In 2027, in a chaotic world in which women have somehow become infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.In 2027, in a chaotic world in which women have somehow become infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.In 2027, in a chaotic world in which women have somehow become infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.
- Nominated for 3 Oscars
- 49 wins & 89 nominations total
- Baby Diego
- (as Juan Yacuzzi)
- Café Customer
- (as Atlanta White)
- Ian
- (as Paul Sharma)
Featured reviews
Last month, a decade later almost to the day, I suddenly felt the urge to revisit the film (because it was mentioned in an article about "long takes"), and upon re-watching it, it just blew my mind. This film is so, so, good!
It not only manages in many aspects to be the most prophetic - and most shockingly realistic - sci-fi film I have ever seen: it achieves that feat with a level of style and through such an abundance of fantastic creative choices and innovative camera techniques that I was simply left in awe.
I was forced to conclude that this film was a visionary piece of art (and how that fact had eluded me the first time around I couldn't - and still can't - explain). It's a cinéphile's dream come true; it's a masterpiece in the true sense of the word.
'Children of Men' is a gut-wrenching look at an all too possible future, but it also works as a heart-stopping, adrenaline-rush-inducing piece of entertainment featuring some of the most breathtaking camera work you'll ever see.
The performances are flawless. The artwork, the production design, the music; I could go on and on: this is one of those few real masterworks where everything just comes together right. And I believe the final 30 minutes of the film rank among the finest achievements in the history of Cinema. Period.
10 Stars out of 10.
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If this doesn't get you engaged with the world today and the possibilities that might be in store for it then rewind, pause, and watch again. Great performances, spectacular cinematography and direction.
Although the camera work and cinematography is nothing short of stunning the focus always with our protagonist, ensuring we're kept in the middle of the action throughout. It is also undoubtedly one of Owen's finest performances to date. Theo is never far from danger yet he struggles on with convincing dignity. Occasionally baffled but far from stupid - Theo is essentially a reckless, underplayed action hero that doesn't jump at every opportunity to arm himself with a gun. This works well with the international ensemble of incredible talent: Michael Caine's charming pot dealing hippie, feisty Julianne Moore, key role Claire-Hope Ashitey, the wonderful Pam Ferris, the increasingly busy, excellent Chiwetel Ejiofor, Danny Huston and writer/director/producer Peter Cullen (gloriously sadistic Syd) to name a few... This is surely a casting coup to be jealous of.
The episodic nature of the story makes Children of Men difficult to place into one genre alone. Briefly glimpsed futuristic sci-fi technology is grounded in reality and looks entirely achievable while grey, graffiti ridden concrete locations provide an excellent backdrop for the near satirical look of our current social and political climate. There's poignant drama interspersed amongst exhilarating action and yet enough twists to call it a thriller.
This is not to say it's flawless. Some exposition is handled better in places than others for instance. However Alfonso Cuarón has achieved a completely remarkable experience. Arguably the film could have been longer given how strong most of it is. The only really hard pill to swallow is the comedy juxtaposed with some stark imagery that looks all too familiar to anyone who has ever seen the News from the past few decades. Nice to see a Pink Floyd reference though (pigs might fly!), and someone finally found a use for Battersea Power Station.
Ideally an audience should see this film with no preconceptions and know as little about the plot as possible. This will be unlikely though due to a staggered box-office release schedule, word of mouth and a plethora of reviews and trailers that are eager to give much of the game away. Ironic then perhaps that it must be said - Children of Men is a cinematic milestone. Great special effects and an effective soundtrack accompany this heartfelt, moving and thought-provoking film. Easily one of the best films in recent memory.
The main character in this story is Theo (Clive Owen), a bureaucrat whose wife, Julian (Julianne Moore) left him long ago following the death of their son in the pandemic. She has taken up with a domestic terrorist organization and he hasn't seen her for many years. Out of the blue, she approaches him asking for his help sneaking someone out of the country. Who this is and why...you can learn this when you see the film. Just understand...what happens are some things you just won't expect!
Before I talk about whether or not I liked the movie, it's VERY important to talk about how depressing the story is. Considering the recent COVID outbreak, the panic and chaos in the story seem even more terrifying. If you are depressed or scared about COVID, this is probably a film you best see another time or not at all. Again, I am NOT saying it's a bad film...it's just one that might be tough now for some viewers. With all the death, suicide and the like, this is NOT an upbeat film despite there being some hope as the film progresses.
The story is depressing and interesting at the same time. The standout in this film, however, is the cinematography and the long composite shots. And, even if the story is off-putting to many, you can't deny it took a lot of skill to make the movie. Worth seeing and a one-of-a-kind story from start to finish, it's hard to rate this one as the film clearly is not for everyone. If you want to be entertained or left happy, this sure ain't a film for you! I certainly DON'T want to see more films like it! But if you can take the overall tone of the movie and want something original, then it's clearly a film to watch.
Did you know
- TriviaIn the movie, the infertility crisis is the result of all women being infertile. In the original novel by P.D. James, it's the result of all men producing no sperm.
- GoofsWhen Theo and Jasper smoke Strawberry Cough, the sleeping cat changes its position between every cut without ever waking up.
- Quotes
Jasper: Everything is a mythical, cosmic battle between faith and chance.
[offers Miriam a joint]
Miriam: Maybe I shouldn't.
Jasper: You already did. Take another one. Now cough. What do you taste?
Miriam: Strawberries!
Jasper: Strawberries? That's what it's called: Strawberry Cough!
Kee: Wicked!
Jasper: So. You've got faith over here, right? And chance over there.
Miriam: Like yin and yang.
Jasper: Sort of.
Miriam: Or Shiva and Shakti.
Jasper: Lennon and McCartney!
Kee: [looking at pictures] Look, Julian and Theo.
Jasper: Yeah, there you go! Julian and Theo met among a million protestors in a rally by chance. But they were there because of what they believed in in the first place, their faith. They wanted to change the world. And their faith kept them together. But by chance, Dylan was born.
Kee: [picks up another photo] This is him?
Jasper: Yeah, that's him. He'd have been about your age. Magical child. Beautiful. Their faith put in praxis.
Miriam: "Praxis"? What happened?
Jasper: Chance. He was their sweet little dream. He had little hands, little legs, little feet. Little lungs. And in 2008, along came the flu pandemic. And then, by chance, he was gone. You see, Theo's faith lost out to chance. So, why bother if life's going to make its own choices?
Kee: Baby's got Theo's eyes.
Jasper: Yeah.
Miriam: Oh, boy. That's terrible. But, you know, everything happens for a reason.
Jasper: That, I don't know. But Theo and Julian would always bring Dylan. He loved it here.
- Crazy creditsAt the very end, one can read "Shanti, Shanti, Shanti" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shanti" means "peace" in Sanskrit.
- SoundtracksFragments of a Prayer
Music by John Tavener
Recorded at Abbey Road Studios
Mezzo soprano: Sarah Connolly
Conducted by John Tavener
Orchestra contractor Isobel Griffiths
Recorded and Produced by Simon Rhodes
Assisted by Richard Lancaster and Ian Stickland
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Niños del hombre
- Filming locations
- Montevideo, Uruguay(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $76,000,000 (estimated)
- Gross US & Canada
- $35,552,383
- Opening weekend US & Canada
- $501,003
- Dec 31, 2006
- Gross worldwide
- $70,598,774
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1