Carnival Magic

Carnival Magic (1981)

1/2 (out of 4)

Adamson, best known for drive-in stuff like Dracula VS. FRANKENSTEIN and BLOOD OF GHASTLY HORROR, ended his career making a couple kiddie flicks. This one was made in 1981 and LOST would follow a couple years later. Neither one was originally released to theaters and rumor has it that no one knew this film existed until police searched the director's home after his disappearance and found the film prints (before finding the director's dead body). In the film, Markov the Magician (Don Stewart) is fired from his carnival gig because the boss is under pressure from the lion keeper. Soon the boss' daughter discovers that Markov has a secret chimp who can actually speak. She convinces Marvok to tell the boss so that they can add the chimp to the act, which brings in a lot of money but soon the tiger trainer gets jealous and decides to steal the chimp. Yes, that's the story to this thing. Watching any Adamson picture can feel like an 70-year prison sentence but sometimes he would give us stuff so wild and over the top that you couldn't help but be entertained. Dracula VS. FRANKENSTEIN is the best example of this but CARNIVAL MAGIC is just a downright mystery. Who on Earth was Adamson making this for? Adults are going to be bored out of their minds and I think even kids would hate this thing. The film is certainly meant to be cute but it comes off more scary than anything else as you really can't help but feel uncomfortable with Markov and the teenage girl's friendship coming off a little weird. It also doesn't help that the chimp's voice makes him sound like a gargoyle or some type of freak with a smoker's voice who sounds like he's gasping for his last breathe. Another problem is that the screenplay is just downright bad as none of the character stories are of any interest and you can't help but feel as if the film should have ran no longer than 9-minutes at the most. Stewart seems bored out of his mind and wishing he could be somewhere else while the director's real-life wife Regina Carrol sleepwalks through things. You get the typical Adamson slowness and there are countless scenes that could have been left out as they add nothing to the film and in the end you're pretty much left with the type of film you expect from the director. There's no question that Adamson deserves his cult following because he certainly made some very unique films. Most were downright bad, a few are cult favorites and then there are others that make very little sense. CARNIVAL MAGIC is certainly the strangest film I've seen from the man and that's saying quite a bit.

This was shot in the summer of 1980, but not released until three years later. So, while it's listed as a 1983 film, there's a lot of late 70s' residue.

Regina Carrol as Kate is one of the main highlights. She was 37 during shooting in the summer of 1980, but still very beautiful (physically and inwardly), even stunning. There's a good scene that specifically explains why she was a little long in the tooth as the magician's assistant. She happened to be director Al Adamson's wife from 1972-1992 when she died of cancer at the too-young age of 49. Al passed away three years later.

There are other points of interest, like Don Stewart (known for his ten-year stint in Guiding Light) as the brooding-yet-principled magician with mesmerizing powers learned in Nepal, as well as the setting of the traveling carnival itself. I realize it's a 'B' production with some third-rate acting (e.g. Stoney), but the flick works mostly because it fleshes out the characters and you care about them and their story.

Anyone who appreciates low-budget movies involving circuses, like "When the Circus Came to Town," "Roustabout," "Circus of Horrors" or "Circus of Fear," aka "Psycho-Circus," should find something to like.

It runs 1 hour, 25 minutes, and was shot in Shelby, North Carolina, which is almost an hour's drive west of Charlotte; as well as Gaffney, which is a half-hour drive south of there, across the border in South Carolina.

GRADE: B.

Ironically, people giving a 10 star "so bad it's good" review may have their heart in the right place, but sadly do themselves and everyone else a disservice. At the time of this review, IMDB has Carnival Magic at 2.3. WAY too high.

I understand "The Room" holds the title of worst of all time (the WOAT?) But I strongly disagree. So what is it about Carnival Magic that makes it worse than The Room? I'm glad I asked! It all comes down to intent. Call it conspiracy theory but I've long felt The Room just a little TOO awful. Tommy Wisough(sp?) saw the masses of nostalgic hipsters and created for them their "Citizen Kane" (something I genuinely respect BTW). Carnival Magic ALSO thinks it's Citizen Kane. How does a movie this bad slip through so many people and get released? Well it's something future historians will struggle to answer. Its been said archeology is the study of trash, people's culture defined by their garbage. Carnival Magic is beautiful garbage. Real people wrote this script, real actors read for these parts, real casting directors hired these roles and somewhere a real director has this on a resume. Its a beautifully orchestrated train wreck done right, with tickets sold to passengers NOT to spectators!

