Evil Dead Trap 2

I gotta praise the atmosphere of this film, it's a totally unnerving experience... though it doesn't make a whole lotta sense (I watch a lot of Lucio Fulci, so I'm used to that), the gruesome nature of the film is enough to make those who aren't used to it sick to the stomach... but that's sort of the point.

6/10

For those that aren't aware, this film is not a sequel to the original Evil Dead Trap... I'm guessing the producers saw the final cut, were perplexed and decided to use the success of "Evil Dead Trap" to sell the film to distributors more easily (and perhaps to sell the audience the misleading idea of a sequel)...

It tries to tie into "Evil Dead Trap" by using a creepy child, who seems more like a ghost, appear from time to time and is named "Hideki" (an obvious nod to Evil Dead Trap) and seems to be able to possess the 3 main characters at different times in the film... at least that seems to be the case

It tries hard (and almost succeeds) to be one of those films that constantly hold you in a state of "shock and disgust" (films that succeed at this are: Andrzej Zulawski's "Possession", and Pascal Laugier's "Martyrs" (unrated of course))... however, the non-gore scenes which make up a large part of the film don't hold the viewer in that rare state of "glued to the screen watching something truly abhorrent and riveting"... and it's truly confusing at times.

Gore hounds of Fulci and others like him will find a lot to like in "Hideki"... but not for "beginners" in horror... and especially, not for the faint of heart.

The crew who made this film of a murderous love triangle set in a wasteland of urban Japanese anomie (revolving around an overweight movie projectionist, her spiffy TV- correspondent friend, and the man they both share, more or less) needed to decide what the heck was happening here before they went ahead into production. Sure, maybe the result would have been no less weirded out and non-linear than the mishmash fema-slasher-post-abortion-psycho-angst-fest they ended up with--but they would have made conscious decisions about how the weirdness did or did not fit together as a plot. Deliberately chosen incoherence might have jelled into a more compelling and less aimless flick. Personally, I enjoyed the film's unconventional post-Bergman moodiness: but the evident lack of storyboarded logic emphasizes budget and production shorftalls, dragging down the project.

Sequel in name only to the Japanese torture/splatter pic Evil Dead Trap (1988) (so, again, not in any way connected with Sam Raimi's Evil Dead movies). Like the first, this plays out like a combination of slasher, giallo, and body-horror.

Aki works as a theatre projectionist. She's overweight, not 'conventionally attractive', suffers from low self-esteem, and pretty much withdraws from the world when she's not working. Her only friend is Emi; she's an attractive former pop idol, now working as a TV news reporter. Emi has been covering a series of brutal ripper-style murders of young women. Our sympathies for Aki fade when she suddenly realises that she herself is the killer; some evenings she dresses fashionably - even seductively, and stalks and kills young women, mutilating then in a manner similar to Jack the Ripper. That's all I can say with any certainty, because from then on it's by no means clear how much - if any - of what we see is real... Aki is encouraged by Emi to get out more, and they get into a bizarre love-triangle with Emi's (married) supervisor. Emi gets sexually aroused by the sight of the women's mutilated bodies as she arrives at crime scenes. Aki is haunted by the ghost of a young boy (kind of a forerunner of 'Toshio' from the Ju-On movies), and that same little boy also appears to Emi's supervisor and his wife as the spirit of a child they longed for but never had (???). Gradually, jealousies and rivalries begin to alter Aki and Emi's relationship, leading to an even more bizarre - and incredibly bloody - turn of events.

The movie has been called 'hallucinatory', which is a perfect description. What's certain is that the cinematography is terrific, the performances are all very good, the effects are excellent, and the blood and gore rivals that of the Terrifier movies. Like the first one, visually and musically it's got a very Argento feel to it, with a bit of Cronenberg thrown in. There are two big drawbacks. One is that the whole thing is just so damn confusing; it's hard to get invested in what's happening to the characters when you don't know how much of it is 'real'. The other is that the first half of the movie is painfully slow - thankfully, things pick up. In fact, where I found the first EDT great APART from the climax, with EDT2 it's the other way around; the climax (which lasts about 20 minutes) is a jaw-dropping bloodbath and easily the best part of the movie.

What's great is great, but overall, 6.5/10.

I wasn't overwhelmed by it, to say the least. "Evil dead Trap 2" is a sequel in name only, since the story has no relation to the first film. I found it a confusing mess of a movie, to be honest, this second one. Granted, it's some kind of artistic mess (the film looks pretty good and there are some nice visuals in it), but I didn't understand one bit of the story. It throws random elements in the mix, and they don't make the slightest bit of sense to me. But it's not boring to sit through, at least. And the last 15 minutes are pretty intense, gory and stylish even, so it's worth a watch for only those sequences (I'd like to give the movie an extra point for it even, but I'm just not feeling that generous today).

"Evil Dead Trap 2" has very little in common with its predecessor apart from, perhaps, some industrial settings, impressive gore and a small element of body-morphing horror.

A somewhat confusing tale which contains a myriad of ideas, "Evil Dead Trap 2" bravely has an unconventional lead, Shoko Nakajima. Nakajima is not the usual beauty that we'd expect to see in a film of this nature. Her character, although initially sympathetic, soon takes a turn into classic horror territory. Rie Kondoh plays the beautiful reporter whose character is also not as it initially appears.

Beautifully shot, and directed by Izô Hashimoto, this Asian horror film may be confusing but it's very watchable and atmospheric.

7 out of 10.