IMDb RATING
6.7/10
6.2K
YOUR RATING
A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.
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- Won 2 Primetime Emmys
- 9 wins & 24 nominations total
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First of all I really like both the 1982 version and the 1999 version- the reason why I do prefer the 1982 version is because that in particular is a childhood favourite. I do admit there was a time when I didn't really like this, but now considering that it was a TV remake, and that it is a lot more faithful to the stage play, it is not as bad as I initially thought. True it is too short, and despite her truly beautiful voice I just wasn't sure about Audra MacDonald as Grace. For my tastebuds, it was a tad sugary sweet at times for my liking. However, it does look lovely, and the music is marvellous, and the same with the 1982 version. The performances are great too. I really loved Aileen Quinn,(and I wish people would stop making horrible comments about her) but Alicia Morton is closer than what Annie is like in the stage show, in terms of age, and while both girls were wonderful, Morton has got the better voice. Annie's friends were well done too, but the scene stealer has to be Kathy Bates as Miss Hannigan, just like the wonderful Carol Burnett. There were times when she was absolutely hilarious, and Victor Garber while just lacking the gruffness of Albert Finney was a delight as Daddy Warbucks. Alan Cumming and Kristen Chenoweth were fine as Rooster and Lily, and I also much enjoyed the portrayals of Tim Curry(who is my favourite actor of all time and vastly underrated as an actor) and Bernadette Peters. This version is closer to the stage musical, and has a real Christmas feel to it. The problem I had with the 1982 version were John Huston's direction, and I know they changed the ending, but to be fair, the 1982 version is NOT the first musical adaptation to take liberties with the stage musical, how about My Fair Lady and Oklahoma! Overall, seeing this again recently proved my initial opinion of it wrong. 7/10 Bethany Cox
This spectacular new version of Annie is something nobody should miss. Songs like "Maybe" "Tomorrow" and "NYC" are just too good. This is what you call Movie Magic. Because I can't believe how amazing this movie is. It's even better then the orginal and half of that goes to little Alicia Morton who plays Annie in this irresistible remake of the all time classic!
I have to say, I am an avid Annie fan. I first saw the 1982 version, like most people and I loved it. I then saw the stage musical twice and loved that too. There were a lot of differences in the stories on the stage and on the film. Then I saw the 1999 version and I thought that it was great, about as great as the 1982 one but with better actors. I now have both film versions on video and I have seen both many times and I can honestly say that in my opinion the 1999 one is far better. The 1982 one is bigger, with more action and generally a larger production, but that is to be expected as the 1999 one was only a TV movie and with a much smaller budget. I like Alicia Morton a lot more as I think she is perfect for the part. Aileen Quinn was good for the spunky, tough side of Annie but she wasn't really very sweet and was not at all good vocally. One thing that has stood out for me with the 1999 version is the music and orchestration - I have never really noticed the quality of the music (not the vocals, the orchestra) in anything before this. Basically I love the 1999 version as I think it captures the story wonderfully. The 1982 version as also very good but they tailed off the original story too much and made too Hollywood-y for me, so I recommend the 1999 version overall.
first i must say that i grew up with the 1982 annie. i never knew anything else. yet, i just realized that the version i always saw was edited for TV, which totally cut out easy street. i didn't know what to expect, and besides...tim curry scarred me for life as rooster when he chased annie up that bridge..to a little girl, that's scary! so, i watched the 1999 annie on abc, wondering if i was going to be scarred again. just the opposite. i 'm not a big fan of cuteness, but this movie was endearingly sweet. kathy bates was awesome with her interpretation of miss hannigan, and kristin chenoweth is just wonderful as the ditsy lily. the only thing i wasn't into was how warbucks did a complete 180 in his affections for annie. but when alan cumming came on the screen as rooster...this was the first time i'd really paid attention to a role of his (besides circle of friends). i'd watched him on talk shows all week- i just had a strange feeling. when he broke out into the first line of easy street...oh man. i was smitten right then and there. their interpretation of that song is to die for!! i had a loop of him singing one line in my head for 36 hrs...no joke. i had to go get the cd...he wouldn't leave my mind!! and he's so much less scary than tim curry. don't get me wrong, tim is a fabulous actor, but i rented the full version of the 1982 annie and... uh uh. no way. it had a nicer political feel and not such a tied up ending, but the 1999 version has heart and FABULOUS performances. i will forever be grateful for rob marshall (director) begging alan to do it...
The story is presented well thanks to superb acting, especially from the convincing Alan Cumming as 'Rooster' Hannigan. (You'd never think it seeing him in the film, but he's actually got a strong Scottish accent).
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
Did you know
- TriviaAndrea McArdle, who plays the "Star-to-Be" in the "NYC" Broadway musical number, played Annie in the original Broadway stage production of "Annie". That production opened at the Alvin Theatre in April 1977, played for 2,377 performances, and won the 1977 Tony Awards for Best Musical and Best Book of a Musical.
- GoofsThe location of McGillicutty's Tavern moves. As the truck drives away with Annie in the laundry, it shows the tavern as being down the road to the right of the orphanage, whereas at the end of "Easy Street" when Rooster, Miss Hannigan, and Lily dance down the road and into the tavern, it is to the left of the orphanage.
- Quotes
Lily: Oliver Warbucks... the millionaire?
Miss Hannigan: No, the billionaire, you dumb hotel.
- Crazy creditsWhile Ernie Sabella and Vic Polizos are both in the opening titles of the film, they are NOT in the end credits.
- ConnectionsFeatured in The 52nd Annual Primetime Emmy Awards (2000)
Details
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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