Rock Star

ROCK STAR / (2001) *** (out of four)

By Blake French:

"Rock Star" is the story of a nobody who becomes propelled into fame, only to realize living his dream is not the way he imagined it. We have seen all this before (in better movies), but this human story does capture the world of rock and roll with a brutally honest and insightful edge. It garners a recommendation because of its visualization of the atmosphere. The script, by "Crazy/Beautiful" director John Stockwell, portrays the hard-core universe with memorable images-it doesn't explain what it is about, it shows us.

"Rock Star," originally titled "Metal God," stars Mark Wahlberg as Chris "Izzy" Cole, a Pittsburgh office supplies salesperson who dreams of becoming Bobby Beers, the fiery lead singer for the heavy metal rock group, Steel Dragon. Although Chris already sings for his own tribute rock group called Blood Pollution, instead of writing his own songs, he insists on performing only those by Steel Dragon, and only in the exact way they perform them. His group becomes irritated with Chris' obsessions and gives him the boot.

This devastates Chris, as well as his supportive parents and faithful girlfriend, Emily (Jennifer Aniston from TV's "Friends"). He then receives a phone call. It's the Steel Dragon band. They have seen Chris' tapes and want him to replace the recently fired lead singer. In an instant, Chris rockets into the dizzying world of sudden stardom-from the biggest rock fan to the biggest rock star. Unfortunately, it's not as rewarding as he expected.

A true story inspired the "Rock Star" concept. An Ohio supply salesman, Tim "Ripper" Owens, really did replace Rob Halford, the lead singer in Judas Priest, after initially singing for a tribute band. The rest of the film is probably fiction, although most of what happens must represent the experiences of many other bands. The film details the various ordeals of being a rock star. It explores the aspects of touring, personality differences, the danger of drug abuse and violence, struggling relationships, sexual freedom, dishonesty, and the extreme measures of the producers all to please the fans and keep popularity high.

I have seen all of Mark Wahlberg's movies, and this is the first that has earned my affection. Wahlberg, a former singer/model, has made movies like "Fear," "Boogie Nights" "Three Kings," and most recently Tim Burton's lacking remake "Planet of the Apes." I am starting to admire the young actor more and more. Although he has not performed in many successful films, he has taken many chances, and done a variety of roles. "Rock Star" is his best film to date. I can't think of many actors who could have convincingly portrayed Chris Cole's struggles and aspirations. Wahlberg truly makes "Rock Star" rock.

Jennifer Aniston lights up the screen as well. She creates a chemistry-rich relationship with Chris that induces audience participation. It's tragic of what happens to their relationship. We care about these characters a great deal.

During the film concert scenes, director Stephen Herek (who also directed "Holy Man" and the live action version of "101 Dalmatians") creates a gripping atmosphere. He captures the scenes with an intense urgency, and a raw, unmistakable energy. The musical numbers provide the film with the best, most involving scenes.

Unfortunately Herek cannot sustain the energy and zest throughout. At the three-quarters mark, he looses the spark as the movie becomes dull and unpleasant. I understand where the story needs to go in order to portray the negative side of fame, but this movie loses everything it previously had going for it. In "Almost Famous," a much better film about rock and roll, there is a certain amount of interest and life in even the most sorrowful scenes. Here, it feels as if the filmmakers lose their passion.

The message comes a bit too late and suddenly in the story. The film turns into a morality tale that wants to provide us with a sappy destination. The filmmakers might as well stop everything, appear on screen and say: "now audience, the moral of the story is…" We understand the theme, but it's too instantaneous. The personal discovery for Chris' must be gradual.

Fortunately, all of this happens in the last twenty-five minutes of the film, hardly enough to completely destroy an entire eighty-five minutes of a reasonably good feature. "Rock Star" is not a great movie-see "Almost Famous" if you want a remarkable film about rock and roll-but for Marky Mark, it's a turning point in his career.

Where have all the rock stars gone? The bubble gum pop bands with their virginal image and the hip hopping wannabe baddies bore me. Where's the flash and excess of groups like Led Zeppelin, or the old Motley Crue? These were the hard rocking, and even harder partying bands who brought the sex and drugs to rock n' roll. Whether trashing hotel rooms, engaging in debauchery that would make Caligula blush, or caught up in a deluge of chemicals and booze, there were no half measures. Women wanted them and men wanted to be them. Sometimes, life is good.

Life as a photocopier repairperson is less than riveting. For Chris Cole the only way to cope with the daily tedium of toner and paper jams is in his alternate guise as the lead singer in a "Steel Dragon" tribute band. Chris acts, dresses and sounds like his idol, hoping beyond all reason that one day he will join his idols. Lucky for him, rock and roll is a fickle business.

As anyone who follows heavy metal (or reads previews) knows, "Rock Star" is loosely based on the true story of salesman-turned-heavy-metal-frontman Tim "Ripper" Owens, who was tapped to fill in as lead singer for Judas Priest when Rob Halford left the band. However, the similarities end there - when Judas Priest pressed for increased creative control over the project, the producers opted to distance themselves from the band and change the story and the exploits of "Steel Dragon" are a composite of several apocryphal rock legends.

