Yôkai hyakumonogatari

Definitely a movie of quite noticeable ups and downs.

To start with the cons/get through the negatives first, it's a bit of a slog at times thanks to pacing issues, the story is unfocused, and there's not enough monster shenanigans.

The pros are that when the monsters do appear on screen, they're a lot of fun, and the effects are quite creative. It's also anti-landlord, which is always good to see, and there are a few very visually appealing and eerie shots here and there.

Plus, the final 15 minutes does admittedly go pretty hard. Just feels a little slow-going to get there at times.

This is a bizarre type of movie that I have seen and is pretty unique. The story is basic with a greedy landowner who intends to tear down a local shrine to build a brothel until something bad happens. Things gets interesting when he does a ceremony of different tales of yokai and the evil spirits appear. I wish we could learn more about each yokai in the movie and their backstory to them. But it's bizarre and interesting to see each yokai that appears in the movie and the things they do throughout. The movie has a pretty good atmosphere to it with the music that plays throughout the movie and is built up pretty well throughout. Although the movie takes a while to get going. Also, I felt some yokai are underutilized since it only appeared in one or two scenes, and they don't do that much in the movie. But the climax itself is both crazy and pretty fun to watch with each of the yokai that appear in it. Since the movie is really short, the characters aren't really that fully developed or that interesting. Most of them are one-dimensional and have little to offer from them. He yokai are an interesting type of spirits that I have seen, and they have bizarre designs to them. I really think the effects hold up pretty well for the time it was made. They have a bizarre appearance to them and give off a spooky vibe to them. My favorite yokai is the umbrella one who is both weird and pretty memorable.

100 Monsters is a bizarre type of movie that I have seen that is recommended on the bizarre nature it has in it.

This is the first movie in the Yokai Monsters Trilogy, currently all 3 movies are now on Shudder Canada as of August 22nd 2022 (I do not know about other regions)

This is a fun movie, the movie functions similarly to Kaiju movies like Godzilla & Gamera but it's a bit different than those movies as well.

The human story is kinda dominant & generic but the monsters are still very entertaining when they come in.

The effects are primitive by today's standards but it's the 60s & they might not have had the highest budget but personally I'm okay with that but I'd say lower your expectations just in case,so you don't walk away disappointed.

It takes place in Fuedal Japan which is a good setting for the movie & brings a strong cultural feel to the film.

The yokai are really fun & also at times genuinely creepy,this movie has some great atmosphere at some points.

If I'm not mistaken,this movie actually unsettled me enough to have some weird nightmares the night I watched it.

Overall,lower expectations & have fun with it. It has subtitles so forewarning but it's a pretty fair 80 minutes.

The first film in a series that inspired the recent Great Yokai War. Directed by a veteran of the Zatoichi series and the excellent samurai/horror/kaiju film, Daimajin, this film is ably done and moves along at a good pace. The plot isn't much as it's a rather typical samurai and upper classes oppress the poor story. It's the yokai element that gives the film something to watch.

The yokai are all clearly rubber marionette puppets or actors in suits so you have to watch with different expectations, sort of a stage show with puppets. It's the design and spooky atmosphere that makes this fun. The final dance of the yokai as they go off into the sunrise is a great scene and made the movie for me.

Not a great film but fun.

Unscrupulous magistrate Tajimaya (Takashi Kanda) uses theft, coercion, violence, and ultimately murder to take over a tenement house and a shrine with the intent of tearing them down. He also uses his leverage to force Ôkubi (Keiko Koyanagi), the beautiful daughter of the tenement's owner (Tatsuo Hanabu) to become his mistress. Tajimaya's actions and disrespect angers the local spirits, the Yôkai, and soon he and his minions find themselves cursed and harassed by monsters. The film, first in a Yokai trilogy from Daiei Film, is an imaginative fantasy with odd imagery (the 'umbrella monster' features prominently in the advertising) superimposed on a typical Japanese samurai adventure. The monsters (a mix of animation, puppets and costumes) are frequently quite bizarre. I am not familiar with Japanese folklore, but I gather that many of the diverse creatures represent traditional tropes (for example: the umbrella monster ('Kasa-obake') and the long-necked woman (Rokurokubi). 'Yokai: 100 Monsters' ('Yôkai hyaku monogatari') is entertaining and offbeat (at least from a 'Western perspective'), and likely a good introduction to yet another fanciful Japanese film genre. Note: I watched an English-subtitled version that, judging from some of the idioms, seems to have been made several years after the original film was released.