While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.
Tinto Brass
- Man in Photo Shop
- (uncredited)
Osiride Pevarello
- Voyeur
- (uncredited)
Featured reviews
tinto brass has made another of his cardboard copy comedies, with plenty of shots of the rump, and eccentric morality...
cheeky follows the exploits of a young woman travelling to London, and dealing with the jealousy of her boyfriend... as she seems to put up a very weak resistance to all advances, perhaps his response is justified... however, brass has a moral to the story, and when the young man learns his lesson, he realises HE was at fault the whole time... his lover was just keeping the spark alive in icy old england!... watch the interview with brass on the DVD and all will make sense... sort of... well not really...
basically, i think that the erotic genre is a place fraught with danger... move too slowly, and it becomes dull... too excessive, and it becomes... well, very stupid (or vulgar)... cheeky definitely flits over the line a few times, but i'll forgive it, because despite all the borderline perversion threatening to creep in (flashers, raincoat voyeurs, and old, seedy men), it's basically a harmless bit of fluff that is almost charming and innocent in its simplicity...
what's more, brass brings a richness of colour and imagery seldom seen in the soft-core arena... and frankly, that's mostly what it's all about... i've never seen a cheap, soft porn movie that looks as good as this film does...
brass has definitely upped the explicit side of things, stopping short of the unsimulated act, but focusing far more on genitalia and intrusion... personally, i prefer a little rawness, but some may find it a little too crass...
the dubbing is an absolute crime against humanity... it is hilarious to hear the bad English accents in place of the usual silly 50's American drawl, however....
this is an extremely slight movie, with highly unsophisticated comedy (in fact, much of the movie is simply our lead actress prancing around naked)... however, this does beat an 80's movie featuring some guy with a square haircut rubbing himself against a girl with a big perm... watch it with low expectations, and it may be a bit of fun... otherwise, avoid it like English pizza...
cheeky follows the exploits of a young woman travelling to London, and dealing with the jealousy of her boyfriend... as she seems to put up a very weak resistance to all advances, perhaps his response is justified... however, brass has a moral to the story, and when the young man learns his lesson, he realises HE was at fault the whole time... his lover was just keeping the spark alive in icy old england!... watch the interview with brass on the DVD and all will make sense... sort of... well not really...
basically, i think that the erotic genre is a place fraught with danger... move too slowly, and it becomes dull... too excessive, and it becomes... well, very stupid (or vulgar)... cheeky definitely flits over the line a few times, but i'll forgive it, because despite all the borderline perversion threatening to creep in (flashers, raincoat voyeurs, and old, seedy men), it's basically a harmless bit of fluff that is almost charming and innocent in its simplicity...
what's more, brass brings a richness of colour and imagery seldom seen in the soft-core arena... and frankly, that's mostly what it's all about... i've never seen a cheap, soft porn movie that looks as good as this film does...
brass has definitely upped the explicit side of things, stopping short of the unsimulated act, but focusing far more on genitalia and intrusion... personally, i prefer a little rawness, but some may find it a little too crass...
the dubbing is an absolute crime against humanity... it is hilarious to hear the bad English accents in place of the usual silly 50's American drawl, however....
this is an extremely slight movie, with highly unsophisticated comedy (in fact, much of the movie is simply our lead actress prancing around naked)... however, this does beat an 80's movie featuring some guy with a square haircut rubbing himself against a girl with a big perm... watch it with low expectations, and it may be a bit of fun... otherwise, avoid it like English pizza...
This movie makes me ashamed of the modern soft-core American porn that I see on the premium cable channels. Every part of a woman's body is shown, without apologies. You could say that no punches have been pulled; HOWEVER, the sex and nudity aren't treated as punches. Penises, both flaccid and erect are shown, as if the average adult actually knew what one was.
It is a beautiful movie, if one likes the female form. The movie's star is gorgeous with no silicon or evidence of a personal trainer. There is a plot, but it doesn't get in the way of the movie very much. The dialog is stupid, but sincere. They don't make movies like this anymore and I doubt that they ever will.
It is a beautiful movie, if one likes the female form. The movie's star is gorgeous with no silicon or evidence of a personal trainer. There is a plot, but it doesn't get in the way of the movie very much. The dialog is stupid, but sincere. They don't make movies like this anymore and I doubt that they ever will.
Some films are simply about the appeal of one character. That's all that matters.
There seem to be two types: those that depend on the charm of attractive women, and those that have to work some other engagement. Often that's the acting challenge.
I'm thinking in particular of Audrey Hepburn and "Funny Face." The story and all else is there only to showcase the woman; She is only there for us and we for her. Soft porn should be the place we see much of this, simply because it affords a wider set of seductive options. But it just isn't so. I think there are several reasons for this. When a film is marketed as smut, expectations aren't very high and what you usually get is something that is measured as less than "the real thing."