With strong performances in such films as "Three Kings" and "The Perfect Storm" Mark Wahlberg has proven that he is more than a living underwear mannequin. Wahlberg brings the same combination of innocence and wide-eyed wonderment to Chris that he displayed in "Boogie Nights" (without displaying much else). These qualities keep Chris' transformation from nobody to rock god from becoming a ridiculous parody. Keeping him grounded is Jennifer Aniston as his girlfriend/manager, the one person who realizes his talents and for once Aniston breaks free of Rachel, and delivers a decent performance. The supporting cast, drawn from real rockers and solid character actors, gel well onscreen. Overall, the story is well paced, light-hearted, the soundtrack is great (I felt my head moving back and forth more than once) and you actually buy the group as a real band. Definitely worth the price of admission, and remember not to leave before the outtakes are finished.

Rock Star tells the story of the lead singer of a tribute band who get's to live out his dreams on a much grander stage. Starring Mark Wahlberg, Jennifer Aniston, Timothy Spall and Timthy Olyphant it certainly doesn't lack star power.

As you'd imagine being a movie about classic/glam rock the soundtrack is fantastic, right up there among the best of them though shatter any illusions you may have that it was Wahlberg singing.

It's big, it's stylish and to my knowledge it's pretty damn accurate so why am I not rating this higher? I like the cast, I'm an old school rocker myself and on paper this should be a guaranteed tick in the win column from me.

The construction of a movie is simple, you need a beginning a middle and an end and Rock Star has that but in a rather disjointed way. The films construction is my biggest grip, it comes across more like a Behind the Music episode than an actual movie. The protagonist walks away having learned several life lessons but the viewer (Or rather in this viewers case) it felt more empty than it should have.

Rock Star is an interesting enough look at a subject rarely touched upon by the mainstream Hollywood movie industry but perhaps needed an additional 30+ minute to really flesh it out.

The Good:

Great cast

Awesome soundtrack

Some brilliant visuals

First movie ever to make Timothy Spall a successful "Good guy"

The Bad:

Olyphant feels wasted

Oddly built

I struggled to feel for our leads

Things I Learnt From This Movie:

Jennifer Aniston holds the secret of eternal youth

They could/should have found Wahlberg a better wig

Ballet is where rock stars go to die

ROCK STAR is a well-told Hollywood-style rendition of the tale based on fact actually on how Ripper became Rob Halford's replacement for Judas Priest. Mark Wahlberg poured on his likable boy-ish charm and performed with believable admirably, something he has been known to do since the release of BOOGIE NIGHTS.

Stephen Herek, no stranger to musically-themed movies, takes the audience through the wonders of the breakneck lifestyle of an extinct species, the Hair-Metal Rock God. Wahlberg's "Izzy" acts as the film's host plays the everyman who gets to see his wish come true. His likable character quickly wins over the heart of the viewer, who wants to see him succeed and gets the chance to give him the Metal "goat horn" hand-sign several times over.

The only real complaint with the story is that the supporting cast, namely the other members of the band, were not fleshed out, or even introduced, properly. More interaction with these life-long Rock musicians would have amplified and solidified Izzy's new surroundings.

Naturally, ROCK STAR is filled with great music. Rabin's score, the Steel Dragon's original work and plenty of 80's-style Metal hits makes this soundtrack a must-have! Let's all hope that films like ROCK STAR not only give a credibility to a style of music that helped define a generation but also spark a very-needed revival.

I've been looking forward to the release of this movie since I first heard the concept two years ago, and I was not disappointed. I won't bother summarizing the story since everyone else has, but I will say that it was just plain entertaining throughout. The performances were great, as was the music, and the main characters were likeable.

My only complaints are: (1) the story was definitely lacking; the movie wrapped up very abruptly- in fact the writing became pretty lax in the second half, as though the writers weren't sure what to do with the plot. Since the plot wasn't nearly as important as the music and the action, this didn't really affect the entertainment value of the film, so this is not as major a complaint as it would seem.

(2) This is really nitpicky, but the music that the characters in the movie were listening to was sometimes dated after 1985, when the movie was set. INXS' Devil Inside was from 1987 and AC/DC's Are You Ready was from 1990, among other mistakes. This bothers me a bit, since they obviously went to lengths to make a good period piece, they could have checked the copyright date on these songs to make sure they were 1985 or earlier. Again, not a big deal.

Oh, I thought of something else that was strange. The Steel Dragon band members were supposed to be English, but for some reason Dokken bassist Jeff Pilson and Ozzy guitarist Zakk Wylde played band members, and they each had a couple of speaking lines in AMERICAN accents. That was kind of lazy also, but it was still cool to see actual musicians playing musicians, so I will forgive that as well.

I could probably nitpick all day, but I don't want to give the impression that this wasn't a super entertaining movie. I will probably buy the DVD when it comes out, and I will certainly buy the soundtrack CD simply for the six Steel Dragon songs (some of which were sung by the singer from the band Steelheart, if you remember them!). The highlight of the film was possibly a great outtake where Mark Wahlberg is lipsynching to a rock song on stage and suddenly someone plays "Good Vibrations" by Marky Mark and the Funky Bunch. The surprised look of Mark's face is priceless. Classic rock and roll flick! Score: 8/10 due to extreme entertainment