Sally Hemings: An American Scandal

It's a TV movie, a chick flick, and blatant historical revisionism--I thought I'd hate it, but for some reason I didn't. An African-American woman wrote the screenplay, which is a good thing, given the racial and political ramifications of this fictionalized account of the relationship between America's third president, Thomas Jefferson, and the slave woman, Sally Hemings, who almost certainly bore him one, and probably several, children. The screenwriter was candid enough to admit that the relationship was most likely not as romantic as she portrayed, but that otherwise she tried to stick to known historical facts. Of course, the fact is that we know very little about the real Sally Hemings, and the film's creators have taken this as license to portray a very modern, strong-willed and beautiful heroine (beauty, for better or worse, is important for the star of a historical romance--and I must admit Carmen Ejogo succeeded in capturing my attention) who hardly seems to be a slave at all. She is recast as a latter-day Esther, the Biblical slave woman who became queen of Persia and used her position to save her people. But even the fictional Hemings cannot save her people--although she does help many escape to freedom. And both the fictional and real Thomas Jeffersons, despite having penned the words "all men are created equal" and claiming that slavery was an abomination before God, never took action to bring about the end of the institution of slavery. Indeed, Jefferson was a complicated and puzzling figure. A virtual Renaissance man with big, beautiful dreams for the future of humankind, he was also a hypocrite and a racist, and was frequently ineffectual in both his politics as well as his own personal finances. The last third of the movie chronicles his decline into bankruptcy, and it becomes a gothic tale of decadence, with poor Sally doing all she can to fend for herself and her children while staying loyal to the master of the house. The decline and fall of Jefferson's dream world is the final test of Sally's womanly strength, and it is also a bittersweet presaging of the fall of the Old South. Of what little we do know of the real Hemings, it seems highly probable that she was three-quarters white, and that she was in fact the half-sister of Jefferson's late beloved wife. The lasting and profound image of this modest movie is of the "white slaves," people who we know for a fact did "pass" for whites once they gained their freedom. We condemn slavery because "all men are brothers"; how astounding it is to see that on the old plantations this was literally and blatantly true, with men like Jefferson holding their sons, daughters, brothers, sisters, aunts and uncles as "property'! I liked this movie better than the fancy Merchant-Ivory production, Jefferson in Paris. Sam Neill's waffling, self-contradicted, flakey Jefferson seems more historically accurate than Nick Nolte's mountainman, and even though much of the rest is pure fantasy, it is a fairly well-crafted, entertaining and positive rendering of disturbing and potentially controversial material.

This movie was not immediately something I found great. In fact, as I watched the beginning, I began to find myself laughing at the absurdity of some of the scenes... a reaction not sought after, I am sure. It wasn't awful, and it did have some good parts, but it was something out of a Harlequin romance novel, it seemed. But, as time rolled on, the movie began to unveil its value as a serious, thought-provoking, and often moving portrayal of a time when the human condition outshined the laws of the day. In the end, what made this movie work -- and it worked quite well once it got past the poorly written first scenes -- were the performances of Sam Neill, and Carmen Ejogo. It was not a surprise that Sam Neill made bad lines sound so good -- he's an extremely talented actor -- but it was a surprise to see Carmen Ejogo, a virtual unknown, act so beautifully and eloquently. She is going to be an actress to watch. Not only is she gorgeous to look at, she's talented, as well. Both actors were brilliant in their roles, and that alone makes the movie worth watching. They should be proud of the work they did.

Hello. I was very pleased with the series. I was interested in watching it because of SAM NEILL but soon found that the acting of SAM and Carmen was so well done that I actually found myself watching TJ and Sally finding each other, loving each other and was drawn in to their unique situation.

I believe that the series did a good thing in bringing this relationship into the public eye and I personally have found I have a great interest in learning more about TJ, Sally (who, unfortunately, there is not a lot available) and the whole horrible slave business.

There were places in the series where I was disappointed, simple things that were not realistic, but I was willing to overlook them because of the superb acting of SAM NEILL and Carmen.

I recommend this series.

I liked this movie, I didn't love it, however. I don't think that the relationship between Sally and Jefferson was particularly startling, I don't understand why the relationship would be a shock to anybody. Slaves are people too, so of course, people can fall in love with a slave, it's not impossible. I happen to be a black girl who likes white men, shocking? I think not. I do think that this movie did not concentrate on family, enough, I wouldn't have expected Jefferson to have long chats with his biracial children, but Sally too hardly said anything to them. And I so wish that people would quit calling Sally Hemings black, or colored. Sally was white AND black, a simple blood test would show that. Most blacks don't choose to believe that blacks should be considered less than a whole human, but they'll go for that one-drop-of-black-blood crap in a second! Carmen Ejogo didn't play Sally as well as Thandie Newton did to me, but she did a fine job!

Personally I'm tired of Thomas Jefferson and Sally Hemmings, what's so shocking about a man taking a mistress whether they are white, black, purple or green. Why is Jefferson put on this golden pedestal? What's so shocking about finding out that this man ascending to heaven had flesh just like everyone else.

Personally, I came away feeling angry about the movie. Can't people to any more research than what they do? James Callender was scrupulous, yes, but he was a reporter and jailed under the Alien and Sedition Acts. He could have been reward a little from his trouble, after all Jefferson couldn't be happier when he was publishing his History of 1797 against the Federalists. If it wasn't for James Callender we probably wouldn't even be seeing this movie and the gossip that came of it would have died a gradual death. Next is Dolly Madison. Did any of those people actually look at a picture of Dolly Madison? She had black hair not red and that table scene when James Callender was asking her about her and Aaron Burr in New York. She wasn't even in New York; she was in Philadelphia burying a husband and a son from the yellow fever epidemic. There were other things I could point out as well but the average person doesn't realize the mistakes and that's what makes me so angry.

I see historical movies and how they botch things up makes me so mad and what I get angry over is the fact that people see these movies and believe what they see. They don't bother to look for themselves to find the truth.

Besides the great criticism I did enjoy Sam Neil as Jefferson I thought his manner seemed fitting, better than Nick Nolte in Jefferson in Paris. Mare Winningham was perhaps the best as Martha Jefferson constantly struggling between the duties of a mistress of the plantation, daughter to her father, and his relationship with Sally. When it was all over, it was entertaining and that is the number one motive behind this movie.