Sartana... si ton bras gauche te gêne, coupe-le!

Psychotic bandit Gordon Mitchell and his gang kidnaps a girl and head for Mexico. Django and Sartana take their time, eventually getting around to confronting the kidnappers and attempting to rescue girl.

Directed by Dick Spitfire (AKA Miles Deem AKA Demofilo Fidani), this is marginally better than his subsequent Django/Sartana match-up, One Damned Day At Dawn..., though that's not really saying much. The story is paper-thin, with lots of pointless scenes and elongated shots meant to bring the film to an acceptable length.

However, it's visually pleasing, with decent production values and good photography by Aristide Massachessi (AKA Joe D'Amato). There is one goof though, about seventeen minutes into the movie, when Django walks up to a moist dirt patch covered in automobile tracks! Look fast for a couple of plastic cacti as well.

If you don't like Spaghetti's, don't watch EM'. Man I tell ya... He made 12 or so. Directed also. You either like em; or you don't. Clowns come in here with their Ed Wood garbage. I have watched this Italian Western countless times because I am a FAN of Spaghetti Western FLICKS. If you will...People who do not prefer this GENRE or just don't really have any business to be in here to do a critique on the subject, constantly put down these movies. This is one of the better ones. If you don't like it, move on. It's got 5 or so cool actors in it, not just KLAUS KINSKI for 2 seconds, Excellent MIDDLE tier SPAGHETTI. So tired of the under 30's in here who don't know if their ass is punched or bored....

"Django & Sartana" is probably the worst Spaghetti western I've seen thus far, but maybe just because of that it also provided a lot of fun and laughs. I honestly don't think it was writer/director Demofilo Fidano's deliberate choice to deliver such a bad film, which makes it all the more sad for him but all the better for us, because bad movies with good intentions are even more entertaining and hilarious. Don't feel too sorry for Mr. Fidano, by the way, because he made over twenty flicks like this and that earned him the questionable nickname "The Ed Wood of Spaghetti Westerns". Basically the concept of this dud describes itself somewhat as an avant-garde "Freddy Vs. Jason". "Django" was a hugely popular franchise started by Sergio Corbucci's classic in 1966, and it promptly skyrocketed the international career of Franco Nero. Even though the film only has one official sequel, the name Django was put on practically every Italian western film poster ever since. "Sartana" is an almost equally popular franchise with approximately twenty titles in total and the character has been played by eminent Euro-cult actors like William Berger, George Hilton and Fabio Testi. With this film, Demofilo Fidano had the brilliant idea of shooting something that featured both characters, but unfortunately his script is just too atrocious and certainly doesn't glorify any of the two principal characters. I doubt Fidano has even seen any of the other Django/Sartana movies, because their styles and personalities are completely different. Besides, even though the English titles state "showdown" and "Django against Sartana", there isn't any fight or confrontation between them at all. Quite the contrary, in fact. Both men are in pursuit of Burt Keller's gang of thieves and murders. They kidnapped a beautiful buxom blond and plan to flee to Mexico. Instead of actually doing that, the gang hangs around and patiently await for Django and Sartana to kill them. So, they kidnap a girl to assure a safe getaway, but then they stay to fight the unbeatable bounty hunters. That's how stupid the scenario is! Due to the imbecilic and simplistic plot, Demofilo Fidano does everything possible to stretch the running time. This means that nearly half of the film exist of tedious footage of various random people riding their horses and cameras zooming in on people's face even though the actual scene is already over for like 5 seconds. There even are some downright shameless padding sequences as well, like an entire game of poker in a saloon. The body count is enormous and the gunfights are exactly what makes this film so darn hilarious! The victims don't just boringly drop dead when shot here! They fly limply through the air, jump over fences, roll numerous times over the ground and some of them even make a looping! All this and more is illustrated alternately in slow-motion and regular speed and I haven't got a single idea why! The lead actors depicting Django and Sartana are pretty worthless. Django looks like he's made of plastic and Sartana actually doesn't look any older than adolescent. The girls are yummy enough and the absolute main asset of the film is the magnificent Gordon Mitchell in his role as the deranged criminal leader Burt Keller. He's an ego-maniacal lunatic who plays poker against himself in a mirror … and cheats!

Low-budgeted movie middlingly made by Miles Deem or Demofilo Fidani , nicknamed the ¨Ed Wood of Spaghetti Western¨ . A small desert town and its stark surroundings are held in a reign of terror by a nasty gang of criminals lead by the crazed Burt Keller (Gordon Mitchell who steals the show giving a hysterical overacting) . The band of vicious outlaws kidnap Jessica Colby (Simonetta Vitelli or Blondell , Demofilo Fidani's daughter and starred several films of his father) and decide to flee to Mexico and taking a golden loot . Shrewd as well as mysterious bounty hunter Django (Jack Betts or Hunt Powers) and earnest , experienced gunslinger Sartana (Chet Davis or Franco Borelli) join forces to rescue the poor lass from the group's vile clutches . Both of whom arrive to establish law and order against the ruthless Burt Keller . As astute Django and Two-Fisted Sartana unite to terminate a reign of terror carried out by a brutal band of criminals .

