IMDb RATING
6.9/10
1.7K
YOUR RATING
After being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.After being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.After being released from the hospital, the artist Jean Michel Basquiat wanders around Manhattan trying to sell art to make money and find a place to stay.
- Awards
- 3 nominations total
Jean Michel Basquiat
- Jean
- (archive footage)
John Lurie
- Self
- (uncredited)
Giorgio Gomelsky
- Landlord
- (as Giorgio Giomelsky)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Usually referred to by its original title "DOWNTOWN 81", the film gives a snapshot of life in run-down Lower East Side Manhattan in the early '80s. Shot in 1981, the film portrays the day-to-day routine of Jean-Michel Basquiat, "graffiti"-artist, musician, or perhaps more accurately, artist in general, as he tries to survive amidst rappers, junkies, strippers, models and uptown art-lovers. Due to financial difficulties, the film apparently got lost, but part of the original material was recovered in 1998 and was finally released in the year 2000. The original soundtrack remained lost, so Basquiat's voice had to be dubbed.
It's an interesting time-capsule of Post-Punk, New-Wave New York, with a sometimes fascinating compilation of interesting vignettes from the scene, but as a movie, it's less rewarding. The story is practically non-existent and there is no acting really, as everybody play themselves. There's much resemblance to the experimental films Andy Warhol made about the New York art scene. It's a typical example of a "fiction" film with a very lose story line combined with mostly real-life characters from the period, like Deborah Harry, Fab Five Freddy, the music of Kid Creole and the Coconuts, Tuxemodoon, The Plastics, DNA, The Lounge Lizards and Basquiat himself with his own band, Gray. A long segment in the film is reserved for a live performance of Kid Creole and the Coconuts. If you're a fan, it's great fun.
In the end a mixed bag, a film mainly of interest for fans of Basquiat and the music of the era. So, if you like the period, it's definitely worth checking out.
Camera Obscura --- 7/10
It's an interesting time-capsule of Post-Punk, New-Wave New York, with a sometimes fascinating compilation of interesting vignettes from the scene, but as a movie, it's less rewarding. The story is practically non-existent and there is no acting really, as everybody play themselves. There's much resemblance to the experimental films Andy Warhol made about the New York art scene. It's a typical example of a "fiction" film with a very lose story line combined with mostly real-life characters from the period, like Deborah Harry, Fab Five Freddy, the music of Kid Creole and the Coconuts, Tuxemodoon, The Plastics, DNA, The Lounge Lizards and Basquiat himself with his own band, Gray. A long segment in the film is reserved for a live performance of Kid Creole and the Coconuts. If you're a fan, it's great fun.
In the end a mixed bag, a film mainly of interest for fans of Basquiat and the music of the era. So, if you like the period, it's definitely worth checking out.
Camera Obscura --- 7/10
Has some really good music and performances; Kid Creole and the Coconuts, James White and the Blacks, DNA, Tuxedo Moon, the Plastics, Melle Mel, Vincent Gallo, Lydia Lunch...etc, but aside from this there isn't much more to it. The dialog, especially the narration(by Saul Williams), is actually pretty good, but the performances are all pretty bland or outright bad, no matter how many hipsters are thrown in; Debbie Harry and Jean Micheal Basquit(the latter being the leading role) both still don't have enough cultural cred to keep this film from being a novelty item. It goes for the a Jack Kerouac style roving spontaneity, but doesn't have the insight to keep it moving along, which is where the band performances come in. I guess its pretty balanced in that regard between great music and bad acting, and I did enjoy it, but I just expected more. Though it does have a fairy tale ending.
For anybody born after 1990 that ever wondered what the 1980's was all about,this film may (or may not)answer a few questions. Jean Michelle Basquiat stars as himself,in a "day in the life" of a graffiti artist who is trying to raise some money to pay his rent. Along the way, he meets up with one interesting character after another. This film also features performances by some of the era's proto punk/New Wave/No Wave/Hip Hop/etc. musical acts (including out of towner's,Tuxedomoon,in what looks like a very hip music video that MTV would never even consider airing). This started out as 'Glenn O'Brien's New York Beat Movie'(O'Brien co-wrote the screenplay),but was shelved,due to a lack of finances before it was finished filming. The film was directed by Edo Bertoglio, has only directed one other film ('Face Addict'),like 'Beat Movie',dealt with the New York uptown/downtown art scene . The fact that over the years,the soundtrack became lost to time only made matters worse. In the late 1990's,however, the original 16mm negative was found (sans soundtrack),a new soundtrack was made up (using a brand new soundtrack,including a replacement voice over dub for Basquiat,who, had died in 1988),and the film was finally given a limited "art house" release in 2000,under the new title,'Downtown 81'. Not the best film depicting the 1980's,but certainly not the worst. Not rated,but contains some rude language.
Nothing but the void, a pleasant one for those who have known the eighties, but well, quite boring for those who are not interested in it. NO screenplay in this film, but a hero wandering in an underground New York full of arstists and night clubbers. It is aimless, pointless and naive. But not entirely unpleasant.
10Xanadu-2
...document of life in downtown New York 1981. I saw this at the Stockholm film festival, November 2000. Apparently the film had just been completed. Where has it been for 20 years????
I loved seeing all of those people from the art and rock worlds. Jean Michel Basqiat is so cute and a good actor too! What a shame he died young. I didn´t know he had a band too. It´s fun seeing New Wave bands like Kid Creole and the Plastics. Gorgeous Debbie Harry is in it too!!! *sigh!*
Everyone is so colorful! I love the 80´s fashions... It has a dreamlike feel to it. See it if you can!
I loved seeing all of those people from the art and rock worlds. Jean Michel Basqiat is so cute and a good actor too! What a shame he died young. I didn´t know he had a band too. It´s fun seeing New Wave bands like Kid Creole and the Plastics. Gorgeous Debbie Harry is in it too!!! *sigh!*
Everyone is so colorful! I love the 80´s fashions... It has a dreamlike feel to it. See it if you can!
Did you know
- TriviaSince 1981, Glenn O'Brien had possession of all of the live musical performance recordings. Unfortunately, the original voice soundtrack was lost in Italy by the film storage vault. The producers were able to get most of the original cast to re-dub their dialogue. But Jean Michel Basquiat died in 1988. So Saul Williams was hired to dub Basquiat's dialogue.
- Quotes
Jean Michel Basquiat: I'm an artist. When you tell people that they usually say, 'what's your medium?' I usually say, 'extra large.'
- Alternate versionsIn the 2001 version, Downtown 81, Saul Williams does the voiceover for Jean-Michel Basquiat's character.
- ConnectionsFeatured in Basquiat (1996)
- SoundtracksPalabras Con Ritmo
Written by Jean Michel Basquiat and Coati Mundi
Performed by Coati Mundi
Courtesy of Coati Mundi Productions
- How long is Downtown 81?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Jean-Michel Basquiat in Downtown '81
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $231,445
- Opening weekend US & Canada
- $11,436
- Jul 15, 2001
- Gross worldwide
- $231,445
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