Clash by Night

I don't agree fully with the first reviewer of this film. Whilst I accept that all the clichés are indeed overworked and obvious as the previous reviewer points out , the film itself is entertaining in other ways. As a period piece of the 60's it is great to see that the British stalwarts are all there. Terence Longdon , the lead is o.k. It's good to see Harry Fowler in a typical wide eyed cockney performance. Also of interest is Alan Wheatley ( t.v's villainous Sheriff of Nottingham in the Richard Greene - Robin Hood series ) and lo and behold there is John Arnatt ( the deputy sheriff from the same series ). This time however they are on opposite sides of the law. I suppose it's especially interesting for me as for many years I was a friend of Alan Wheatley's. He was a fine educated man who enthralled me with his tales of filming and the many stars he worked with. I always enjoy his film performances.Then there is Jennifer Jayne ( from t.v's William Tell ), Peter Sallis, Robert Brown, all great supporting actors of British cinema. Taken as a low budget filler there is much enjoyment to be had from the film. O.k. so prisoner's bus is hi jacked and the passengers who all but one are criminals are left stranded in a barn covered with paraffin. One of the prisoners is a loony, another is a decent guy who may have committed fraud, another is a petty thief who has to discover the error of his ways, plus we have the lead's character who killed a guy attempting to rape his wife. So there you have it, all the plot lines are indeed cliché, but the acting from the stalwarts fleshes out the characters and time flies by. Give it a whirl and don't be too harsh.

'Clash by Night' aka 'Escape by Night' (1964) is some terrifically thrilling, nerve-drilling, pulse-hijacking, hard-hitting Brit-crime celluloid from the 1960s! This boisterous, roustabout B-movie features a VERY unusually sinister performance by Peter Sallis as backward child killer Victor Lush! One of the best creepy-claustrophobic crims locked in a petrol-soaked barn on Bonfire night crime thrillers I've ever seen!! And, cor blimey, mayte! If it don' 'ave quite the most incendiary finale, guv'! And once again the ubiquitous Harry Fowler woz on spiv-tastic form! 'Escape by Night' gotta liver-lashing kick on it like a generously gelignited Gin-spritzer!!!! Strike a light, mayte!!! You'll be awlright wiv the high-octane 'Escape by Night'.

CLASH BY NIGHT is a low rent British crime film. I initially thought it was a Butcher's Films production but it turns out to be from a rival studio. The plot is slightly reminiscent of SPLIT SECOND in that it deals with a gang of ruthless criminals who manage to escape from their transport and take a group hostage. Instead of a nuclear explosion, though, here they lock various prison guards, policemen, and other prisoners into a petrol-soaked barn with the threat of imminent immolation.

Part of the story follows a police investigation as they attempt to track down the culprits while another follows the melodrama taking place inside the barn. Given that this is an entirely low budget production, there isn't a great deal of suspense or tension here, but there are some fairly good performances from the familiar cast members. Terence Longdon (a familiar face from the Carry On films) is the leader of the gang, but my favourite performance came from Peter Sallis (LAST OF THE SUMMER WINE), playing a simple fellow with a passion for fire. What a performance, a total opposite to his later parts!

This looked to be a possibly decent action movie from the early 1960's and I wasn't disappointed. Having missed the opening credits when it was shown on television, I nonetheless identified four of the cast (Longdon, Sallis, Fowler, Meadows); all stalwarts of British screen and TV. The plot could have been straight from 'The Tales of Edgar Wallace', the box-set of which I own and love! England isn't like it's portrayed here anymore but it was like that then in terms of values, crime and punishment, scenery, dress and even the vehicles and road markings etc. People shared WW2 experiences and this often included the characters and of course the actors who are so professional in their performances despite some shortcomings in story and other aspects of film-making. Yes, it's not as good as some of my favourite classic British films from the preceding years such as 'The Cruel Sea' or 'The League of Gentlemen' but this has a decent 'B' movie plot including one or two unexpected twists and keeps your attention until the not entirely predictable ending.

Arthur Lovegrove has had a typically bad night betting on the dogs. A gentleman buys him a couple of drinks, and suggests he might make a few extra dollars; he drives the bus carrying prisoners to prison. Later, we see them and their warders -- one of whom has been killed -- taken to a barn. The place is loaded with paraffin, and should any try to escape, it will be lit. Several of them find an escape hatch, and we learn about them, and why they are there, as the police try to figure out where they are.

Some are there for good reason, like Harry Fowler, a career thief; he bonds with Terence Longden, who killed in hand-to-hand struggle a man trying to rape his wife. Then there's Peter Sallis as a slow-witted crazy man, in a role far from his usual acting jobs.

It's handled nicely by director Montgomery Tully, with some nicely drawn characters. Cameraman Geoffrey Faithfull, whose career as a cinematographer stretched almost 60 years gets to handle a nice final night scene.