. It wouldn't be wrong to say that this is one of the finest piece of work by Martin Scorsese and a must watch for the viewers who like periodic movies.

So narrates Amsterdam Vallon (Leonardo DiCaprio) standing by the boss Bill the Butcher's side (Daniel Day-Lewis) at the height of his hard-boiled reign over New York City in the mid-1800's. Amsterdam saw the Butcher brutally kill his father in a gang-war when he was just a little boy, and he's sworn revenge ever since. But in order to get his vengeance, he must infiltrate the Butcher's gang, and ends up becoming something of a son to him.

That "Gangs of New York" is such a good film is a mystery because it breaks the fundamental rule of good film-making: you have to care for the central character, and DiCaprio's Amsterdam is an unlikeable young man. He is surly and unkind, walking around in a bubble of hesitation and scattered thoughts of revenge. He moodily snarls at the one woman he likes (Cameron Diaz). It is inconceivable how someone as dynamic, likable and strong as the Butcher would ever take this brat in, but that's film for you.

The above is an unfortunate miss; the lead character has to be strong or else the film will weigh him down. Juxtaposing Dicaprio with Day-Lewis has got to be the worst idea that's ever popped into Scorsese's mind because it is evident within minutes of the film that they are of very different acting fibre and the former will look even WORSE when paired with one of the best working actors in the world today. But these are mere casting flaws (but still harmful), so onto the overall direction:

A friend of mine once said that Martin Scorsese is only capable of half a film before it turns into a mess and that stuck with me when I watched "Gangs of New York", because it was true. This is a relatively straightforward story of revenge but it is diluted by detours in Irish traditions – there's singing, dancing, bareknuckled fighting, drinking and debauchery--for 2 and a half hours. These detours may be well sewn-together by a patient Scorsese narrative flow (I'm thinking "Casino") told by Amsterdam, but is unnecessary to go to such lengths to get the Irish-immigrant setting and mood. We already got it, so move on and give us more substance.

However it cannot be denied that many of these detours make the film and setting – they are beautifully illustrated by lush colours that seem to bleed off screen–primary colours to suit primary, instinct-driven and hard-boiled men. The cinematography is just staggering. New York City is gritty, corrupt, bloody and bare-knuckled. I mean, I have seen Tarantino, Stone, Kramer and Cronenberg but this is by far the most violent and gory film I have ever watched. Such poignant, effective fights.

It is a shame the rest of the film is not as poignant, but desperately diluted. What saves it is Day-Lewis' magnificent presence on-screen as the brutal Butcher Bill, the occasional portrayals of gang-culture and the almost all-star ensemble cast that pop up in supporting roles throughout. A good film (just barely), but nothing more. "7" may be too generous, but hey...

7/10

Daniel Day-Lewis elevates this film from just "good" to "very good" or even "excellent." He is absolutely riveting, one of the most interesting "villains" I have ever seen on film. I am sorry Day-Lewis didn't win the Academy Award for his performance. He was just outstanding to watch. His facial expressions alone cracked me up!

Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.

What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)

All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.

Gangs of New York is just perfect entertainment. It is an enthralling, bloody, melodramatic epic that more than justifies its two and one half hour running time. In Gangs director Martin Scorsese spins another tale of the New York underworld but with a twist. Instead of the mid-twentieth century organized crime milieu of Goodfellas, Scorsese ventures back to the 19th century to show us the origin of the modern street gang.

It's the early 1860s and the notorious Five Points slum is ruled by the savage `Bill the Butcher'. The viciously nationalistic Bill terrorizes all the immigrant masses jammed into his slum but seems to harbor a particular hatred for the Irish population. Into this seething cauldron wanders mysterious young Amsterdam Vallon who soon works his way into the trust and affection of Bloody Bill. Amsterdam, however, has a past with the unsuspecting Butcher and sports an agenda not unlike a certain Prince of Denmark. Bloody vengeance and dark betrayal soon come to pass, all played against a backdrop of corruption and unrest that lead to up to the horrors of New York Civil War draft riots.

Daniel Day-Lewis is marvelous as Bill the Butcher. His Bill is both recognizably human and a full bore, moustache-twirling villain. Day-Lewis strides his savage and profane way across the screen and steals the whole of the movie. The only other actor to approach Day-Lewis' level is Jim Broadbent as William 'Boss' Tweed. Broadbent is Tweed's spitting image and he makes the grasping old pirate so winning we find ourselves rooting for Tweed against the gaggle of reformers that infest his domain. Though Leonardo DiCaprio is the nominal lead of the picture he is overshadowed by his co-stars. Large, slope shouldered and vaguely brutish looking, DiCaprio is physically perfect for Amsterdam. While he could have used some of the fire and rage of a young James Cagney, DiCaprio's acting is superior throughout the movie. The problem is that Amsterdam just isn't as flashy a role as Bill or Tweed and, as good as DiCaprio is; Day-Lewis operates on a whole other level. Cameron Diaz as the beautiful pickpocket Jenny, never convinces that she is a product of the slums. Despite having considerable screen time, Diaz fades into the background when compared to her more powerful co-stars.

Just as important as the actors are to Gangs is the period atmosphere that drips off the screen. The amazing old New York set has an air of lived in reality that you could cut with a knife. You can almost smell the vermin. Gangs is entirely free of the embalmed feeling you get from most modern period movies. The cast handles the period argot as if it were their true speech and wear their costumes like lived-in clothing. You come away convinced that this is how the world looked and sounded in 1862.

Scorsese does eschew all nuance and subtlety in Gangs. Instead he tells his tale in wide, bold, exploitive and melodramatic strokes that make the movies two and a half hours fly by. Be warned that if you are waiting to see Gangs on DVD you are making a huge mistake. Gangs has to be seen at the theater. The detail and scope of the film cries out to be viewed in all its wide screen glory. This movie is a fantastic achievement.