Karz

Karz review :

The Subhash Ghai directed Karz enjoys a cult status today with even a remake in the recent past. But do you know Karz bombed at the box office when released in June 1980 which greatly disappointed Rishi Kapoor who had pined a lot of hope on it. The audience of that time, fed generously with escapist actioners of Amitabh Bachchan, found this reincarnation drama a bit too elite for their taste. Karz was not only panned but also unfairly compared to Mehbooba (1976) and Kudrat (1981) - two box office duds dealing with the same reincarnation theme.

It is only in the '90s decade that Karz got its due recognition as the finest effort of showman Subhash Ghai. The film has a solid script (albeit plagarised from Hollywood's 'The Reincarnation of Peter Proud (1975)) with a taut narrative, breathtaking Ooty locales, excellent cinematography and super competent direction by Ghai.

Moreover, Laxmikant Pyarelal's music with the iconic song 'Om Shanti Om' and the mesmerizing signature tune elevates the film to an altogether different level. The song itself has a Farah Khan film as well as countless remixes as reference.

Rishi Kapoor was brilliant as pop star Monty while the ever gorgeous Simi Garewal was a class apart in the negative role of Kamini. It is her career best performance and seems Ghai had a tough time convincing her to sign on the villainous role. The mute Prem Nath as Sir Judah spoke volumes through his silence. Subhash Ghai had penchant for giving unique English name to his villains - Sir Judah, Sir John (Ram Lakhan) etc.

An underperformer when released, Karz will always be a blockbuster material for me!! A must see for those of you who havent, if at all there are any..

Regards, Sumeet Nadkarni.

Please be aware, I watched Karz 2008 (which is a remake of this movie) before seeing this version of the story. And I enjoyed the 2008 version. But it also meant - I already knew the story and how it was going to play out. For me, viewing this movie was an exercise in seeing someone else's vision of this story play out. Which is always a fun geek experience - if you like the story, which I do.

The other thing you need to know is that the only Hindi language movie I own on blue ray is Om Shanti Om. Because I love that movie.

Why is this important? Because - Farah Khan - who directed Om Shanti Om - borrowed heavily from Karz 1980 for Om Shanti Om. In fact, Om Shanti Om is clearly Farah's reimagining of the story. And I had no idea until just now - having just finished watching Karz 1980. And now that I've seen the original Karz - I have a much better understanding of Farah's brilliance. Keep in mind, I already thought she was brilliant. This just seals the deal.

I tell you all this because it's impossible for me to review this movie without referencing the other 2 movies since they are all related. Om Shanti Om is basically a reimagining of Karz 1980 by Farah Khan. And ... I had no idea that Om Shanti Om had anything to do with Karz while I was watching Karz 2008.

So let's talk about this version of Karz (1980)

1st - The is the best thing I've seen Rishi Kapoor in. I don't like him that much. I like his wife and his son a lot. But him. meh. Like in Chandni - I found him really annoying even though I totally loved Sridevi and enjoyed the movie. I understood I was supposed to root for him in the love triangle, but I couldn't bring myself to do it. Neither could my dad who saw it with me. I don't like how rough Rishi is with his dancing partners and he's not a very good dancer. Even in this movie - there were times when it looked painful how awkwardly and roughly he was pulling his partner into a spin. Granted, I did like Rishi in Kabhi Kabhie - but I still found him - odd. This movie - I was with him and rooting for him the whole time - and yes - his acting was so good in a pivotal scene - it made me cry.

2nd - the music. I own the soundtrack to Om Shanti Om - and LOVE that music. So - hearing the original songs that the writers for Om Shanti Om were stealing from - was awesome. Really enjoyed it. And again - it points to the artistry of the writers for Karz that they could write melodies that would be so haunting and so adaptable to a different style. And to the artists who wrote and sang the music for Om Shanti Om - for stealing from Karz directly - and yet creating something entirely new. Brilliant.

