Route 666

ROUTE 666 isn't really a horror movie, though that's probably where you'll find it in the video story. Like TREMORS, ROUTE 666 is more of an old-fashioned B movie, the kind of film you'd see as the second feature at a 50s drive-in back. The plot is pretty basic: federal marshals transporting a key witness to testify in Los Angeles are stranded on a closed strip of Route 66 - known as Route 666 - and are besieged by the ghosts of four chain gang workers who were killed years before.

Lou Diamond Phillips is good, and Steven Williams manages to show some comedic skills with some funny dialogue and reactions. His frantic screaming for help after nearly being killed by one of the ghosts at an abandoned drive-in is particularly hilarious. He definitely has the best part of the film. Lori Petty isn't great, but at least she's not as bad as she can usually be, and Dale Midkiff is good, but the rest are pretty much unknowns in typical supporting roles. Veteran character L.Q. Jones plays the local sheriff with a secret.

The movie moves at a brisk pace, never dwelling on the quiet moments too long, and bringing some gritty, jittery camerawork to the action scenes, similar to the style of SAVING PRIVATE RYAN. Okay, ROUTE 666 is no PRIVATE RYAN, but it's not supposed to be. It's a well-crafted little suspense movie with some cool-looking zombie/ghosts, a good dose of comedy, lots of action, and a cool soundtrack that perfectly captures the feeling and bleakness of the landscape. I will definitely buy this one on DVD, but it would have been great to have a director commentary.

If "Route 666" has anything going for it, it has to be the visual aspect. The film is shot in 2.35:1 widescreen and is very nicely photographed. The lighting and camera angles demonstrate a slick professionalism more common to major Hollywood studio productions than cheap, direct-to-video horror flicks. That said, the rest of the film is nothing special. The plot involving restless ghouls on an abandoned desert road is mildly involving, but some terrible overacting (Dale Midkiff, in particular, constantly acts like Chandler--from the TV show "Friends"--having a panic attack) and remarkably stupid plot contrivances undermine any tension built by the director. At one point, two characters start a fist-fight for no reason except to be a plot device to keep them from helping other characters under attack. The filmmakers don't even try to provide a good reason for the sudden fight. At best, the least discriminating viewer might chuckle knowingly at the cheap ploy. More likely the average viewer will say, "Why the hell did they start punching each other?!" Either way, the result is that the audience is knocked out of the story. That's too bad, as the director (or editor) otherwise keep a quick pace to the movie that is usually enough to gloss over most minor plot problems. The film is certainly never boring; there are gunfights, chases, and violent gore horror galore. Bottomline: if you are the type of movie watcher who is familiar with b- or c-flicks and can enjoy them despite their problems, then you could do much, much worse than "Route 666."

I saw this for the first time recently. Was on my radar for almost 2 decades. The movie is outdated but it is still one time watch for fans of the genre. The movie starts like an action film n turns into a horror one. A nice genre mash up. US marshals take a wrong turn while bringing in a witness. The road they take is a cursed one n local Sheriff knows the mystery behind it. As soon as blood falls on the ground, dead rise from the ground n kill people with jackhammer, huge hammer, pick axe, road rollers, etc. The best part about this film is that the entire stuff takes place in broad daylight in the middle of nowhere, with sun soaked settings.

Lou Diamond Phillips plays Jack La Roca, a U.S. Marshall and former Navy SEAL assigned to pick up "Rabbit" (Steven Williams), who is in the federal witness protection program but has been on the run. La Roca is to take Rabbit from Arizona to California to testify in court, but along the way they run into a variety of obstacles, mostly horrific, the most serious of which are the result of La Roca's decision to take a shortcut on Route 666.

Lou Diamond Phillips is a B and C-movie king. Route 666 nicely fits in with his oeuvre. The film is much better than it should be, perhaps, given the relatively small budget and a number of questionable decisions on technical aspects (life reflecting art, as the film hinges on a questionable decision). But although goofy at times, Route 666 is a fun-to-watch action/horror film. It actually ended up as a 7 out of 10 for me.

A number of things quickly drew me in, even though they do not directly have an impact on the quality of Route 666. The first two were the presence of Williams and character actor Dick Miller. I'm a big fan of Jason Goes To Hell: The Final Friday (1993). Williams plays Creighton Duke, one of the main characters, in that film. Miller is a genre veteran with over 100 titles to his name, and well loved by many genre fans, including me. The third immediate attraction for me is that Route 666 is set in a Joshua Tree-filled desert. I love deserts, and I especially love Joshua Trees. Director William Wesley actually acquired permission to shoot in Joshua Tree National Park, one of my favorites. This was the first film in about 10 years allowed to do so.

Wesley quickly builds an effective, sarcastic and usually witty rapport between La Roca, his partner Steph (Lori Petty) and Rabbit, although Petty can be a bit over-the-top at times. But Williams is particularly funny. There are other standout performances here, as well, especially L.Q. Jones as the Sheriff.

At the beginning, Route 666 seems like it will be an actioner. Although these aren't the most exciting shoot-out scenes ever filmed, they have a nice feel to them, partially due to the setting and lighting, and there is a pleasantly unusual tangent when Phillips has a bizarre "flashback" as he looks at a victim's blood spreading on the dirt.

There is an eerie atmosphere to the whole film, and especially when the horror material starts, it is very refreshing that Wesley chose to keep the proceedings in broad daylight. It also helps that there are two sets of villains, with the second, and possibly the most effective, not being very obvious until late in the film. The more traditional horror villains are very satisfying, with an interesting, unusual yet immediately recognizable look, and they are worked into the backstory of the characters extremely well. Their methods of dispatching victims are creative, although I wish Wesley would have gone into a gorier mode with the deaths. But one death, at least, near the end of the film, is particularly brutal in its abruptness. Even though this isn't Wesley's masterpiece, he shows that he has one in him.

Sure the film has flaws--Phillips plays much of the film with what looks like a large wad of raspberry gum stuck to his forehead, the shaky cam and other effects didn't work very well for me during the horror attack scenes, the score sounded fairly generic and repetitive (it reminded me of playing a video game), and there are some plot points that don't make a lot of sense if you think about them too much. But most horror fans probably will not expect a masterpiece when watching Route 666. With appropriately lowered expectations, you'll likely be pleasantly surprised at just how good this film is.

Come on people, relax!

Taken for what it is -- a little horror flick -- ROUTE 666 more than fills the bill.

This one is worth a view just for Gary Farmer. Sure, his role was nothing more than a cameo (and he did seem to be trying to hide behind those sunglasses), but then all Gary needs is a cameo. Remember him in GHOST DOG: WAY OF THE SAMURAI? He only needed one line to steal that flick (Stupid white men.) and GHOST DOG is one damned great film.

I could defend the rest of the cast (I think everyone more than held their own and turned in solid performances) but there is no need. Gary Farmer and peyote tea? What else is needed?

I've only seen this one on the SCI/FI channel (a number of times), but will happily fork over the cash for the DVD the first chance I get.