Mercedes mon amour

I'm living in turkey more than 22 years and this movie make me realize the society of turks. In this country we can't earn enough money for have cars or basic stuffs like an iphone, then it becomes a status indicator for people. We can't get enough progress because acting like cool is more important to being cool. This why we still using the most expensive cars on the world. Because end of the day, somebody will buy them for show off their money or rich lifestyle.

Bayram is a clever Turkish guy goes for work to Germany.There was no job and culture of modernity in Turkey in that time.(It is pretty so now as well..) Being an owner of a yellow Mercedes(Car) is a symbol for him to catch up the modern standards .So he struggles to be selected as a candidate for immigration.He fights to be alive in this wild atmosphere.He spends all his attention and money to grasp the symbolic success of living in Germany for a proletariat. He fails at last .... The movie points out that why the lower class of people can not manage to became successful in the life. P.S. hi Bayram a typical working class hero.

Directed by Tunc Okan, Sari Mercedes is more than an immigrant's tale; it is a universal story of dreams, solitude, and the heavy burden of returning home. The film follows Bayram, who has spent years working in Germany, as he embarks on a journey back to his homeland. Yet this return is not merely a holiday visit. It is an inner reckoning filled with longing, disillusionment, and a bittersweet sense of belonging.

Okan frames the film almost like a modern fable, with the yellow Mercedes serving not simply as a car but as a potent symbol of success, pride, and dignity. For Bayram, the Mercedes embodies years of aspiration and sacrifice, yet as the journey unfolds, the dream begins to collide with the harshness of reality.

The performances are strikingly authentic; Ilyas Salman masterfully conveys the quiet vulnerability of a man caught between two worlds. The cinematography shifts from the wide highways of Europe to the dusty roads of Anatolia, mirroring the emotional transformation of Bayram's journey. The score deepens the film's melancholic tone, ensuring the story lingers in the audience's memory.

Ultimately, Sari Mercedes is a timeless road movie that captures not only the economic but also the psychological and cultural costs of migration. It is a subtle yet profound work that invites viewers to reflect on what "returning home" truly means.

entire life lost while chasing childhood dream.A homecoming film. if you see the first part (going away) you ll see " otobüs(1975)" by Tunç Okan.. "workers at Germany" is the most interesting social part in turkey for 40 years. Because of their cultural paradox and identity problem. We find chance to see this on Bayram's character.

Also his fight with himself and his effort to absolve all his sins for years. Yellow Mercedes (balkız) his only proof about his success in his own war(about changing his social class).

his friends, his love, his town , uncle and all others left behind is his only friend on this foreign lands that he born.

This film, adapted from a novel by well-known Turkish novelist Adalet Agaoglu, is a perfect depiction of Turks living in Germany, their problems of identity, the situation of being in-between, i.e. neither being completely Turkish nor being completely German. Of course, Ilyas Salman's amazing acting, depicting a desperate man and his efforts to protect his beloved yellowish Mercedes (which he calls "Sarikiz"-"blonde girl") from the harsh conditions of Turkey is also something that contributes to this.

All in all, a must see for audiences of Turkish comedy and diasporic cinema.

P.S: If you like this title, I can also highly recommend another Tunc Okan film, called "Otobus".