3rd - the cinematography. They made use of a lot of spinning and camera rotation throughout this film. From the record player in the Om Shanti Om sequence to the pivotal scene where they get Kamini to confess. I would have said it was a bit much - since it was everywhere. But ... it only happens when someone is experiencing a flashback moment where the present and the past are colliding. And it's surprisingly effective at conveying the confusion and mixed emotions of those moments. And again, it's really amazing to see how Farah adapted the rotation element into Om Shanti Om and more importantly why she did. It also helps me make sense of the climatic scene in Veer-Zaara where this same rotation occurs, melding past and present emotionally and physically in space.

4th - the ballad of Om Shanti Om. OK - in Karz - it's not called that. But it's basically the same scene and the base melody is the same AND the outfit our girl is wearing is echoed in what Farah did with that exact same scene in Om Shanti Om. I LOVED seeing the version in Karz 1980 as a result. It was just as powerful for me, probably because I could see the two movies (Karz and Om Shanti Om) juxtaposed on each other. It was seriously cool and again - speaks to the brilliance of Farah that she could steal so blatantly and make it her own and yet be so totally overt that she was stealing and what she was stealing from.

5th - the house. Yeah - the set where the ballad of Om Shanti Om is shot in Om Shanti Om - makes sense now. As does the fire element. Again - brilliance how Farah stole those from Karz and how she used the differently.

To summarize: I understand now more of what Farah was doing with Om Shanti Om. Is Karz 1980 worth watching on it's own? Yes! It is. Totally. It's a good story and Rishi is great it in and the music is great and its a very good movie. It's just all the more awesome when you have the added layers of film making future and past mixing in your head while you watch it.

Karz is one of the most famous Subhash Ghai films, but according to me it is nowhere among his best. The execution is uneven and at places the film does not flow well. The story is very interesting, but the script lets it down. The film spans for a period of something like three decades (Monty's age was specified as almost 30 in the film), but the characters do not even age appropriately during this time. Some of the dialogues and the proceedings are overdone and some sequences are amateurishly done. Despite the flaws, Karz does have entertainment value, mainly due to the fantastic music and some successfully shot moments of suspense. Songs like "Dard-E-Dil", "Om Shanti Om" as well as the instrumental theme of the movie are beautiful. The entire reincarnation track could have been better done. Rishi Kapoor is Monty, a top singer who was named Ravi at his previous birth. Ravi was killed by his wife Kamini and eventually reborn as Monty, probably in order to take revenge. Kapoor did his part well, but at some points he overdid it. The vibrant Tina Munim played his love interest, and her overly childish attitude really got on my nerves. The show was stolen by the awesome Simi Garewal, and she played her elegant vicious Kamini with style. Karz is an okay film, quite watchable and enjoyable, but basically nothing particularly good.

A brilliant entertainer, which after two decades since its initial release still, has the potential to deliver its entertainment package.

Three hours of song, excellent music and a story revolving around re-incarnation and divine justice. The music is as great as the audience has come to expect from the team. The direction is snappy and the characters in the plot are all alive and vibrant with each and every one of them fitting in to the story line as vital pieces of the picture.

The guitar lead-in, which forms a prelude to the title song, is used effectively in a few instances in the movie and is instantly recognizable by anyone anywhere who has heard it just once.

The story is effective and easy for the Indian psyche to accept and appreciate since there has always been a feeling of mysticism and awe in the Indian mind when it comes to matters supernatural and the triumph of good over evil.

This movie is an absolute all time classic. It even had me stunned that Subhash Ghai was able to make a movie like this. He never even came close again. But this time he wasn't the self proclaimed showman, no, he had the help of the son of the ONLY showman Mr. raj Kapoor's son RISHI KAPOOR the best actor from all the Kapoors! Rishi really shows what acting is all about. You can feel his pain and confusion by just looking at his face. Really next to Amitabh one of the best actors Indian Cinema has ever had but never really appreciated. The film is loosely based on the movie THE REINCARNATION OF PETER PROUD only Indianised a bit of course. Simmi Garewal gives a good performance (again with Rishi after Mere Naam Joker) and Pran steals the show. Prem Nath as a gunga is different than usual. Even Tina Munim is likable. And i haven't even mentioned the music...Wow! Dard-e-dil, Om Sjanti Om, Tu Solah Baras Ki, Ek haseena thi- all smash hits. They don't make 'm like this anymore.