Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.
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Summary
Reviewers say 'Coyote Ugly' targets teens with themes of ambition and self-discovery. Violet, an aspiring songwriter, moves to New York and works at Coyote Ugly bar. The predictable plot and clichés receive mixed reviews. Piper Perabo and John Goodman's performances are divisive. The soundtrack is praised, while bar scenes are seen as either entertaining or gratuitous. Overall, it's a light-hearted, feel-good film for its audience.
Featured reviews
This movie is not bad today really bad movies are made and people don't say something at least it has a good message and the characters are nice the movies right now are only about how many empty references you put in a movie.
The most clever scene in Coyote Ugly is when Maria Bello explains why the bar is named what it is. She says it's when a woman wakes up in bed with a man after a one night stand and he's so ugly, but you have your arm around him because last night he seemed hot. Desperate, but not wanting to be rude, instead of pulling your arm out from under him you try to chew it off like a trapped coyote. That my friends, is Coyote Ugly.
It was much to my surprise that Kevin Smith actually did a rewrite of the film's script at one point. I would imagine if Smith's version was made into the final film that it would be less about the girl's bodies and more about their problems. Instead of so many overhead shots of women dancing on one another, soaked in water, comparing wet t-shirts, I'm sure there would've been more sincere dialog between Violet and her friends. Maybe we would've gotten to know them better. It's all one big "maybe." The film centers around Violet (Perabo), an aspiring songwriter trying to make it in the complicated and relentless world of music. She tries to get her demo tape heard, but is always met with reps that blow her off. Violet leaves home and goes to New York to try her look, but realizing she needs to make end's meet, she goes to work at a bar called "Coyote Ugly" where she will entertain customers by seductively dancing on the bar countertop while pouring drinks and showering her and her fellow employees with water. That's the extent of it.
In the meantime, Violet dates a shady guy who she had mistaken for a record exec (Garcia). Let me ask Violet, do you think it's a good idea to date a guy who just tried to pass himself off as a guy who could get you a record deal and doesn't discuss any of his past? Does he seem like the dream guy mothers would want their daughters to date, and could have a good ol' day out with the father? I neglected to mention that the club is run by Lil (Bello). Lil, full name Liliana Lovell, actually runs the real-life Coyote Ugly in New York. Maria Bello was excellent in The Cooler, and does more sure-fire work in this picture. She is still as hilarious as ever, and plays a very strict, yet laidback bartender.
Coyote Ugly, even in possession of a decent storyline, is ruined by its own immaturity. There are too many overhead shots of women on the bar countertop that go nowhere and aren't arousing or entertaining at all. I appreciate John Goodman's role as Violet's protective and caring dad, but the scenes with him are far to spread out and far too short to fully enjoy. I imagine if Kevin Smith was responsible for writing the entire screenplay maybe the movie would've been more about the daddy/daughter relationship rather than the women.
The story isn't gripping, but it works for a while. Until the bar comes into play. Then it's down to twelve year olds controlling the camera. Piper Perabo is gorgeous, and is one of the most underrated actresses in Hollywood today in terms of looks and acting skills. She still hasn't had that "breakout" role that has taken her career to new heights. Surprisingly, as juvenile as this picture can be, this really didn't jump-start any future projects for her. Nor anyone else in this film.
Starring: Piper Perabo, Adam Garcia, Maria Bello, and John Goodman. Directed by: David McNally.
It was much to my surprise that Kevin Smith actually did a rewrite of the film's script at one point. I would imagine if Smith's version was made into the final film that it would be less about the girl's bodies and more about their problems. Instead of so many overhead shots of women dancing on one another, soaked in water, comparing wet t-shirts, I'm sure there would've been more sincere dialog between Violet and her friends. Maybe we would've gotten to know them better. It's all one big "maybe." The film centers around Violet (Perabo), an aspiring songwriter trying to make it in the complicated and relentless world of music. She tries to get her demo tape heard, but is always met with reps that blow her off. Violet leaves home and goes to New York to try her look, but realizing she needs to make end's meet, she goes to work at a bar called "Coyote Ugly" where she will entertain customers by seductively dancing on the bar countertop while pouring drinks and showering her and her fellow employees with water. That's the extent of it.
In the meantime, Violet dates a shady guy who she had mistaken for a record exec (Garcia). Let me ask Violet, do you think it's a good idea to date a guy who just tried to pass himself off as a guy who could get you a record deal and doesn't discuss any of his past? Does he seem like the dream guy mothers would want their daughters to date, and could have a good ol' day out with the father? I neglected to mention that the club is run by Lil (Bello). Lil, full name Liliana Lovell, actually runs the real-life Coyote Ugly in New York. Maria Bello was excellent in The Cooler, and does more sure-fire work in this picture. She is still as hilarious as ever, and plays a very strict, yet laidback bartender.
Coyote Ugly, even in possession of a decent storyline, is ruined by its own immaturity. There are too many overhead shots of women on the bar countertop that go nowhere and aren't arousing or entertaining at all. I appreciate John Goodman's role as Violet's protective and caring dad, but the scenes with him are far to spread out and far too short to fully enjoy. I imagine if Kevin Smith was responsible for writing the entire screenplay maybe the movie would've been more about the daddy/daughter relationship rather than the women.