This below-average Ravioli Western packs thrills , go riding , action , brawls , crossfire and drags at times , balancing in ups and downs . The plot summary is plain and simple : a small desert town is besieged by a brutal band of bandits led by villain and ruthless bandits and a bounty hunter named Django helps Sartana out , along the way they free an abducted beautiful girl . As stubborn and cunning Django along with saintly roving gunslinger Sartana take on Burt Keller , and meanwhile they help two unfortunate but gorgeous girls : Jessica Brewster/Simonetta Vitelli and Cleo/Krista Nell , both of them were two Eurotrash goddesses who starred various Western/erotic/terror movies . The movie has the customary Spaghetti characters , as the violent facing , greedy antiheroes , bloody and spectacular showdowns , quick zooms , extreme baddies but being wretchedly directed . It packs an enjoyable and attractive musical score by Coriolano Gori in Morricone/spaghetti style . And an atmospheric cinematography by the famous Aristide Massaccesi or Joe D'Amato , though a perfect remastering is necessary .

Here unite forces two mysterious heroes from Spaghetti Western : the saintly roving Sartana and the brave Django , their history is the following : The first movie on Sartana as an avenger hero was by Frank Kramer (Gianfranco Parolini) interpreted by John Garco or Gianni Garco or Gary Hudson , besides it was starred by Klaus Kinski and William Berger . As always , the mythic personage appears elegant and dressed in black and with a killer look . After being continued by Alfonso Balcazar ¨Sartana non Perdona¨ or ¨Sonora¨ with Jorge Martin , Jack Elam and Gilbert Roland . Miles Deem directed two Sartanas which are considered awful . Anthony Ascott (Giuliano Carmineo) realized several movies with George Hilton who replaces to Garco . Hilton plays more natural and roguish than Garco who was cold and peculiar . Garco starred various Sartanas with Carmineo as ¨¨Sartana the gravedigger'(69) , ¨Light the fuse Sartana is coming¨(71), among others.

After successful original ¨Django¨ by Sergio Corbucci with Franco Nero , it was followed by several imitations , rip offs and cheesy copies , such as : ¨Pochi dollar per Django¨ or ¨Alambradas De Violencia¨ (1966) by Leon Klimowsky starred by Anthony Steffen , Gloria Osuna , Frank Wolff ; ¨El Mio Nome e Django¨ (1969) by Ferdinando Baldi with Terence Hill , Horst Frank , George Eastman ; ¨Django Le Bastard¨(1969) by Sergio Garrone with Anthony Steffen , Paolo Gozlino ; ¨¨Django defies Sartana¨(1969) by Pasquale Squitieri with George Ardisson and Tony Kendall ; ¨Ein Pressen Fur Django¨ or ¨Barro en Ojos¨(1971) by Edoardo Mulargia with Anthony Steffen ; and the official sequel titled ¨Il Grande Ritorno¨(1987) by Nello Rossati with Franco Nero , Christopher Connolly and Donald Pleasence .

The picture was lousily directed by Demofilo Fidani or Miles Deem , considered to be the "Ed Wood of Spaghetti Western" and husband of Mila Vitelli Valenza ,a professional costume designer and father of actress Simonetta Vitelli , both of whom worked in various films of Demofilo . Fidani directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world , similarly to Bruno Mattei . He followed shooting these taboo-breaking films with excursions into porno film , adventure , as ¨Karzan, Jungle Lord" and specially , Spaghetti as ¨Django and Sartana's Showdown in the West" , ¨Giù la Testa¨, "Sartana, the Invincible Gunman" , ¨El Sartana... l'Ombre Ta Mort¨, among others .

If you've been around the spaghetti western block a few times, most likely you've concluded that the "Django" and the "Sartana" in this particular spaghetti western only share the names of the characters from the official movies and nothing else, and you'd be right. That fact didn't bother me - I am used to rip-offs in Italian movies, and I just asked that the movie be entertaining. Unfortunately, it wasn't. The movie does gets to a good start, swiftly setting up the plot in the first ten minutes, and there is a pleasant (though repetitive) musical score. But other than those things, there's not much of merit on display here. After the first ten minutes, we have to sit through about a half hour of essentially NOTHING important happening. And when the movie eventually gets going, it's at a very slow pace, seemingly knowing there simply isn't that much plot here. The director adds absolutely no style or energy, and the Django and Sartana characters are given absolutely no color or personality, so you don't care if they will triumph at the end. Probably not the worst spaghetti western made, but would likely make it into a decent-sized list from the average spaghetti western connoisseur. It certainly made MY list!