The Princess + the Warrior

For me, a brilliant movie. There is so much of it, and any holes were not apparent at first viewing. But if it is not universally acclaimed, no-one is at fault. There's much magic in the hands of this director-writer. The casting is perfect; original in looks and body language, Furmann and Potente grace a modern fairy tale that says, well, something about fate, leaving the past behind, finding what you want right under your nose etc. All the old true clichés. This time, told with exquisite pace (slow), and beauty. A couple of shatteringly good scenes, well thought out, plotted and executed, all rounded out with a black humour and tender touch that keeps it CLEAR of pretension. The ending leaves a poignant, puzzled smile and an appetite for more German cinema. If you don't like this you must be a Van Damme fan.

Perhaps Tom Tykwer took himself too seriously after "Lola Rennt", so he handles the romance between a nurse and a bank-robber as if he were a young Michelangelo Antonioni taking Psychology 101 and doing his first film. Overlong but somehow still fascinating, thanks mainly to the dark character of the "warrior" and Franka Potente, who is always good to watch.

This film was playing in our little theater here, as part of the Beyond Normal Films promotion about a year & a half ago. I must say that before then, I had never heard of Tom Tykwer.

Since then, he has become 1 of my favorite writers & directors. I immediately went out & got the highly acclaimed *Lola rennt* & I must say that I was very impressed. I also got to check out his most recent film *Heaven* as part of this year's Beyond Normal ticket; I LOVED it.

If you are not familiar with Tykwer's work, I would suggest you start with *Der Krieger.* The story has several elements that almost everyone will enjoy & although the story may be a little slow in a few parts, it is nonetheless, interesting. It is not really a film for kids though.

I was once a little intimidated by films in a language I could not understand (German, for instance). There were several times that I did not even have to read the subtitles to know what was going on, it was great & even a little inspiring to me for wanting to learn some German (Danke schön, Tom). I encourage you all to check this flick out if you have not yet.

My rating: 8/10

This is a modern fairy tale, treat and appreciate it as so. The characters are bold, and their actions are representative of who they are than what actual people do. I say this because I noticed every negative review of this film was caught up in looking for realism- there isn't any. The setting may be proposed as so but the method through which the story is told unfolds like a performance piece.

This film is brilliant- stark personalities, dynamic relationships, and a mix of modern, classical, and fanciful direction. The allegorical context is brilliant when mulled over. I would compare it to `Last Tango in Paris'.

Having loved Tykwer's impressively energetic RUN, LOLA, RUN (1998), I was really looking forward to watching his follow-up feature but, somehow, I never managed it until now (I did get to watch his subsequent film, HEAVEN [2002]). Thankfully, it was worth the wait and the result is almost as good. While the film is long and often rambles on rather aimlessly, it is never boring and, at times, disarmingly inventive and emotional; the leading players, especially the enchanting Franka Potente, have a lot to do with the latter quality. THE PRINCESS AND THE WARRIOR's main themes are matters of chance and fate but it also features an elaborate bank robbery and a long stretch of it takes place in an insane asylum (where Potente practices some unorthodox therapy on a couple of her patients) which is not too far removed from the one seen in ONE FLEW OVER THE CUCKOO'S NEST (1975).