Garage Olimpo

My friend who is a psychiatrist working with torture survivors had experienced his first panic attack while watching this movie.

I did not. But I use the nick "garageolympo" since I saw the film.

The film explains what to expect from military regimes, blood, misery, lies and death.

I recommend who love this movie: Noche de los lápices, La (1986) (night of pencils) and may be "missing" and "Z" by Costa Gavras.

I live in a country in which people experience torture and pressure, So I liked this film to tell our anonymous story.

As a person who suffered enormously at the hands of military establishment in Argentina, director Marco Bechis is the best person to know more about his film "Garage Olimpo". He wrote this film with his long time collaborator Lara Fremder who has already worked with him for three films. This film gives vivid details about what exactly happened in one of the torture cells in Buenos Aires where innocent people were subjugated to the worst forms of physical suffering. The film presents some good views of Buenos Aires as one gets to see big modern buildings on one side and shanty towns on the other side. On the surface level everything appears to be normal and it is only the relatives of the tortured people who are shown as facing tough times. Although the torture cell is portrayed in a detailed manner, Marco Bechis ensures that it does not become graphic. This is the reason why the torture is not at all glorified but merely depicted as one of the dirty tricks employed by the military to control its political opponents. The film is gripping as it shows that everybody is involved including the religious priest. One also gets to see that there are no loyalties and nobody could be trusted. It is towards the end that one gets a better idea of the evil designs of Argentine military establishment who chose to carry innocent people on its planes in order to drop them alive in the water. Despite having been chosen for "Un Certain Regard" section at Cannes International Film Festival 1999 and a theatrical release in France, this autobiographical film by Marco Bechis deserves to be known better as it carries the important message that human rights are important in order to stop the persecution of innocent people.

This film is set in Argentina at the end of the 70's but it could be set anywhere in anytime. As soon as Maria gets kidnapped by the army, the film changes to an unbearable, uncomfortable and quite minimalist atmosphere.

The structure of the film itself brings out the complexity of resistance and engagement : the act of Ana arouses our sympathy at the beginning of the film but causes the death of Maria at the end of it. Also, the beautiful shots of the sea and of Buenos Aires taking from a plane turn out to be horrific as they suggest the death of the Disappeared.

The scenes where Felix, her torturer, takes Maria out from the Garage are well done and exceptional. The author shows the unconcern, thoughtlessness and happiness of the people who care more about the world cup as if nothing was happening, and show in the same time the terror of Maria's face with her eyes trying to find a way out. The relationship between Felix and Maria doesn't fall into the sentimental stereotype and is quite secondary. Maria knows that Felix is her only chance of survival, she plays the game but will never love never.

When I saw this film there were only 3 of us in the cinema. It was as if I saw it alone, in the dark in front of this story. I had a strange feeling when I came out and I will never forget this film.

Bechis is a good example of the best Costa Gavras that you could ever see. This very dark Argentinian period is photographed with a very clean and doubtless hand. Do not leave anything pending, Bechis's position is quite clear and naked. The reality given by certain scenes could remember you some of those films shot in "film veritè" technique. The only critic that I could say about the film is that I would have prefer to get into deeper details of certain characters of the reasons why they decided to be torturers and follow certain life. A film that will not be forgotten, much less commercial than "Missing" of Costa Gavras. A fist in the stomach. Rating: 7

It may be of interest to note that the final sequence aboard the 'Hercules' aircraft of the 'Fuerza Aerea Argentina' was actually shot using a private plane which the director rented off a collector and had painted with Argentine Airforce colors and codes. The Argentine military had no intention to lend a plane, despite the atrocities committed 30 years ago. The City of Buenos Aires, cosmopolitan and civilized as it is, retains a large amount of its 'garages', to this day, although thankfully put to different use. A chilling list of the major torture centerers can be seen by the casual tourist within the walls of the Centro Cultural Recoleta, in Plaza Francia, City Centre. To this day torture cells are being uncovered.