Tinto Brass, in some of his later films tries to make something genuinely seductive I think, something that is itself. And he has a good eye, a good cinematic sense. Unfortunately for me, what he thinks is seductive in terms of body types doesn't score. Its a cultural thing.
But what he aims for is casual intimacy, the type of casualness that isn't deliberately seductive, but the center of being of the woman. So when you see the nude actress, it is more likely to be her lounging around the house. Its a study in a woman.
A second reason you see this so little is, well, there are few women on screen who can charm like say Audrey Hepburn. The ones that can act go to a different market. The ones who can't end up in the higher paying "adult industry." So it must be quite a challenge for Brass to find a woman sufficiently natural in a sexual appeal to built a film around.
The story in this case if you don't know it is that he found this woman as a waitress in a pizza place and charmed her into the role. She IS successful at being what he needs, apparently because its what she really is. So in a way, its a documentary, if you subtract out the story, which you'll do even if you aren't interested in the process.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
There seem to be two types: those that depend on the charm of attractive women, and those that have to work some other engagement. Often that's the acting challenge.
I'm thinking in particular of Audrey Hepburn and "Funny Face." The story and all else is there only to showcase the woman; She is only there for us and we for her. Soft porn should be the place we see much of this, simply because it affords a wider set of seductive options. But it just isn't so. I think there are several reasons for this. When a film is marketed as smut, expectations aren't very high and what you usually get is something that is measured as less than "the real thing."
Tinto Brass, in some of his later films tries to make something genuinely seductive I think, something that is itself. And he has a good eye, a good cinematic sense. Unfortunately for me, what he thinks is seductive in terms of body types doesn't score. Its a cultural thing.
But what he aims for is casual intimacy, the type of casualness that isn't deliberately seductive, but the center of being of the woman. So when you see the nude actress, it is more likely to be her lounging around the house. Its a study in a woman.
A second reason you see this so little is, well, there are few women on screen who can charm like say Audrey Hepburn. The ones that can act go to a different market. The ones who can't end up in the higher paying "adult industry." So it must be quite a challenge for Brass to find a woman sufficiently natural in a sexual appeal to built a film around.
The story in this case if you don't know it is that he found this woman as a waitress in a pizza place and charmed her into the role. She IS successful at being what he needs, apparently because its what she really is. So in a way, its a documentary, if you subtract out the story, which you'll do even if you aren't interested in the process.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
This movie was pretty shocking at first, but shortly became just ridiculous, it was filled with silly scenes, and no real plot, lots of genitalia even more than derrière. If you are looking for a titillating, plot less, sex-filled, gratification centered, Italian dud...this would be my pick. I suppose it would have helped to know that subtitles weren't available on this film, but after a few minutes one understands that no subtitles are necessary, as it is easy to figure out, without them. Good to watch if you are enticed by lipstick lesbian love, and Italian horny boys and girls doing it. Great eye candy, and masturbation material/sex material. It was visually and physically exciting, but mentally void of anything worthwhile.
This is perfect after a long week of work. No thinking, just sit back and enjoy Carla (Yuliya Mayarchuk) as she romps throughout London.
First stop is to find a new apartment. This is where she meets Moira (Francesca Nunzi), who is more than willing to share hers at no charge in exchange for some small favors. Oh my! Although the title is Cheeky, and you would expect a focus on that part of the anatomy, I can assure you that there is more than enough focus on the rest of life's treasures in the film. Panties, if worn at all, do not stay on long. In fact, Carla seldom has anything on.
There is a story here, but who cares?
First stop is to find a new apartment. This is where she meets Moira (Francesca Nunzi), who is more than willing to share hers at no charge in exchange for some small favors. Oh my! Although the title is Cheeky, and you would expect a focus on that part of the anatomy, I can assure you that there is more than enough focus on the rest of life's treasures in the film. Panties, if worn at all, do not stay on long. In fact, Carla seldom has anything on.
There is a story here, but who cares?
Did you know
- TriviaThe title is presented in reference guides as TRA(SGRE)DIRE and in the film itself with the middle four letters smaller than the rest of the title. The verb "Trasgredire" translates from Italian as "to transgress" while the verb "Tradire" (minus the "sgre") translates as "to betray."
- Alternate versionsThe English dubbed version is missing about a minute of explicit footage and had all of credits re-done in English, featuring the new title "Cheeky." The opening music theme, while technically remaining the same, uses different, much heavier orchestrations.
- ConnectionsReferences La clef (1983)
- How long is Cheeky?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Cheeky
- Filming locations
- Cubitt Wharf, Storers Quay, Isle of Dogs, London, England, UK(Carla's apartment - Ext.)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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