Oeuvre indécente

As an European I can't help the temptation to comment on this movie. To be totally clear ... as a "movie", Dirty pictures isn't that good, as a documentary, it isn't either. What however is intriguing, is the subject matter ... a country that is so profound of it's first amendment, but on the other hand is so conservative makes me ask a lot of questions. Does the dogma "one's freedom ends where another individual's one start" still apply ? What is art , what is not ? And so on ... I can't answer to most of them, but it sure is interesting to think about.

Like most of the Showtime exclusive movies this one is very gutsy and makes no qualms about where it stands on the controversial issues it features.

The controversy in this case is art verses obscenity, and where or indeed if, censorship should fit in. It focuses mainly on the arrest of Dennis Barrie, the curator of Cincinnati's largest museum. He was arrested for booking a Robert Mapplethorpe exhibit despite the fact that it had already stirred up controversy elsewhere.

The film has its negative points. It tries so hard to focus on the censorship issue that it overdoses on the morality of all of those who back the anti-censorship laws. There are endless scenes of Barrie's normal, happy home life just to show he's not a fan of "degenerate art" but an upstanding citizen who just believes in defending the constitution (although his constant argument is that art is the only thing he believes in). And there is the familiar melodrama with the wife who must decide whether she should stand by her man. But James Woods and Diana Scarwid are so natural and engaging that I kind of enjoyed hanging out with them anyway! Unfortunately the rest of the cast are extremely stereotyped, especially when the film gets into the courtroom.

The other negative points have to do with the way the fans of Mapplethorpe were depicted. Either as militant "degenerates" or as eggheaded art critics who spout artbabble on cue. All of the backers of the exhibition, including Barrie, and of course all of the jury members (as we know jury members are symbolically the voice of the country as a whole), show their disgust and indignation over Mapplethorpe's work. Thus the film is left with the point being that no matter how warped and disgusting and offensive "art" may be, it has a right to be exhibited. It is a valid point but it sort of underlines the Dan Quayle theory of the "cultural elite" (ie: that contemporary art forms belong to a specific few and it's not something the "average" person can understand or appreciate). As an "average" person myself who happens to admire Robert Mapplethorpe's work, I know that is not true and I somewhat resent the fact that people like myself were not represented in this film.

This film does has many positive points though. The main ones being the intercutting of comments by such pundits as Salmon Rushdie, Barney Frank, and Fran Liebowitz. They offer great food for thought that only they could articulate so fruitfully! It also intercuts scenes from the original events which had surrounded the trial and the attempted closing down of the museum.

And despite the formula outline, there's a lot of witty and profound dialogue that packs a powerhouse of emotional grit and gives us a great deal to think about. See it with a friend (or friends/family) and you'll end up discussing it well into the night!

This film deals with the same 1st Amendment rights issues as THE PEOPLE VS. LARRY FLYNT. It presents the case of the Cincinnati art museum that displayed the photography of Robert Mapplethorpe. Intercut with the action of the film are comments from both the political right and left, including Mapplethorpe himself.

The song "Banned in the USA," a "Born in the USA" parody dealing with censorship, sums up the point -- that if some people protest against what other people want, that's fine, but if the protestors try to impose their own will through misapplication of law, that is not only censorship but also the first step towards dictatorship hiding under the guise of benevolent morality.

The cast is strong, especially James Woods as the museum director. The plot meanders back and forth in time, giving us background and consequences woven together into an intriguing story. The issues raised are important, and the dramatic presentation of these issues makes the film worthwhile.

In 1990, in Cincinnati (USA), a director of an Art Museum, Dennis Barrie (the outstanding James Wood, one of the best American actors) decides to expose the pictures of Robert Mapplethorpe. This is the trigger to be prosecuted, go on a civil trial and destroy his private life. The presentation of this movie, showing the position of both sides, questioning what is pornography through the discussion of the jury, is in my opinion very neutral and positive, leaving a chance for the viewer reflecting in a very controversial theme. Another great point in this film is the comments of personalities and intellectuals, such as Salmon Rushdie, or Susan Sarandon. Inclusive, Robert Mapplethorpe had shot photos of the son of this great actress. However, it is funny the label of USA being `The Land of Freedom and Opportunity' showing the power of conservative persons in the end of the Twentieth Century, no matter they were the majority or minority part of the society. In the end of the movie, there is a statement about the real intention of the trial that is scary. USA had had its apartheid until the 60´s fortunately resolved in the present days. I believe it is one of the few countries where there is no Communist Party, maybe due to the serious restrictions in the past (McCarthyism, for example, has been showed in many movies, including `Citizen Cohn', where James Wood is the main character). If a person wants or needs to visit America, has to submit an application for an expensive VISA, on the contrary of most of the countries, but, anyway these are their internal society rules and are to be very respected. Especially in the present days, with threatens everywhere. What I was not aware and is completely new for me was about such a case of restriction to Arts. Arts are universal and belong to the citizens of planet Earth and should not be censored. I do not know the real intention of Dennis Barrie in exposing the photographs of Mapplethorpe after a previous prohibition in another American town, but anyway the exhibition was placed in a private and paid close place, with restriction to teenagers and children. Therefore, you would go there only if you liked it somehow. I myself am not fan of this type of theme, but I have visited some museums in Amsterdam and Hamburg, with expensive tickets, just for curiosity. The viewer will not be disappointed with this film. My vote is nine.

As one very familiar with the trashing of the Bill of Rights here in Boston, I was intrigued by this movie..made in 2000 of events of 1991. The right to show Mapplethorpe's somewhat repulsive pictures (some of them) was upheld by a jury in Cincinnati. It sent me rushing out to google Dennis Barrie and discover that he is now the curator of the Rock and Roll Hall of Fame. We need ANOTHER movie made now in our current return to McCarthyism to play out the theme of freedom's denial again....disobeying the unconstitutional Patriot Act with today's Supreme Court 'will leave one in jail for years', it appears.

The use of the jurors in deliberation was excellent as we are shown the varying views that led to the acquittal of Mr. Barrie. However, I wish we could have been shown the views of the children now grown, in terms of how they viewed the persecution THEY received, which is vividly shown. As a dissident in a small town, my grandsons have received abuse and taunts for my anti-war stand and protests, so I know that our work to keep the flame of freedom bright never stops but often hurts those not directly in the battle.

From civil rights to artistic expression to war-mongering, the battle lines seem to have been drawn against the same ignorant, bigoted people for all of my 65 years. The use of the far-right Christian to tell you that the Barries divorced, that the judge and prosecutor were dumped, that Barrie lost his job a year or so later was an excellent mechanism to show us more of the truth, and to underscore the point that "freedom is not free". My still aching knees from being dumped out of a paddy wagon onto a concrete floor and dragged into a holding cell in the Harrison Ave. jail in Boston a month ago for protesting this slaughter of the Iraqis and illegal invasion of Iraq attest to the truth of that.

An excellent movie, one I nearly didn't buy because of it's 'unpleasant' title. Wonder how many movies never get the honors they deserve because of their unpleasant title or subject matter.