La coupe d'or

I agree with Timer, and, frankly am tickled that someone else noticed the resemblance of the antique dealer Jarvis to Henry James himself. I have seen too many of James Ivory's films to feel that this was accidental. But I didn't really see the resemblance until Jarvis came to deliver the bowl. (His shop was rather dark, and he may not have been wearing his cut-away coat at work.) I also thought it interesting how at least twice Jarvis put his hands out to catch the bowl should someone drop it, thus calling our attention to its fragility. (This was crystal, not glass, and who knows whether it will break when dropped?)

The movie was over-long, of course. But it was a feast! There were many scenes that could have been edited down or eliminated, but the luxury of seeing the extra footage was wonderful. It reminded me of another favorite, wonderful(and long) movie, Mike Leigh's *Topsy-Turvey* (about the partnership of Gilbert and Sullivan).

And interestingly, there's the same continuity/accent problem in both. In *The Golden Bowl* Angelica Houston plays some scenes with a distinct American Southern accent and some without. In *Topsy Turvy*, Sullivan's lover is quite British in one scene, chatting on about young Winston, yet at a piano recital she speaks in an American Southern accent. Wouldn't you think someone would have noticed in both instances and just re-looped the audio?

Finally, the only reason I knew that Jarvis resembled Henry James is a book that my wife and I wrote for Harcourt. It's called *About the Author* and contains "juicy-bits profiles" of 125 favorite (living, dead, male, female, etc.) novelists. To put it another way, we assume that the reader has access to most of the boilerplate info on each author (Web searches, encyclopedia articles, textbooks, etc.). So we focus on the stuff you won't find in most of those sources.

As part of our research, we learned that James's novels were often inspired by conversations and stories he heard at the many dinner parties he attended in London. (Between 1878 and 1879, he dined out 140 times.) Shades of Truman Capote?

Although born in New York City in 1843, he became a British citizen in 1915. Henry James also attended Harvard Law School between 1862 and 1863. His father was a friend of Thoreau, Emerson, and Hawthorne. He himself, at age 26, arrived in London and soon met Darwin, George Eliot, Ruskin, Rossetti, William Morris, and others.

He felt that criticism was intellectually superior to creative writing and considered himself primarily a critic. At the time of his death in 1916 at age 72, his novels were all but unread. Only after the observance of his 100th birthday in 1943, when World War II had focused America's attention on Europe, did critics realize that he was one of the greatest novelists of the 19th century.

OK, so we need Henry James for character exposition. That complements beautifully the wonderful cinematography of all these great castles in England and Italy. Of course, the source of all these riches is alluded to with the real grainy film of the coal miners in AmericanCity. I haven't found yet the line in the novel by Thurman: "But the miners would prefer the train to a museum" when Nolte describes to her how he will buy both sides of the street and the train tracks between in order to build his museum. The reason the language sounds stilted is that much of the dialogue was lifted verbatim from the novel.....what little dialogue there is. And of course, the fascinating 'beasts unleashed' flavor of the sexual intercourse scene is NEVER to be found even alluded to in the novel.

By the way, Edward II is buried in Gloucester Cathedral. That question comes up, but is NEVER answered in the movie, and you THINK it is going to be the little point that breaks up their alibi: "We went to Gloucester Abbey, where there is some king buried, Edward II or Richard II." The acting is superb, the scenery gorgeous and the psychological incest between Nolte and his daughter is discreetly and appropriately exemplified. As HJ says, talking together in the castle gardens, they did indeed resemble husband and wife. The adultery of the other two was almost foreordained.

The social habits of this age when women had no independent means of making a living is underlined. See this in conjunction with "House of Mirth" and you'll thank your lucky stars you live in 2001. As much sexism as still exists in the workplace, we have indeed come a LONG way, Baby!!!! Thurman's sense of imprisonment is palpable, and I wonder how many women went stark raving mad over their dependency, a form of slavery all the more odious for it not being recognized.

I wonder if ALice James had any part in the writing of this novel. After reading this, she must have felt much better about her 'plight'. Although I wish for the maiden ladies of that day, that they might have been able to adopt or have babies without the social stigmas of the time......a great joy in life that shouldn't be linked with the social tyranny of 'catching a man'.

Return to a time when people used their minds for things other than writing better software, as their country and Constitution are taken over by greedy ignorant barbarians intent on destroying the planet. It's a great movie.!!!

I'm a sucker for anything set in Edwardian England, good or bad. This is neither. The plot is clever but a little wooly. It takes a while to figure out just who is doing what to whom and why. A father and his daughter each married to the partners in a torrid affair. Rather gives a new meaning to "menage a trois." (Or is it "menage a quatre"?)I don't think even Y&R has tackled this one yet! However the performances are flawless, the settings lush and the cinematography superb. The use in a couple of places of old newsreel footage is especially innovative and interesting but doesn't seem to serve much dramatic purpose. And the symbolism of the golden bowl is a little too obvious and overworked. Nevertheless I liked this movie a lot!

"The Golden Bowl", a period piece circa 1900's, turns a microscope on the innerworkings of the relationships of four people, two men and two women, bound by blood, marriage, love, duty, etc. and scrutinizes them to the exclusion of all else. Sadly, the people aren't sufficiently interesting or charismatic to support such scrutiny for 2.2 hours. Amidst the sumptuous splendor of grand costuming, locations, props, makeup, etc. with some heavyweights behind the film, "TGB" is an earnest effort which comes off as much ado about nothing with the one steamy and passionate relationship underdone while the emphasis lingers on the minutia. Somewhat awkward and staged at times, the film doesn't rise to the level of it better period predecessors but will still be a worthwhile watch for those into films about wealth and aristocracy.

This film is about the complicated love life between four people bound by blood, marriage and lust.

The plot is rather simple and plainly told, but it is made up for by the lush costumes and visuals. It is delightful to see so many extravagant period dresses in each scene, I felt I was watching a fashion show! Uma Thurman's dresses are the most remarkable, her peacock costume and the white curly hat stand out from the crowd. Her heart wrenching performance proves she has great acting skills to parallel her extraordinary beauty.

Scenes in "The Golden Bowl" are thoughtfully constructed and thoughtfully decorated. The palace rooms are maximally decorated with flowers, paintings and sculptures; providing a visual feast of luxury and grandeur.

"The Golden Bowl" is well worth watching just for the grand sets and lavish costumes.