Braquage à l'anglaise

Film-making at it's finest.

Nothing loud and boisterous. No over-stylized cinematography, pointless set-pieces, cheesy dialogue, or over-flowing emotions.

A perfect example of why the finest movie-making talent in Hollywood is British. And possibly the best caper movie of recent times.

Had this been from Hollywood, every fine detail of the complex subtext in the story would have been blown apart. Instead, everything is under-played, the characters are superbly realistic and believable, and the script sharp as a pin. And the cast is a brilliant ensemble.

Worth many repeated viewings for the subtle humour and to get the most out of the twisting plot developements.

Saw an advance screening of this 'True' British crime story last night. True is in inverted commas as apparently the basic facts are true but of course most of the story comes from the minds of the two writers that penned it.

Its an enjoyable film, good story, production wise nothing special; could be a made for TV movie, there wasn't much action surprisingly and the jokes were thin on the ground; a snatch copy it 'aint.

Good performance from Jason Stratham in his best screwed up, looking menacing while surprised face. Good supporting cast with many faces you will recognise (spot the Eastender) apart from a terrible performance from Stephen Campbell Moore who looked like he was on a comedy show. Thought it could have maybe done with a bit more music from the 70's, Just to cement home the era a bit more.

I wouldn't bother spending money going to see this at the cinema, unless maybe its Orange Wednesday 2-4-1, more suited to a DVD viewing or wait till it hits Film Four in a year or two.

Enjoyable, better than average British film, but no Oscars coming its way.

Jason Statham is well on his way to becoming typecast. It seems like he's in a ton of these kind of action films lately, although this movie is a bit more subdued and complicated than some of them. At least in this heist flick, there are several twists and turns and you have to stay alert to follow who is exactly on the up-and-up and who isn't, and Statham isn't punching out 10 people at once.

This is another one of these modern-day films in which the crooks, the thieves, the bandits - whatever - are the "good guys" and the police and the government officials are the bad guys. This seems to be a big favorite of the anti-authority filmmakers world in the last 40 years whether it's in Hollywood or London. Regardless, it's a very entertaining film and Statham and company are fun to watch. That's also nothing new as the tough "Transporter" star has become a regular at playing these kind of nice guy/macho/thug roles.

Statham plays "Terry Leather," a man recruited by a former hottie/model girlfriend "Martine Love," (Saffron Burrows) to rob a bank. Statham is a family man but desperate for money and, obviously, not very honest. Thousands of pounds/dollars is in it for the thieves but valuable compromising sex photos are the real goal of the people who want the bank depository drawers robbed. Those want to be grabbed before the owner uses them and ruins some high uppity-ups in British government. Several people wants photos for other reasons. This whole thing isn't simple; there are number of sub-plots along the way regarding who wants what in the bank and for what reasons.

There is also a story involving a Malcolm X-wannabe kind of creep who is into extortion and murder. Actually, everyone is pretty much a creep in this film, just to varying degrees. They are all interesting, too, and several of the minor characters have a good sense of humor, too. In particular, I liked Daniel Mays as "Dave Shilling." Add some very tense robbery scenes, some sex early on, some double-crosses later and you have a very serious Keystone Cops type story where you're never quite sure what crazy thing is going to happen next.

A fun two hours of diversion, supposedly based on a true-life account, but knowing filmmakers I suspect much of this is made up for dramatic purposes. That's okay, we just watch to be entertained, and this is entertaining.

The Bank Job is a good-old caper film both in narrative and execution, made by filmmakers who were trying to recapture not only the aura and atmosphere of the 1970s London, but also to a large degree the production values and tone of classical narrative films of the said period. And the result is a tight, entertaining and to a large degree stimulating film with enough strings to pull and a decent knowledge of how and when to pull them. The direction by seasoned filmmaker Roger Donaldson is dependable, and the large cast of characters work well to drive the narrative forward as if the film was a high-scale BBC production. Despite an alleged royal scandal, some clever twists and an insipid love triangle, The Bank Job will probably not stay with you for very long, but it delivers on what it promises while it's there.

Sold to the American public as another D-level action pic staring Jason Statham, "The Bank Job" is actually a crafty British heist flick based on an incredible true story. The screenwriters deserve credit for creating a serviceable script with so many intertwining stories based on little actual evidence, conjecture, here-say, and conspiracy theories revolving around royal and political sex scandals, militant Caribbean drug lords, undercover MI5 agents, bumbling crooks, crooked cops, and double-crosses and cover-ups. It could've easily been a confusing mess, but providing the viewer pays attention, "The Bank Job" gets the job done as crackerjack entertainment.

Though aptly directed by veteran Roger Donaldson, the film does suffer from an overly salacious opening ten minutes designed to grab the audience's attention, some shoddy editing, and an intrusively bad action-style music score. There's also an attention to 1970's period detail in the dialogue and clothes that comes across as caricature and adds an accidentally humorous undertone to the otherwise cold-as-ice affair. However, the details of the "truth is stranger than fiction" tale and the fun had by the ensemble cast make for a breezy way to spend a few hours.

Donaldson also has an eye for the ladies. Led by a smashingly gorgeous Saffron Burrows (looking like a European version of Michelle Pfeiffer circa 1992), the powerful women depicted in "The Bank Job" are far more than just eye candy. Statham is also fairly good as the head of the bank robbing crew, and when he finally throws a brick at a guy near the end of the film, it will put a smile on any action fan's face.

Things get tidied up a bit too nicely in the end, where it seems only the really villainous characters have to face justice, but before the credits role, there are a series of real-life epilogued details plastered on the screen that make the viewer realize maybe this all really did happen. Now that's a jolly good show.