Two French girls get lost in the woods and accidentally enter the realm of sorceress Morgana Le Fay - who gives them the choice of either staying young forever as her lovers, or rot in a dun... Read allTwo French girls get lost in the woods and accidentally enter the realm of sorceress Morgana Le Fay - who gives them the choice of either staying young forever as her lovers, or rot in a dungeon for eternity.Two French girls get lost in the woods and accidentally enter the realm of sorceress Morgana Le Fay - who gives them the choice of either staying young forever as her lovers, or rot in a dungeon for eternity.
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Inspired by the exploits of the famous witch found in Arthurian legends, this film has an appropriately medieval feel to it - not least because of its authentic castle setting and the evocative score by Francois de Roubaix (using the pseudonym Cisco El Rubio!). While it was sold as exploitation on the strength of its copious nudity (the mostly female cast also entailing lesbianism), the script - where characterization is given its due, which is more than can be said for most "Euro-Cult" titles! - is surprisingly literate. In this respect - not to mention having the titular character's dungeon crammed with a bevy of mostly willing slaves! - the film anticipated the "Elizabeth Bathory" segment in Walerian Borowczyk's IMMORAL TALES (1974). Speaking of Bathory, Dominique Delpierre's Morgana here actually reminded me of that character as incarnated by Delphine Seyrig in DAUGHTERS OF DARKNESS (1971) - which, incidentally, was also scored by De Roubaix!
The sustained dream-like mood here results in a languorous pace, which is actually typical of low-budget fantasy films made in France during this time: its main purveyors were Jean Rollin and Jess Franco, but Gantillon's effort is ample proof that others (whose career wasn't as prolific and, consequently, faded into obscurity) were, at least, equally adept at this sort of thing; though it often descended into camp - which the title under review here, thankfully, doesn't! - Michel Lemoine's SEVEN WOMEN FOR Satan (1974), incidentally also a Mondo Macabro release, is another one of its kind I enjoyed a good deal.
Besides, the film's production values (primarily - and economically - utilizing natural resources), accentuated by Jean Monsigny's odd framing, impart the film with an effortless classiness not usually found in lowbrow "Euro-Cult" ventures. That said, the lengthy feast/lesbian orgy towards the end stops the film dead in its tracks and the unresolved ending may seem like a cop-out (though I took it as merely another bizarre touch in a movie filled with unconventional detail).
With respect to casting, this too appears to have received some uncommon consideration: the sinister-looking Alfred Baillou is memorable as Morgana's love-struck (yet jealous) dwarf henchman!; Delpierre (who is able to materialize wherever she pleases, as is demonstrated in the final moments of the film) and Regine Motte (as one of her three favored nymphs endowed with psychic powers: in fact, one of the most striking scenes in the film is when they relate to Morgana the movements of the fleeing heroine beyond the castle walls - which is shown in a form of stylized choreography) are the loveliest of the six leading ladies, but also the most able performers.
The sustained dream-like mood here results in a languorous pace, which is actually typical of low-budget fantasy films made in France during this time: its main purveyors were Jean Rollin and Jess Franco, but Gantillon's effort is ample proof that others (whose career wasn't as prolific and, consequently, faded into obscurity) were, at least, equally adept at this sort of thing; though it often descended into camp - which the title under review here, thankfully, doesn't! - Michel Lemoine's SEVEN WOMEN FOR Satan (1974), incidentally also a Mondo Macabro release, is another one of its kind I enjoyed a good deal.
Besides, the film's production values (primarily - and economically - utilizing natural resources), accentuated by Jean Monsigny's odd framing, impart the film with an effortless classiness not usually found in lowbrow "Euro-Cult" ventures. That said, the lengthy feast/lesbian orgy towards the end stops the film dead in its tracks and the unresolved ending may seem like a cop-out (though I took it as merely another bizarre touch in a movie filled with unconventional detail).
With respect to casting, this too appears to have received some uncommon consideration: the sinister-looking Alfred Baillou is memorable as Morgana's love-struck (yet jealous) dwarf henchman!; Delpierre (who is able to materialize wherever she pleases, as is demonstrated in the final moments of the film) and Regine Motte (as one of her three favored nymphs endowed with psychic powers: in fact, one of the most striking scenes in the film is when they relate to Morgana the movements of the fleeing heroine beyond the castle walls - which is shown in a form of stylized choreography) are the loveliest of the six leading ladies, but also the most able performers.
This was, admittedly, a film I picked up for the titillation factor, since I enjoy the sight of women from the 70's in their natural, undressed Euro glory.
However, this film was done in such a way as to find me enjoying it throughout, despite my initial misgivings.
Granted, I don't think it's the greatest movie ever, but the settings and the "fairy-tale" feel of it I found to be quite good, and the erotic elements were considerably enjoyable. The dialogue also wasn't as cheesy as I was expecting, which is always a good thing, considering many similar films of that era can't escape those faults.
The DVD is quite good, the quality of the picture is excellent, and includes a good interview with the director, Bruno Gantillon. Recommended for fans of 70's erotica and fantasy.
However, this film was done in such a way as to find me enjoying it throughout, despite my initial misgivings.
Granted, I don't think it's the greatest movie ever, but the settings and the "fairy-tale" feel of it I found to be quite good, and the erotic elements were considerably enjoyable. The dialogue also wasn't as cheesy as I was expecting, which is always a good thing, considering many similar films of that era can't escape those faults.
The DVD is quite good, the quality of the picture is excellent, and includes a good interview with the director, Bruno Gantillon. Recommended for fans of 70's erotica and fantasy.