(that train analogy was awesome)

So while the sheep continue "ironically" worshipping false idles, purchasing 4K special editions of Sharknado, waiting hours in line for a selfie with Tommy Wisoeh(sp? I refuse to Google that man), it's quiet unsung heroes, heroes like Carnival Magic, who sadly go unappreciated.

I urge you. Do what's right here, look into your heart. Give Carnival Magic the 1 star it deserves, the 1 star it earned.

I found a DVD and just gave it a spin - not nearly as bad as a feared, but it's still one weird flick. I like that it captures the sleazy vibe of those flea market carnivals of the 70s - like the movie, they mixed kiddie attractions with crazy gross freakshows and sometimes burlesque and peep shows (I saw my first stripper sneaking under a carnival tent!). But the acting was so weak, it made Ed Wood's posse look like a PBS ensemble.

And what was up with that crazy chimp voice?? Al Adamson makes some of the most inexplicable flicks ever. There's a full audio commentary by the producer/co-director, "a critical appreciation" and silent outtakes, and the print quality is outstanding. How crazy that the flick was rated G! The producer says they had to cut the animal trainer slapping his girlfriend's face from three slaps down to two to get the G rating. His memory is astounding, he recalls where each performer was hired from. One gal was the rental car agent he picked up when he flew in, he just gave her a line in the midway scene!

There's one scene of the monkey running off after a trick - the producer says the monkey just ran off the set and was missing for hours! Nobody knows where he went or what he did. He just strolled back onto the set later that day, and they resumed shooting his scenes.

I bet there's some neighbor somewhere near where they shot this who's still telling wild tales that nobody will believe about the day that monkey showed up and raided the dog food dish....

I was asked on Friday, July 11, 1980 by Mr Feltner, while renting him a car, if I wanted to be in a movie. I'm sure I looked at him as if he was a dirty old man and he quickly read the situation and said, "Not THAT kind of movie. We are shooting at Earl Owensby Studios (which living in the area I was familiar with) and told me he would give me a line to say and $75. Sounded interesting, so I said ok, I'll be there. I drove to Gaffney on Saturday, July 12, 1980 to do my one line. In the directors cut he mentions that he asked the girl who rented him a car from Avis Rent a Car, me, to come down to Gaffney, SC to appear in this movie and that I rode down with him, which I did not. As I stated previously, I drove down the next day.

I had always assumed that the movie was never shown. Imagine my surprise after all these years, to discover that the movie was released and I was in it at around the 26 to 28 minute mark. The girl in the blue shirt in the Midway scene. I ended up spending the entire day. The monkey had gotten lose and they had to set up for the long shot on the Midway which was the scene I was in. It took over 2 hours to find the monkey, and another 3 hours to set up for the Midway shot.

I recall on the first take, after saying my one line, he yelled CUT! And asked if I could say my line less southern, as he didn't want the movie to sound like it was made in the south. I was a bit embarrassed but tried it again. Then I heard some one say, don't worry about it. When can dub over her voice later. To my surprise they didn't dub over my actual voice and they didn't cut my scene out of the movie.

After shooting wrapped for the day he asked if I wanted to go eat with him and the cast. I agreed and we went out to a local Steak House that served hush puppies. Don Stewart looked at them and asked what they were, cornbread??? I told him no, they were hush puppies. He nearly lost his mind laughing and asked me to repeat what they were until he had everyone at the table laughing at the word hush puppy and my southern accent. I won't lie, I was slighly offended. I can take a joke and laugh at myself. But when they started trying to mimic me and laugh, it started to get old. Mr. Feltner saw what was going on, he seemed to always be paying attention to everything going on even when you didn't think he was. He was extremely nice and somewhat paternal toward me. Being in a movie, even a sub B Movie, was an eye opening expericence. It does strip away a lot of the magic.