The story isn't gripping, but it works for a while. Until the bar comes into play. Then it's down to twelve year olds controlling the camera. Piper Perabo is gorgeous, and is one of the most underrated actresses in Hollywood today in terms of looks and acting skills. She still hasn't had that "breakout" role that has taken her career to new heights. Surprisingly, as juvenile as this picture can be, this really didn't jump-start any future projects for her. Nor anyone else in this film.
Starring: Piper Perabo, Adam Garcia, Maria Bello, and John Goodman. Directed by: David McNally.
Based on the true story about the crazy female run bar in New York City, Coyote Ugly becomes surprisingly believable despite the usual Hollywood bits. The story follows Violet Sanford (Piper Perabo) as she moves from small town New Jersey to the city to become a songwriter. Through her misfortunes she meets boyfriend Kevin O'Donnell (Adam Garcia) and the Coyotes and learns from each of them to overcome the stage fright that threatens to ruin her dreams.
Many moments are sappy or overly dramatic but the majority is enthralling as all the characters are solidly built. The girls all have their own character but aren't so strictly chained to it that they become merely symbols instead of people. While the females may be on the screen the most, the two supporting males Kevin and William Sanford (John Goodman) provide the most heartwarming scenes. Goodman's performance provides subtle humor while his character struggles through the conflict of his daughter leaving and his desire to see her succeed. For an actor who has put in so many great performances, this one still manages to be one of his best.
Coyote Ugly offers something enjoyable to everyone. Guys obviously will enjoy the attractive girls and the provocative dancing while girls can enjoy the strong female characters, each of which won't take crap from any of the men that surround them. Parents can enjoy the side story of the conflict between Violet and her father. Another feature to enjoy is the fabulous music with four songs performed by LeAnn Rimes with some smaller groups as well.
Coyote Ugly crosses the unusual boundary of being both an exciting, fast-paced movie that gets the adrenaline flowing and a sensitive story with strong characters and brilliant acting to get the mind working. The result is a thoroughly rewarding movie experience.
Many moments are sappy or overly dramatic but the majority is enthralling as all the characters are solidly built. The girls all have their own character but aren't so strictly chained to it that they become merely symbols instead of people. While the females may be on the screen the most, the two supporting males Kevin and William Sanford (John Goodman) provide the most heartwarming scenes. Goodman's performance provides subtle humor while his character struggles through the conflict of his daughter leaving and his desire to see her succeed. For an actor who has put in so many great performances, this one still manages to be one of his best.
Coyote Ugly offers something enjoyable to everyone. Guys obviously will enjoy the attractive girls and the provocative dancing while girls can enjoy the strong female characters, each of which won't take crap from any of the men that surround them. Parents can enjoy the side story of the conflict between Violet and her father. Another feature to enjoy is the fabulous music with four songs performed by LeAnn Rimes with some smaller groups as well.
Coyote Ugly crosses the unusual boundary of being both an exciting, fast-paced movie that gets the adrenaline flowing and a sensitive story with strong characters and brilliant acting to get the mind working. The result is a thoroughly rewarding movie experience.
Not much to say about this one. The film is mostly about watching sexy girls dance on a table. Not much of a storyline, just enough to say the movie has a plot. The singing in the film is nice to listen to, but the movie is basically eye candy, the acting is shallow and sometimes cringe worthy. The plot and lines are predictable and cliché. If you're looking to watch a B movie with hot girls basically pole dancing on a table then this is the film for you.
After 20 years, I'd have to say...it doesn't hold up that well. BUT, that's not to say, it brings a tug of nostalgia for that era of Jerry Bruckheimer slick music video retreads of "Flashdance"
A lot of it is due to Diane Warren's corny soundtrack music. And those of us who were in college by now, have a slight shiver when we hear her anthems. Which nearly toppled another Jerry Bruckheimer gem "Con Air" with "How Do I Live Without You" Oof.
The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).
Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls. Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo. Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.
The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).
Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls. Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo. Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.
Did you know
- TriviaLeAnn Rimes did all of the singing for Piper Perabo.
- GoofsPiedmont is in South Dakota not North Dakota.
- Quotes
Lil: I'm married to that bar. Hell, I'd, uh, I'd sleep there, if I had the guts to walk around barefoot. But that's me, you know. I'm the original coyote. Just a small town gal trying to make it in the big bad city.
Violet: Small town gal?
Lil: Piedmont, North Dakota. You ever tell anyone that, I'll kill ya.
- Alternate versionsUnrated extended cut restores scenes (ca. 6 minutes) that were deemed "unsuitable" for the American market and threatened the desired PG-13 rating. Added back was additional/extended footage in virtually every dance scene, a shopping scene with Cammie and Violet and a sex scene with Violet and Kevin.
- SoundtracksFly (Without Supercat)
Written by Charles Stan Frazier (as Charles Frazier), Matthew Murphy Karges (as Matthew Karges), Mark McGrath, Rodney Sheppard and McG (as Joseph "McG" Nichol)
Performed by Sugar Ray
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
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Details
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $60,786,269
- Opening weekend US & Canada
- $17,319,282
- Aug 6, 2000
- Gross worldwide
- $113,916,474
- Runtime
- 1h 40m(100 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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