Écarts de conduite

I put off watching this for a long while, until well after its release on video, because of the very mixed reviews it got and the perception that the content was drab and potentially preachy. Well I was wrong. This is an excellent movie, well worth the expenditure of two hours of anyone's time (well... unless maybe you've only got 24 hours to live, or something). Although the subject matter may sound dour, and certainly does deal with "kitchen sink" issues which can strangle the human spirit without even allowing it the luxury of looking heroic as it succumbs... still the film is about life, not about defeat, and the characters never lose an inner spark and humanity which makes us care about them, and like, or even love them by the time the movie finishes. It's funny and moving... and in a way which seems to have more to do with the way life is funny and moving than with movie conventions.

Beverly knows more than others how your life can change direction with one simple action. She had dreams of becoming a writer as a child but when she got pregnant at 15 all of that changed and she found herself married and living in a cheap house raising a son while trying to study for her exams. This is the start of her struggles where her husband never aspires beyond his next beer and she struggles with responsibility towards her son Jason. Years later, riding with her adult son on a trip, she thinks back over her years.

The title and trailer pretty much let me know that this was aimed at a certain demographic that I am not part of, but I decided to give it a go anyway. The plot is a tapestry of moments across Beverly's life from her dreams to middle age; it is a mix of the comic and the tragic and it doesn't sit that well. Penny Marshall seems to want the comedy to come out – even when it is not appropriate (for example Beverly allowing Jason to continue drowning for comedy effect) and this sits very uneasily with the more dramatic character side of the film. In fact the more serious (and interesting) aspects are mostly badly handled and fall a bit flat. In particular Marshall cannot cope very well with the fact that her lead character is a deeply flawed person that the audience easily dislike at times; the film gets close to examining this at the end but, typically, chickens out big time. The story is mainly quite dull then and the moments that are meant to be funny just seem strangely out of place.

The cast don't help at all. Barrymore is serviceable but can't get to the heart of her character. OK, she isn't helped by the material but she swings wildly from playing "silly" at one moment to overdoing the histrionics. Zahn is not the first choice you want for a film with a story; he goofs well enough but finding depth is not really his forte and he adds to the shallow feel of the main story. Gilbert is hardly in it but Murphy is actually quite good, but then the material doesn't really ask much of it anyway. Woods and Bracco add familiar faces but really nothing else, in tiny roles. Perez plays a money grabber in a small role and made me wonder if she goes out of her way to find such characters? A minor thing that got to me as well was the fact that this is meant to play over years and years but mostly, nobody ages convincingly: apart from costume and hairstyle Barrymore looks the same at the start and the end of the story and this pretty much goes for everyone. A minor quibble but it bothered me.

Overall this is an average and uneven film. The story is interesting because it features such a flawed lead character and could have been interesting but it is roundly mishandled. The comic moments sit uneasily with the story as a whole, but Marshall seems happier with these touches than actually delivering the drama goods. The cast match her approach and their performances vary wildly depending if the scene they are shooting that day was a "happy scene", "sad scene" or "angry scene". Target audience might like it but it is far too flawed to have wider appeal.

It's a shame that this movie can't be shown in high schools, as an educational video. It would certainly serve a terrific purpose, of how one small mistake can change the rest of your life forever.

Beverly (Barrymore), at fifteen, falls in love with the quarterback of the football team. She decides one night at a party to show her love to him, by presenting him with a poem, she's written for him. Unfortunately, being as naive as she is, she presents it to him, in front of all of his friends, where she is then made fun of. Feeling sorry for herself, and very hurt, she runs upstairs to the bathroom, in the house where the party is taking place, crying. There, she meets the man she will soon fall for, and give herself to, for the very first time. However, this boy is not the boy she wants to marry, but is forced to, by her parents, because she is now pregnant. At fifteen, and married, she is now faced with a new life, and new responsibilities. The movie circles around this new life, and how she is able to overcome so much, with so very little. Her deadbeat husband, small and poor home, young child to raise, and at time hopeless future, all gang up on her, while she tries to overcome all of it. Her dreams are not unrealistic, but rather unreachable because of all the problems and mishaps that happen throughout the next fifteen years of her life.

It's poignant, sweet, funny and honest. There is not one person who will watch this, and not relate to at least one thing from the story. Although it may take place in the 1960s-80s, it's still very true to life, and understandable.

I would recommend it to anyone, and hope that everyone will see the power of a message this film holds. It's really an amazing true story, and there aren't many like this out there.

This movie is about Beverly Donofrio (Drew Barrymore) who's life is messed up when she gets pregnant from Ray Hasek (Steve Zahn). Now, Bev's life is turned upside down. She tries to get through the hard time while her best friend Fay (Brittany Murphy) sticks by her side. Her mother (Lorraine Bracco) and Father (James Woods) are very disappointed in her, and now she has decided to marry Ray. Sit back and listen to Beverly tell the story of her troubled life, where she finally found peace.

This was a great movie. It was really sad too. This was a good girl's movie, but also would be enjoyable to guys like me. I give Riding In Cars With Boys an 8 out of 10! :)

I admit that I watched this movie for the most frivolous of reasons: I liked Brittany Murphy's performance in the trailer ("My daughta's a tramp!"). I really never cared for Drew Barrymore, before. However, my opinion of her has changed. Drew put in an INCREDIBLE performance in this movie. She really nailed it. In fact, all of the actors gave commendable performances. I was so moved that I was quite uncomfortable for much of the movie. The pain that was portrayed was so real that I almost regretted purchasing what I thought was supposed to be a comedy. I'm glad I got through it - and an hour later I'm still stunned by what I saw. This movie is well worth seeing.

Perhaps the reviewers who hated it don't understand that you can be repulsed by another person's behavior, but you don't have to agree with them. You don't have to accept their morals (or lack thereof) in order to recognize what they are going through. And perhaps in seeing these roles acted out, you will see someone you know who has touched your life. Perhaps you'll even see yourself. I profess to have high moral standards, but I was not offended by this movie. I just felt very sad. I've known people like these characters. I don't feel that they were trying to justify their decisions.

They were just telling a story. I also think that this movie was a kind of therapy for Beverly, who is standing up, triumphantly, shouting, "I went through a lot of crap and I made it!"

Sure the viewer gets beaten up by this movie, but in a respectful way.

This isn't a fairy tale. This is a story about real life. And real life is brutal.