I first saw a teaser for this movie as an extra on a Mondo Macabro DVD. At the time I don't believe it was listed among their coming releases, but it had been released by another branch of the company in the UK called Pagan.
When Mondo Macabro did release it, I bought it, as I have bought most of their DVDs.
The movie looks gorgeous. Really rich color. It's got a slow, dreamy pace that some might find boring. It's definitely got more of a fantasy flavor than one of horror.
Two attractive women have car trouble, and go to sleep in an abandoned building. One wakes and finds the other missing, and she follows a strange little man to a castle by a lake. There, attractive women live in luxury with the witch Morgana. Her three closest servants and the little man grow jealous of the newcomer. Morgana has the power to keep women young and beautiful forever, for the price of their soul. And indeed, for all the luxury, the place seems pretty soulless. This is not a very deep movie, with not a whole lot of plot. It gets a little more eventful towards the end, and does have a satisfying ending.
The DVD includes a number of extras, including a short by the director predating this film called in English "An Artistic Couple." It's not currently listed on the IMDb. In some respects it has a similar story, though it is played more for horror.
When Mondo Macabro did release it, I bought it, as I have bought most of their DVDs.
The movie looks gorgeous. Really rich color. It's got a slow, dreamy pace that some might find boring. It's definitely got more of a fantasy flavor than one of horror.
Two attractive women have car trouble, and go to sleep in an abandoned building. One wakes and finds the other missing, and she follows a strange little man to a castle by a lake. There, attractive women live in luxury with the witch Morgana. Her three closest servants and the little man grow jealous of the newcomer. Morgana has the power to keep women young and beautiful forever, for the price of their soul. And indeed, for all the luxury, the place seems pretty soulless. This is not a very deep movie, with not a whole lot of plot. It gets a little more eventful towards the end, and does have a satisfying ending.
The DVD includes a number of extras, including a short by the director predating this film called in English "An Artistic Couple." It's not currently listed on the IMDb. In some respects it has a similar story, though it is played more for horror.
A dull road trip across France takes an unexpected turn when two sexy ladies Anna and Francoise stop in a creepy country village.They go into an abandoned barn where they have lesbian intercourse.When Anna disappears the next day her lover is scared.With the help of little hunchback Francoise soon finds her way to a mysterious castle ruled by spiritual vampire Morgana Le Fay and filled with ageless lesbians."Girl Slaves of Morgana Le Fay" is an erotic fairy tale with soft-core scenes of lesbian sex and a little bit of silken bondage.The girls are sexy enough and the location sets including lovely castle near the lake provide plenty of splendid Gothic mood.8 out of 10.Another fine DVD release from Pete Tombs and Mondo Macabro.
Françoise and Anna, a couple on holiday, stop at a local tavern only to be weirded out by a dwarf. Upon leaving, they get lost as women are known to do and their car breaks down so they choose to spend the night in a barn. They makes out heavily before falling asleep, the next day Françoise awakes to find Anna missing. The dwarf is there and tells her that he knows where her friend is, leads her to the castle of one Morgana LaFey, an immortal witch who grants immortality to other young women in exchange for their souls. But it isn't long before jealously takes hold of the other girls.
This film came as bit of a revelation to me in that I only bought it because the name and cover lept out at me, plus the fact that it was on sale didn't hurt in the least. It exceeded my expectations and I found it to be a heavily erotic, gripping, ambiance thick film. A minor lost classic that one would do well to seek out.
Eye Candy: Every girl in the film shows various amounts of skin
My Grade: B-
Mondo Macabro DVD Extras: 3 Alternate & Deleted scenes; "Un Couple D'Artistes" Short film; 11 minute interview with Director Bruno Gantillon; poster & stills gallery; Theatrical trailer; and a VERY gory nudity filled compilation trailer including "French Sex Murders", "Living Doll", "Satanico Pandemonium", "Panic Beats", "Clonus", "the Killer must kill again", "the mansion of madness", "Alucarda", "the diabolical Dr. Z", "Aswang", "the Living Corpse", "Blood of the Virgins", "Seven women for Satan", "Lady Terminator", "Crazy love", "Mill of the stone women", & "Dangerous Seductress"
This film came as bit of a revelation to me in that I only bought it because the name and cover lept out at me, plus the fact that it was on sale didn't hurt in the least. It exceeded my expectations and I found it to be a heavily erotic, gripping, ambiance thick film. A minor lost classic that one would do well to seek out.
Eye Candy: Every girl in the film shows various amounts of skin
My Grade: B-
Mondo Macabro DVD Extras: 3 Alternate & Deleted scenes; "Un Couple D'Artistes" Short film; 11 minute interview with Director Bruno Gantillon; poster & stills gallery; Theatrical trailer; and a VERY gory nudity filled compilation trailer including "French Sex Murders", "Living Doll", "Satanico Pandemonium", "Panic Beats", "Clonus", "the Killer must kill again", "the mansion of madness", "Alucarda", "the diabolical Dr. Z", "Aswang", "the Living Corpse", "Blood of the Virgins", "Seven women for Satan", "Lady Terminator", "Crazy love", "Mill of the stone women", & "Dangerous Seductress"
Did you know
- Alternate versionsAlthough the 1999 Pagan release was passed uncut by the BBFC the print had been pre-edited by around 4 minutes before submission. Missing were 2 scenes showing 3 slave women performing lesbian sex and drinking wine from one girl's breasts, shots of a naked girl masturbating, and the entire opening scene where a bound naked girl is expelled from a manor by a tribunal for having unclean thoughts.
- ConnectionsReferenced in Ban the Sadist Videos! (2005)
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